Album Info
Artist: | Suzanne Vega |
Album: | Suzanne Vega |
Released: | Australia & New Zealand, Jan 1986 |
Tracklist:
A1 | Cracking | 2:47 |
Bass - Paul Dugan | ||
Electric Guitar - Jon Gordon | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Synthesizer [Synthesizers] - C.P. Roth | ||
A2 | Freeze Tag | 2:39 |
Acoustic Guitar - Frank Christian | ||
Bass [The Vertical Bass] - Paul Dugan | ||
Electric Guitar - Jon Gordon | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Synthesizer [Synthesizers] - C.P. Roth | ||
A3 | Marlene On The Wall | 3:37 |
Bass - Frank Gravis | ||
Drums - Sue Evans | ||
Electric Guitar - Jon Gordon | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Synthesizer [Synthesizers] - C.P. Roth | ||
A4 | Small Blue Thing | 3:53 |
Backing Vocals [Background Vocals] - Steve Abbaddo | ||
Bass - Paul Dugan | ||
Electric Guitar - Jon Gordon | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Percussion - Sue Evans | ||
Synthesizer [Synthesizers] - C.P. Roth | ||
A5 | Straight Lines | 3:47 |
Backing Vocals [Background Vocals] - Steve Abbaddo | ||
Bass - Frank Gravis | ||
Drums - Sue Evans | ||
Electric Guitar - Jon Gordon | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Synthesizer [Synthesizers] - C.P. Roth | ||
B1 | Undertow | 3:26 |
Arranged By [String Arrangement] - Peter Gordon | ||
Bass - Paul Dugan | ||
Cello - Maxine Neuman | ||
Drums - Sue Evans | ||
Electric Guitar - Jon Gordon | ||
Guitar Synthesizer [Synclavier Guitar] - John Mahoney | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Programmed By [Synclavier Programming] - John Mahoney | ||
Violin - Shem Guibbory | ||
B2 | Some Journey | 3:37 |
Arranged By, Co-producer [Co-produced By] - Steven Miller | ||
Backing Vocals [Background Vocals] - Steve Abbaddo | ||
Electric Guitar - Jon Gordon | ||
Electric Violin - Darol Anger | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Percussion - Roger Squitero | ||
Synthesizer [Synthesizers] - Mark Isham | ||
B3 | The Queen And The Soldier | 4:47 |
12-String Acoustic Guitar - Steve Addabbo | ||
Bass - Paul Dugan | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Piano, Organ - C.P. Roth | ||
B4 | Knight Moves | 3:34 |
Acoustic Guitar - Frank Christian | ||
Bass - Paul Dugan | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Synthesizer [Synthesizers] - C.P. Roth | ||
B5 | Neighborhood Girls | 3:19 |
Bass - Frank Gravis | ||
Drums, Percussion - Sue Evans | ||
Electric Guitar - Steve Abbaddo | ||
Music By, Lyrics By, Acoustic Guitar, Vocals - Suzanne Vega | ||
Slide Guitar [Electric Slide Guitar] - Frank Christian |
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Details
Visually Graded Record: |
EXC |
Visually Graded Sleeve: |
VG+ |
Catalogue #: |
L 38490 |
Format: |
LP Vinyl Record |
Genre(s): |
Rock, Pop, Folk, World, Country, Soft Rock |
Description
Suzanne Vega's self-titled debut album, released in 1985, marked the emergence of a distinctive voice in the folk-music scene, blending introspective lyrics with minimalist arrangements. Vega's songwriting on this album reflects a keen observational eye, focusing on the intricacies of everyday life and the human condition, set against the backdrop of New York City's vibrant and varied landscape.
The album opens with "Cracking," a track that immediately introduces listeners to Vega's signature acoustic guitar work and clear, concise vocal delivery. The song's sparse arrangement highlights the strength of Vega's lyricism, setting the tone for an album that relies on the power of words and melodies rather than elaborate production.
"Marlene on the Wall," one of the album's standout tracks, showcases Vega's ability to weave compelling narratives within her songs. The track's catchy melody and the vivid imagery of its lyrics captivated listeners, earning Vega critical acclaim and a broader audience. The song, with its references to personal introspection and the search for guidance, is indicative of the album's introspective nature.
"Small Blue Thing," another highlight, is a haunting ballad that exemplifies Vega's talent for creating atmospheric compositions. The song's metaphorical lyrics and delicate guitar work create a sense of intimacy and vulnerability, inviting listeners into a reflective and deeply personal space.
The production of the album, helmed by Steve Addabbo and Lenny Kaye, is notable for its clarity and simplicity. The focus on acoustic guitar and Vega's vocals, with minimal embellishment, allows the strength of the songwriting to shine through. This approach was somewhat counter to the prevailing trends of the mid-80s, which often favored more synthesized and heavily produced sounds.
Critically, "Suzanne Vega" was lauded for its fresh approach to folk music and Vega's articulate and thoughtful songwriting. The album's success was seen as part of a broader revival of interest in the singer-songwriter tradition, with Vega's work drawing comparisons to that of earlier folk luminaries.
Commercially, the album performed well, buoyed by the success of singles like "Marlene on the Wall." Its success helped to establish Vega as a significant figure in the folk music scene and set the stage for her subsequent works, including the critically acclaimed "Solitude Standing."
In retrospect, "Suzanne Vega" is considered a seminal work in the folk genre, celebrated for its introspective lyricism and minimalist arrangements. Vega's debut remains a compelling listen, offering a window into the early stages of a career that would continue to evolve and impact the landscape of folk and singer-songwriter music for years to come.