Album Info
| Artist: | Easterhouse |
| Album: | Waiting For The Redbird |
| Released: | Australia & New Zealand, 1989 |
Tracklist:
| A1 | Waiting For The Redbird | |
| A2 | You're Gonna Miss It (When It's Gone) | |
| A3 | Stay With Me (Death On The Dole) | |
| A4 | Come Out Fighting | |
| B1 | America | |
| B2 | Hope And Glory | |
| Lead Guitar - Steve Lovell | ||
| B3 | Say Yes | |
| B4 | This Country | |
| B5 | Sweatshop |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- All pictures of the second hand/used vinyl records are actual pictures of the album in stock.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $125 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Details
Visually Graded Record: |
NM |
Visually Graded Sleeve: |
VG+ |
Catalogue #: |
L 30063 |
Format: |
LP Vinyl Record |
Genre(s): |
Electronic, Rock, Pop Rock, Synth-pop |
Description
Easterhouse's "Waiting For The Redbird" is a politically charged, ideologically rich album that melds poignant lyricism with raw, unadulterated soundscapes, a sonic representation of the band’s socio-political perspectives and musical ingenuity. This album is a testament to the band’s ability to intertwine political commentary with musical craftsmanship, creating a body of work that is both intellectually stimulating and sonically captivating.
The album manifests a diversity of musical textures, blending elements of rock, punk, and alternative, to convey its underlying messages. It strikes a delicate balance between melodic accessibility and raw, unfiltered energy, each track serving as a musical vessel for the band’s thoughts and ideals. The instrumentation is characterized by gritty guitar riffs, powerful drumming, and robust bass lines, creating a sound that is impactful and resonant.
Andy Perry's vocal delivery is a pivotal element of "Waiting For The Redbird," projecting a sense of urgency and sincerity. His voice, intense and emotive, amplifies the ideological essence of each track, adding a layer of visceral impact to the overall sound. The dynamic interplay between the vocals and the instruments accentuates the album's thematic depth and sonic richness.
The production of the album retains a raw, authentic edge while maintaining a level of clarity and cohesion. It allows the inherent power of the music and the message to shine through, providing a listening experience that is immersive and thought-provoking.
Lyrically, "Waiting For The Redbird" is a profound exploration of socio-political themes, reflecting the band’s perspectives on issues such as injustice, inequality, and political disillusionment. The lyrics are laced with intellectual depth and socio-political insight, creating a narrative that is both reflective and provocative. Easterhouse’s ability to encapsulate complex ideas within accessible musical frameworks is a defining feature of this album, making it a significant piece in the discourse of politically infused music.
However, the album is not a mere conveyance of political ideology; it is also a display of musical innovation and artistic integrity. Each track is a unique sonic entity, contributing to the album’s overall coherence and thematic continuity. The combination of intellectual lyricism and innovative musicality elevates "Waiting For The Redbird" to a level of artistic significance, transcending the boundaries of genre and convention.
In conclusion, "Waiting For The Redbird" by Easterhouse is a compelling amalgamation of music and ideology, a powerful representation of the band’s artistic vision and socio-political consciousness. It blends innovative musicianship with intellectual depth, creating an album that is resonant, stimulating, and timeless. Whether you are drawn to its insightful commentary or its dynamic soundscapes, "Waiting For The Redbird" offers a rich, multifaceted experience that is both musically enriching and intellectually rewarding.