Album Info
Artist: | The Manhattan Transfer |
Album: | Bodies And Souls |
Released: | Australia, 1983 |
Tracklist:
A1 | Spice Of Life | 3:40 |
Arranged By [Horns], Horns - Jerry Hey | ||
Bass - Neil Stubenhaus | ||
Drums - John Robinson | ||
Electric Piano [Rhodes], Horns - Larry Williams | ||
Guitar - David Williams , Kevin Clark | ||
Harmonica, Soloist - Stevie Wonder | ||
Horns - Bill Reichenbach , Ernie Watts, Gary Grant | ||
Music By, Lyrics By - Derek Bramble | ||
Music By, Lyrics By, Arranged By [Instrumental, Vocals, Horns] - Rod Temperton | ||
Percussion - Paulinho Da Costa | ||
Synthesizer, Programmed By - Casey Young | ||
A2 | This Independence | 5:01 |
Arranged By [Instrumental, Horns], Bass, Synthesizer, Keyboards, Horns - Larry Williams | ||
Arranged By [Vocals] - Tim Hauser | ||
Drums - Jeff Porcaro | ||
Guitar - David Williams | ||
Horns - Bill Reichenbach , Gary Grant, Jerry Hey | ||
Music By, Lyrics By - John Capek, Marc Jordan | ||
Programmed By [Synthesizer] - Casey Young | ||
A3 | Mystery | 5:00 |
Alto Saxophone, Soloist - Ernie Watts | ||
Bass - Nathan East | ||
Drums - John Robinson | ||
Electric Piano [Rhodes], Synthesizer - Greg Phillenganes | ||
Guitar - David Williams | ||
Programmed By [Synthesizer] - Casey Young | ||
Synthesizer - Larry Williams | ||
Synthesizer, Programmed By [Synthesizer] - Michael Boddicker | ||
Written-By, Arranged By [Instrumental, Vocals] - Rod Temperton | ||
A4 | American Pop | 3:34 |
Arranged By [Instrumental], Synthesizer, Bass, Keyboards, Saxophone - Larry Williams | ||
Arranged By [Vocals] - Alan Paul, Janis Siegel | ||
Drums, Drums [Simmons] - Jeff Porcaro | ||
Guitar - David Williams | ||
Handclaps - Brian Avnet, Richard Rudolph | ||
Music By, Lyrics By - John Capek, Marc Jordan | ||
Programmed By [Synthesizer] - Casey Young | ||
Synthesizer - Pete Robinson | ||
Vocals [Special Guest Appearance] - Frankie Valli | ||
A5 | Soldier Of Fortune | 4:21 |
Arranged By [Instrumental], Synthesizer - Larry Williams | ||
Arranged By [Vocals] - Alan Paul, Tim Hauser | ||
Bass - Alex Blake | ||
Drums - Art Rodriguez | ||
Guitar - Wayne Johnson | ||
Music By, Lyrics By - John Capek, Marc Jordan | ||
Percussion - Paulinho Da Costa | ||
Piano - Yaron Gershovsky | ||
B1 | Code Of Ethics | 5:06 |
Arranged By [Strings] - Jeremy Lubbock | ||
Bass - Nathan East | ||
Concertmaster - Jerry Vinci | ||
Drums - John Robinson | ||
Music By, Arranged By [Instrumental], Piano, Synthesizer - Randy Waldman | ||
Music By, Guitar - Wayne Johnson | ||
Music By, Lyrics By, Arranged By [Vocals] - Alan Paul | ||
Programmed By [Synthesizer] - John Erdsvoog | ||
B2 | Malaise En Malaisie | 3:58 |
Arranged By [Instrumental], Keyboards, Synthesizer - Yaron Gershovsky | ||
Bass - Alex Blake | ||
Drums - Art Rodriguez | ||
Guitar - Wayne Johnson | ||
Koto - June Kiramoto | ||
Lyrics By [French] - Serge Gainsbourg | ||
Music By - Alain Chamfort | ||
Programmed By [Synthesizer] - Casey Young | ||
Translated By [English Lyrics], Arranged By [Vocals] - Alan Paul | ||
B3 | Down South Camp Meetin' | 3:00 |
Arranged By [Vocals] - Janis Siegel | ||
Bass - Abraham Laboriel | ||
Drums - Carlos Vega | ||
Lyrics By - Jon Hendricks | ||
Music By - Fletcher Henderson, Irving Mills | ||
Producer - Tim Hauser | ||
Producer, Piano - Greg Mathieson | ||
Soloist [Vocal Clarinet Solo] - Cheryl Bentyne | ||
B4 | Why Not ! (Manhattan Carnival) | 2:33 |
Arranged By [Instrumental], Keyboards - Yaron Gershovsky | ||
Arranged By [Vocals] - Janis Siegel | ||
Arranged By, Horns - Jerry Hey | ||
Bass - Alex Blake | ||
Drums - Art Rodriguez | ||
Guitar - Wayne Johnson | ||
Horns - Bill Reichenbach , Charlie Loper, Chuck Findley, Gary Grant, Gary Herbig, Larry Williams | ||
