Album Info
| Artist: | Peter Tosh |
| Album: | Equal Rights |
| Released: | Europe, 13 Oct 2011 |
Tracklist:
| A1 | Get Up, Stand Up | 3:35 |
| A2 | Downpressor Man | 6:26 |
| A3 | I Am That I Am | 4:29 |
| A4 | Stepping Razor | 5:48 |
| B1 | Equal Rights | 5:59 |
| B2 | African | 3:44 |
| B3 | Jah Guide | 4:29 |
| B4 | Apartheid | 5:23 |
| C1 | Dub-Presser Man (Dub Version) | 5:33 |
| C2 | I Am That I Am (ShaJahShoka Dub Plate) | 4:20 |
| C3 | Heavy Razor (ShaJahShoka Dub Plate) | 5:34 |
| C4 | African (London Sound System Dub Plate) | 3:13 |
| D1 | Jah Guide (Dub Plate) | 4:24 |
| D2 | Hammer (ShaJahShoka Dub Plate) | 3:43 |
| D3 | Blame The Youth (Dub Version) | 4:08 |
| D4 | Babylon Queendom (Dub Version) | 3:09 |
| D5 | Vampires (Dub Version) | 3:29 |
Info About Buying Vinyl From Our Record Store
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- Happy Listening!
Description
Peter Tosh's "Equal Rights," released in 1977, is a seminal reggae album that stands as a powerful statement on social justice, human rights, and the fight against oppression. Coming from a founding member of The Wailers, alongside Bob Marley and Bunny Wailer, Tosh's solo work on this album delves deeply into political and social issues, with a focus on the Rastafarian call for equality and resistance against the injustices of the system. "Equal Rights" is celebrated for its compelling lyrics, Tosh's passionate vocals, and its blend of reggae rhythms with rock and blues influences, making it a cornerstone of reggae music and a testament to Tosh's role as a militant and visionary artist.
The title track, "Equal Rights," encapsulates the album's core message, with Tosh proclaiming, "I don't want no peace, I need equal rights and justice." This powerful anthem sets the tone for the entire album, with its call for social and political change resonating as strongly today as it did at the time of its release. Tosh's delivery is both forceful and emotive, driving home the urgency of his message over a steady reggae beat.
"Stepping Razor," another standout track, showcases Tosh's deft blend of personal swagger and political commentary. The song's title, a Jamaican slang term for a dangerous person, serves as a metaphor for Tosh's sharp tongue and readiness to confront injustice. The track's aggressive stance and catchy melody make it one of the album's most memorable songs.
"Downpressor Man," an adaptation of a traditional folk song, highlights Tosh's ability to reinterpret existing material to serve his thematic purposes. The song's haunting melody and Tosh's haunting vocals create a powerful indictment of oppression and tyranny, with the lyrics serving as a warning to those who would seek to oppress others.
The production on "Equal Rights," handled by Tosh along with Karl Pitterson, is noted for its clarity and depth, allowing the album's potent mix of reggae rhythms and rock guitar to shine. The album's sound is both raw and polished, capturing the energy of Tosh's live performances while providing a refined backdrop for his vocal and lyrical messages.
"African," another key track, speaks to Tosh's Pan-Africanist views and his belief in the unity and strength of the African diaspora. The song's rhythmic groove and anthemic chorus underscore Tosh's vision of a united Africa and his call for pride and self-determination among people of African descent.
In conclusion, "Equal Rights" is more than just a reggae album; it's a manifesto for social justice and a call to action that transcends its genre. Peter Tosh's uncompromising stance on issues of equality and justice, combined with his masterful musicality, makes this album a landmark in reggae music and a vital part of his legacy as a musician and activist. The themes Tosh explores on "Equal Rights" remain relevant, making the album a timeless reflection on the struggle for freedom and equality.
