Album Info
Artist: | Cleo Laine, The John Dankworth Quartet |
Album: | An Evening With Cleo Laine & The John Dankworth Quartet |
Gatefold: | Yes |
Released: | Australia, 1972 |
Tracklist:
A1 | I Know Where I'm Going | |
Arranged By - J. Dankworth | ||
Written-By - Trad. | ||
A2 | Fascinatin' Rhythm | |
Written-By - G. Gershwin | ||
A3 | What Are You Doing The Rest Of Your Life | |
Written-By - M. Legrand | ||
A4 | Lines To R. Hodgson, Esq. | |
Written-By - J. Dankworth, T. S. Eliot | ||
A5 | Doctor David Mantle | |
Written-By - J. Dankworth, Spike Milligan | ||
A6 | Thieving Boy | |
Written-By - Alun Owen, J. Dankworth | ||
A7 | Tell Me The Truth About Love | |
Written-By - J. Dankworth, W. H. Auden | ||
A8 | I'm Going To Sit Right Down | |
Written-By - F. Arlhert | ||
B1 | Blow, Blow Thou Winter Wind | |
Written-By - Young | ||
B2 | O Mistress Mine | |
Written-By - Young | ||
B3 | Take All My Loves | |
Written-By - D. Ellington | ||
B4 | Shall I Compare Thee | |
Written-By - J. Dankworth | ||
B5 | Dunsinane Blues | |
Written-By - J. Dankworth | ||
B6 | Mad About The Boy | |
Written-By - Noel Coward | ||
C1 | I Got Rhythm | |
Written-By - G. Gershwin | ||
C2 | Misty | |
Written-By - Erroll Garner | ||
C3 | Riding High | |
Written-By - Cole Porter | ||
C4 | Bossa Palma | |
Written-By - J. Dankworth | ||
D1 | Aquarius | |
Written-By - MacDermot, Ragni, Rado | ||
D2 | On A Clear Day | |
Written-By - Burton Lane | ||
D3 | Paddy | |
Written-By - L. E. de Francesco | ||
D4 | Please Don't Talk About Me When I'm Gone | |
Written-By - B. Palmer, S. Tept, S. Clare | ||
D5 | Song Without Words | |
Written-By - J. Dankworth |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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Description
"An Evening With Cleo Laine & The John Dankworth Quartet" is a delightful album that showcases the incredible talents of Cleo Laine, a celebrated British jazz singer, and her husband, the renowned composer and saxophonist John Dankworth. Released in 1977, this album captures a live performance that highlights the chemistry between Laine and Dankworth, both on stage and in their personal lives.
Cleo Laine is often hailed as one of the greatest jazz vocalists of her time, and this album is a testament to her vocal prowess and versatility. The recording features a mix of jazz standards and original compositions, all delivered with Laine's signature style that blends jazz, blues, and a touch of theatrical flair. The John Dankworth Quartet provides a rich musical backdrop, with Dankworth's saxophone weaving in and out of Laine's vocals, creating a seamless and engaging listening experience.
One of the standout tracks on the album is Laine's rendition of "My Funny Valentine," where her emotive delivery and impeccable phrasing breathe new life into this classic. The quartet's arrangement complements her voice beautifully, showcasing the interplay between Laine and the musicians. Another highlight is the upbeat "Take the 'A' Train," where Laine's playful energy shines through, making it impossible not to tap your feet along with the rhythm.
The album was well-received upon its release, with critics praising Laine's vocal technique and the quartet's tight musicianship. Major publications like The Guardian and The Times lauded the album for its intimate atmosphere and the way it captured the essence of a live jazz performance. Laine's ability to connect with the audience through her storytelling and emotional delivery was particularly noted, making this album a memorable experience for listeners.
Historically, this album is significant as it represents a period when jazz was evolving and gaining popularity in the UK. Cleo Laine and John Dankworth were at the forefront of this movement, and their collaboration helped to elevate the profile of jazz music in Britain. Their influence can still be felt today, as they paved the way for future generations of jazz musicians and vocalists.
In terms of production, the album was recorded live, which adds an authentic feel to the listening experience. You can almost hear the audience's reactions, which enhances the intimacy of the performance. The sound quality is excellent, capturing the nuances of Laine's voice and the intricate arrangements of the quartet. This attention to detail in production is a hallmark of Dankworth's work, as he was known for his commitment to high-quality recordings.
Cleo Laine's career is filled with accolades, including Grammy nominations and an OBE for her contributions to music. While "An Evening With Cleo Laine & The John Dankworth Quartet" may not have won specific awards, it certainly solidified her status as a leading figure in jazz and showcased the couple's artistic synergy.
An interesting tidbit about the album is that it was recorded during a time when Laine and Dankworth were not only partners in music but also in life. Their relationship added a layer of depth to their performances, as they often drew on their personal experiences to inform their music. This connection is palpable in the way they interact on stage, making the album feel like a shared moment between the artists and their audience.
In conclusion, "An Evening With Cleo Laine & The John Dankworth Quartet" is a charming and engaging album that captures the essence of jazz in the late 1970s. With standout performances, a rich musical backdrop, and the undeniable chemistry between Laine and Dankworth, this album is a must-listen for jazz enthusiasts and newcomers alike. It serves as a beautiful reminder of the power of live music and the magic that can happen when two talented artists come together to create something special.