Album Info
Artist: | Midnight Oil |
Album: | Place Without A Postcard |
Released: | Australia, Nov 1981 |
Tracklist:
A1 | Don't Wanna Be The One | 3:03 |
A2 | Brave Faces | 4:47 |
A3 | Armistice Day | 4:26 |
A4 | Someone Else To Blame | 2:48 |
A5 | Basement Flat | 4:33 |
B1 | Written In The Heart | 3:14 |
B2 | Burnie | 4:43 |
B3 | Quinella Holiday | 2:34 |
B4 | Love's On Sale | 2:21 |
B5 | If Ned Kelly Was King | 3:38 |
B6 | Lucky Country | 4:48 |
Info About Buying Vinyl From Our Record Store
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Description
Released in 1981, "Place Without A Postcard" is the third studio album by Australian rock band Midnight Oil. While the band would go on to achieve greater commercial success with later albums, "Place Without A Postcard" holds a special place in their discography, marking a point of maturation in their sound and lyrical themes.
Midnight Oil is known for its powerful political and environmental messages, and this album is no exception. With Peter Garrett's unmistakable voice leading the charge, the tracks on this album weave together to convey messages about alienation, urbanization, and, more broadly, the human condition.
The album kicks off with the energetic "Don't Wanna Be the One," a rock anthem that sets the tone for what's to follow. Its powerful guitar riffs and driving drum beats immediately establish the band's rock credentials. The song's lyrics, reflecting on societal responsibility and apathy, hint at the deeper themes that run throughout the album.
"Armistice Day" is a highlight, a somber reflection on the futility of war. Its slow buildup and haunting lyrics make it a standout track, showcasing the band's ability to pair deep introspection with their rock sound.
Another memorable track, "Lucky Country," delves into the challenges and contradictions of Australian identity. It's a poignant exploration of nationalism and the complexities of belonging, all set to a catchy melody that belies its deeper meaning.
The instrumentation on "Place Without A Postcard" is tight and well-executed. From Rob Hirst's dynamic drumming to Martin Rotsey's and Jim Moginie's guitar work, the band creates a sonic landscape that complements Garrett's vocals perfectly. The production, helmed by English producer Glyn Johns, brings a polished yet raw sound to the album, allowing the band's energy and passion to shine through.
While the album boasts many strengths, it also has its moments of introspection that may not resonate with all listeners. Some tracks, like "If Ned Kelly Was King," lean into the band's experimental tendencies, which, while interesting, might not be to everyone's taste.
In hindsight, "Place Without A Postcard" can be seen as a precursor to Midnight Oil's later work. The seeds of their political activism and environmental consciousness, which would become more pronounced in albums like "Diesel and Dust," are evident here. It's a snapshot of a band on the cusp of finding its voice, both musically and thematically.
In conclusion, "Place Without A Postcard" is a significant entry in Midnight Oil's discography. While it might not have the commercial appeal of some of their later work, it offers a deep and rewarding listening experience for those willing to engage with its themes. It's a testament to Midnight Oil's enduring legacy as one of Australia's most influential rock bands.