Album Info
| Artist: | Jaco Pastorius |
| Album: | Jaco Pastorius |
| Released: | Netherlands, 27 Sep 2010 |
Tracklist:
| A1 | Donna Lee | 2:24 |
| Bass - Jaco Pastorius | ||
| Congas - Don Alias | ||
| A2 | Come On, Come Over | 3:53 |
| Alto Saxophone [Solo] - David Sanborn | ||
| Baritone Saxophone - Howard Johnson | ||
| Bass Trombone - Peter Graves | ||
| Bass, Arranged By [Horns] - Jaco Pastorius | ||
| Congas - Don Alias | ||
| Drums - Narada Michael Walden | ||
| Keyboards - Herbie Hancock | ||
| Tenor Saxophone - Michael Brecker | ||
| Trumpet - Randy Brecker, Ron Tooley | ||
| Vocals - Sam & Dave | ||
| A3 | Continuum | 4:32 |
| Bass - Jaco Pastorius | ||
| Bells - Don Alias | ||
| Drums - Lenny White | ||
| Electric Piano [Fender Rhodes] - Alex Darqui, Herbie Hancock | ||
| A4 | Kuru / Speak Like A Child | 7:38 |
| Bass, Arranged By [Strings] - Jaco Pastorius | ||
| Cello - Beverly Lauridsen, Charles McCracken, Kermit Moore | ||
| Conductor [Strings] - Michael Gibbs | ||
| Congas, Bongos - Don Alias | ||
| Drums - Bobby Economou | ||
| Piano - Herbie Hancock | ||
| Viola - Manny Vardi, Julian Barber, Selwart Clarke | ||
| Violin - Harold Kohon, Harry Cykman, Harry Lookofsky, Joe Malin, Paul Gershman | ||
| Violin, Concertmaster - David Nadien | ||
| A5 | Portrait Of Tracy | 2:19 |
| Bass - Jaco Pastorius | ||
| B1 | Opus Pocus | 5:24 |
| Bass - Jaco Pastorius | ||
| Drums - Lenny White | ||
| Drums [Alto Steel Drum] - Othello Molineaux | ||
| Drums [Tenor Steel Drum] - Leroy Williams | ||
| Electric Piano [Fender Rhodes] - Herbie Hancock | ||
| Percussion - Don Alias | ||
| Soprano Saxophone - Wayne Shorter | ||
| B2 | Okonkolé Y Trompa | 4:20 |
| Bass - Jaco Pastorius | ||
| Congas, Percussion [Okonkolo, Iya, Afuche], Congas - Don Alias | ||
| French Horn - Peter Gordon | ||
| B3 | (Used To Be A) Cha-Cha | 8:53 |
| Bass - Jaco Pastorius | ||
| Congas - Don Alias | ||
| Drums - Lenny White | ||
| Piano - Herbie Hancock | ||
| Piccolo Flute - Hubert Laws | ||
| B4 | Forgotten Love | 2:11 |
| Arranged By, Conductor [Strings] - Michael Gibbs | ||
| Cello - Alan Shulman | ||
| Double Bass - Homer Mensch, Richard Davis | ||
| Piano - Herbie Hancock | ||
| Viola - Al Brown | ||
| Violin - Arnold Black, Matthew Raimondi, Max Pollikoff |
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Details
Original Release Year: |
1976 |
Genre(s): |
Jazz, Post Bop, Fusion, Jazz-Rock, Jazz Fusion, Post-Bop, Funk |
Format: |
Vinyl Record LP |
Description
Jaco Pastorius' self-titled debut album, "Jaco Pastorius," is a groundbreaking and influential jazz fusion masterpiece. Released in 1976, this album solidified Pastorius' status as one of the greatest bassists of all time and showcased his exceptional musicality and innovation.
From the first notes of the opening track, "Donna Lee," it is clear that Pastorius' virtuosity knows no bounds. His bass playing is nothing short of astonishing, combining intricate melodic lines, percussive slapping, and fluid improvisations. Tracks like "Portrait of Tracy" and "Opus Pocus" showcase his technical prowess and his ability to create rich and dynamic textures on the bass.
"Jaco Pastorius" features an impressive lineup of musicians, including Herbie Hancock, Wayne Shorter, and Peter Erskine, who contribute their talents to create a cohesive and captivating sonic experience. The chemistry and interplay between the musicians are evident, with each instrument given room to shine while complementing Pastorius' bass explorations.
Pastorius' compositions on "Jaco Pastorius" are innovative and genre-defying, blending elements of jazz, funk, and rock. His ability to seamlessly fuse different styles is showcased in tracks like "Continuum" and "Come On, Come Over," which feature infectious grooves and infectious melodies. Pastorius also incorporates the use of harmonics and other extended techniques to push the boundaries of what the bass can achieve.
The production quality of "Jaco Pastorius" is pristine, capturing the intricate details of Pastorius' playing and the nuances of the ensemble. The mix allows the bass to take center stage without overpowering the other instruments, creating a balanced and immersive listening experience.
"Jaco Pastorius" remains a seminal album in the jazz fusion genre, influencing countless bassists and musicians across genres. Its innovative approach to bass playing and genre-blending compositions solidify Pastorius' legacy as a true visionary and pioneer.
Whether you're a fan of jazz or simply appreciate virtuosic musicianship, "Jaco Pastorius" is a must-listen. "Jaco Pastorius" serves as a testament to the genius of Jaco Pastorius and his ability to redefine the possibilities of the bass guitar.
Fun Facts About Jaco Pastorius - Jaco Pastorius Vinyl Record:
- How old was Jaco Pastorius when he recorded "Jaco Pastorius"? Jaco Pastorius was in his early 20s when he recorded "Jaco Pastorius" in 1976.
- How many copies of "Jaco Pastorius" sold? "Jaco Pastorius"'s sales figures may vary, but it received critical acclaim and is considered one of the most influential and groundbreaking albums in jazz fusion.
- Why was "Jaco Pastorius" important? "Jaco Pastorius" was important as it showcased Jaco Pastorius' extraordinary talent as a bassist, composer, and bandleader. It pushed the boundaries of jazz fusion, incorporating elements of funk, R&B, and world music, and introduced Jaco's innovative fretless bass playing technique to a wider audience.
- What were the most popular songs off "Jaco Pastorius"? Some of the notable songs on "Jaco Pastorius" include "Donna Lee," "Come On, Come Over," and "Portrait of Tracy."
- Any other interesting information about "Jaco Pastorius" or Jaco Pastorius in relation to this album? Jaco Pastorius' self-titled album established him as one of the most influential bassists in the history of music. His virtuosic playing, complex compositions, and unique approach to the instrument continue to inspire and influence bassists across genres.
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