Lyrics By - Hilary Koski, Julie Eigenberg | ||
Music By - Michael Camilo | ||
Percussion - Paulinho Da Costa | ||
B5 | Goodbye Love | 3:04 |
Concertmaster - Jerry Vinci | ||
Lyrics By - Richard Rudolph | ||
Music By, Arranged By [Strings], Conductor [Strings], Electric Piano [Rhodes] - Jeremy Lubbock | ||
B6 | The Night That Monk Returned To Heaven | 3:23 |
Arranged By [Instrumental, Vocals], Electric Piano [Rhodes] - Jeremy Lubbock | ||
Music By, Lyrics By - Robert Kraft | ||
Vocals [God's Voice, Giggles] - Erin Clark | ||
Wind Chimes - Kevin Clark |
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Description
The Manhattan Transfer, a vocal quartet known for their harmonically rich arrangements and versatility across genres, delivered "Bodies And Souls" with aplomb. This album marks a transitional phase in their career, where they navigate through the evolving sounds of the early '80s, blending jazz, pop, R&B, and world music elements.
From the outset, "Bodies And Souls" is indicative of the quartet's bold foray into the contemporary music scene. While they retain their signature vocal harmonies, the inclusion of electronic instrumentation and modern production techniques infuses the album with a fresh vibrancy.
"Spice Of Life," one of the standout tracks, showcases their seamless transition to a more contemporary sound. With its infectious rhythm, smooth melodic lines, and a chorus that’s destined to be an earworm, it’s a testament to the group's adaptability and their commitment to evolving with the times.
Yet, it's not all about embracing the new. "This Independence" harks back to their jazz roots, with its intricate vocal harmonies and scat sections, reminding listeners of the depth and breadth of their musical prowess. The saxophone solos interspersed throughout add an improvisational element, paying homage to traditional jazz.
"D Mystery of Edwin Drood" is another gem, showcasing their theatrical flair. Drawing inspiration from the Broadway musical of the same name, it’s dramatic, playful, and utterly captivating. The narrative-driven lyrics and the dynamic vocal interplay between the members make it a listening experience akin to watching a musical unfold.
"American Pop" delves into the world of R&B, and it's here that the quartet's vocal precision truly shines. Their ability to blend seamlessly, creating a unified sound that's both soulful and technically impeccable, is nothing short of awe-inspiring.
One of the most intriguing aspects of "Bodies And Souls" is its world music influences, notably evident in tracks like "Down South Camp Meetin'" and "Zindy Lou." Incorporating elements from various global musical traditions, these tracks are both an homage to and a reinterpretation of these genres, presented through the unique lens of The Manhattan Transfer.
Lyrically, the album traverses a broad spectrum, from love and longing to introspection and social commentary. The quartet's ability to convey deep emotion, regardless of the genre or musical style, ensures that each song resonates on a personal level.
Production-wise, "Bodies And Souls" walks the tightrope between innovation and tradition. While the use of synthesizers, drum machines, and other electronic elements lend it a contemporary feel, the organic warmth of the group's vocals ensures that it never loses its soul.
In summation, "Bodies And Souls" is a testament to The Manhattan Transfer's unparalleled artistry. It's an album that captures the zeitgeist of the '80s while remaining timeless in its appeal. By pushing boundaries and expanding their musical horizons, the quartet reaffirms their status as one of the most innovative vocal groups in music history.