Album Info
Artist: | Durand Jones |
Album: | Wait Til I Get Over |
Released: | USA & Europe, 5 May 2023 |
Tracklist:
A1 | Gerri Marie | 2:45 |
Cello - Kevin Flynn | ||
Viola - Diederik Wassner, Shek Wan Li | ||
Violin - Nathaniel Shapiro | ||
Vocals [Vox], Piano - Durand Jones | ||
A2 | The Place You'd Most Want To Live (Interlude) | 1:09 |
Sounds [Soundscapes] - Glenn Myers | ||
Voice [Text] - Durand Jones | ||
A3 | Lord Have Mercy | 4:01 |
Bass - Glenn Myers | ||
Drums, Keyboards [Keys], Electric Bass, Piano, Vocals [Vox], Percussion - Ben Lumsdaine | ||
Electric Guitar - Brandon Clifton, Kyle Houpt | ||
Electric Guitar, Vocals [Vox] - Drake Ritter | ||
Organ - Matt Romy | ||
Vocals [Vox] - Durand Jones | ||
A4 | Sadie | 2:57 |
Bass - Glenn Myers | ||
Drums, Guitar, Percussion - Ben Lumsdaine | ||
Electric Guitar - Drake Ritter, Mark McWhirter | ||
Piano, Electric Piano [Wurlitzer] - Matt Romy | ||
Vocals [Vox] - David James , Durand Jones | ||
A5 | I Want You | 4:04 |
Bass - Glenn Myers | ||
Drums, Percussion, Bass [Synth Bass] - Ben Lumsdaine | ||
Guitar - Drake Ritter | ||
Organ, Electric Piano, Piano [Acoustic] - Matt Romy | ||
Vocals [Vox] - David James , Durand Jones | ||
A6 | Wait Til I Get Over | 3:02 |
Synth - Ben Lumsdaine, Drake Ritter, Glenn Myers, Matt Romy | ||
Vocals [Vox] - Durand Jones | ||
A7 | That Feeling | 4:22 |
B1 | See It Through (Interlude) | 1:25 |
Sounds [Soundscapes] - Glenn Myers | ||
Voice [Text] - Durand Jones | ||
B2 | See It Through | 3:24 |
Bass - Glenn Myers | ||
Drums, Percussion, Acoustic Guitar - Ben Lumsdaine | ||
Electric Piano, Synth - Matt Romy | ||
Guitar - Drake Ritter, Kyle Houpt | ||
Guitar [Synth Guitar] - Brandon Clifton | ||
Vocals [Vox] - Durand Jones | ||
B3 | Someday We'll All Be Free | 4:04 |
Bass - Glenn Myers | ||
Electric Piano, Piano [Acoustic], Mellotron - Matt Romy | ||
Featuring - Skypp | ||
Guitar, Drums, Sampler, Percussion, Synth - Ben Lumsdaine | ||
Guitar, Synth - Drake Ritter | ||
Vocals [Vox] - Durand Jones, Skypp Sam | ||
Written-By - Donny Edward Hathaway, Edward Howard | ||
B4 | Letter to My 17 Year Old Self | 5:48 |
Bass - Glenn Myers | ||
Drums, Percussion, Synth, Drum Machine [Drum Sampler] - Ben Lumsdaine | ||
Electric Guitar, Synth - Drake Ritter | ||
Piano, Synth, Electric Piano [Rhodes] - Matt Romy | ||
Vocals [Vox], Saxophone, Synth - Durand Jones | ||
B5 | Secrets | |
Electric Bass - Glenn Myers | ||
Piano - Matt Romy | ||
Sampler - Drake Ritter | ||
Tingsha - Ben Lumsdaine | ||
Vocals [Vox] - Durand Jones |
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Description
Durand Jones's Wait 'Til I Get Over is a memoir and a love letter. It is the story of Jones's life, his growth and revelations, the wisdom of his hometown and the wisdom he could only gain once he left. In it, he writes through Hillaryville's contradictions: the pristine beauty and the ragged roads; his teenage desire to leave and his adult desire to honor his tangled roots; the plantation history and the ups and downs of the Black community that made homes of this reparation town. ''Hometowns have a way of keeping a part of you,'' says Jones, ''and if I'm making something young-me would be proud of, Hillaryville is a big part of that.'' Jones finds something transformative in his memories there and the life he has led since, ultimately claiming and embracing his whole self.
The result is vulnerable, personal, touching on Jones's relationship to church life, to his mother, to his queerness, to his worth. ''I wish I could tell my younger self 'you don't have to stick to the dreams people have for you,''' says Jones, '''you can dream bigger. You are more than capable, you are more than able. I think about some nerdy punk kid in the rural south who needs to hear that now.''' Wait 'Til I Get Over does exactly that.