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Tony Bennett - Duets II (2LP) - 180g Audiophile Vinyl

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$62.00
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Album Info

Artist: Tony Bennett
Album: Duets II
Released: Europe, 26 Sep 2011

Tracklist:

A1The Lady Is A Tramp
Vocals - Lady Gaga
A2One For My Baby (And One More For The Road)
Vocals - John Mayer
A3Body And Soul
Vocals - Amy Winehouse
A4Don't Get Around Much Anymore
Vocals - Michael Bublé
A5Blue Velvet
Vocals - k.d. lang
B1How Do You Keep The Music Playing
Vocals - Aretha Franklin
B2The Girl I Love
Vocals - Sheryl Crow
B3On The Sunny Side Of The Street
Vocals - Willie Nelson
B4Who Can I Turn To (When Nobody Needs Me)
Vocals - Queen Latifah
C1Speak Low
Vocals - Norah Jones
C2This Is All I Ask
Vocals - Josh Groban
C3Watch What Happens
Vocals - Natalie Cole
C4Stranger In Paradise
Vocals - Andrea Bocelli
D1The Way You Look Tonight
Vocals - Faith Hill
D2Yesterday I Heard The Rain
Vocals - Alejandro Sanz
D3It Had To Be You
Vocals - Carrie Underwood
D4When Do The Bells Ring For Me
Vocals - Mariah Carey


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  • Happy Listening!

Details

Original Release Year:
2011
Genre(s):
Jazz, Soul-Jazz, Contemporary Jazz, Easy Listening
Format:
Vinyl Record LP

Description

"Duets II" by Tony Bennett, released in 2011, is a remarkable collection that features the legendary crooner collaborating with a diverse array of contemporary artists from various genres, including pop, country, and jazz. Following the success of his first "Duets" album, "Duets II" continues the concept with Bennett sharing the microphone with some of the biggest names in music, resulting in a rich tapestry of performances that bridge generational and musical divides. The album stands out for its ability to showcase Bennett's timeless vocal style while highlighting the unique qualities of his guest artists, making it a compelling listen for fans of classic and modern music alike.

One of the album's most notable tracks is "Body and Soul," a duet with the late Amy Winehouse. This song, which would be one of Winehouse's final recordings, is a poignant and powerful rendition of the jazz standard. Bennett and Winehouse's voices blend beautifully, with Winehouse's soulful delivery providing a stark contrast to Bennett's smooth croon, creating a version of the song that is both respectful of its history and fresh.

"The Lady Is a Tramp," Bennett's duet with Lady Gaga, showcases a playful and vibrant exchange between the two performers. Gaga's dynamic presence and Bennett's charismatic delivery make for an engaging rendition of the classic tune, highlighting the album's theme of bridging the old with the new.

"Body and Soul" isn't the only track where Bennett collaborates with a jazz-influenced artist; his duet with Michael Bublé on "Don't Get Around Much Anymore" is another standout. The track swings with an easy grace, and the interplay between Bennett and Bublé captures the essence of classic jazz vocals while infusing it with a contemporary feel.

"Stranger in Paradise" sees Bennett pairing with Andrea Bocelli in a performance that melds Bennett's jazz sensibilities with Bocelli's operatic prowess. The arrangement allows both artists to shine, with their distinct vocal styles complementing each other against a lush orchestral backdrop.

The production of "Duets II," under the direction of Phil Ramone, is meticulously crafted, ensuring that each duet maintains the integrity of Bennett's classic sound while accommodating the stylistic nuances of his guest artists. The arrangements are sophisticated yet accessible, providing a perfect setting for Bennett and his partners to explore the emotional depths of the songs.

In conclusion, "Duets II" is not just a showcase for Tony Bennett's enduring talent and versatility but also a celebration of musical collaboration across generations and genres. The album serves as a testament to Bennett's influence on and appreciation for the broader musical landscape, affirming his status as one of the great interpreters of the American songbook. Through these duets, Bennett not only bridges the gap between traditional and contemporary music but also introduces these timeless songs to new audiences, ensuring their place in the canon of great American music.

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