Album Info
| Artist: | Santana |
| Album: | Santana 3 |
| Released: | Europe, 25 Nov 2010 |
Tracklist:
| A1 | Batuka | 3:35 |
| Written-By - C. Santana, D. Brown, G. Rolie, J. Areas, M. Carabello, M. Shrieve | ||
| A2 | No One To Depend On | 5:31 |
| Written-By - C. Escovedo, G. Rolie, M. Carabello | ||
| A3 | Taboo | 5:34 |
| Written-By - G. Rolie, J. Areas | ||
| A4 | Toussaint L'Overture | 5:56 |
| Written-By - C. Santana, D. Brown, G. Rolie, J. Areas, M. Carabello, M. Shrieve | ||
| B1 | Everybody's Everything | 3:31 |
| Written-By - C. Santana, D. Brown, T. Moss | ||
| B2 | Guajira | 5:43 |
| Written-By - D. Brown, J. Areas, R. Reyes | ||
| B3 | Jungle Strut | 5:20 |
| Written-By - G. Ammons | ||
| B4 | Everything's Coming Our Way | 3:15 |
| Written-By - C. Santana | ||
| B5 | Para Los Rumberos | 2:47 |
| * | Written-By - T. Puente | |
| Bonus Tracks | ||
| C1 | Gumbo | 4:24 |
| Written-By - C. Santana, G. Rolie | ||
| C2 | Folsom Street - One | 7:08 |
| Written-By - C. Santana, G. Rolie | ||
| D1 | Banbeye | 10:21 |
| Written-By - C. Santana, D. Brown, G. Rolie, J. Areas, M. Carabello, M. Shrieve | ||
| D2 | No One To Depend On (Single Version) | 3:13 |
| Written-By - C. Escovedo, G. Rolie, M. Carabello |
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Description
"Santana III," released in 1971, marks the third studio album by Santana and is often considered the final album of the band's classic lineup. This album showcases the group's signature fusion of rock, Latin, jazz, and African rhythms, culminating in a sound that is both vibrant and intricate. "Santana III" is celebrated for its energy, technical prowess, and the seamless integration of diverse musical elements, making it a cornerstone in the evolution of rock music in the early 1970s.
The album opens with "Batuka," an instrumental track that immediately sets the tone with its driving rhythms and compelling guitar work. This leads into "No One to Depend On," a hit single that exemplifies the album's blend of rock and Latin influences, featuring catchy guitar riffs and a memorable vocal melody. The interplay between the guitar and percussion throughout these tracks underscores the band's ability to create music that is both complex and accessible.
One of the defining characteristics of "Santana III" is the dual guitar work of Carlos Santana and Neal Schon, who was just 17 years old at the time of recording. Their interaction adds a dynamic and competitive edge to the music, with each pushing the other to greater heights, particularly evident on tracks like "Toussaint L'Overture" and "Everybody's Everything." The latter is notable for its brass section, adding another layer to the band's rich sonic palette.
The rhythm section, consisting of Michael Shrieve on drums, David Brown on bass, and the combined percussion talents of José "Chepito" Areas and Michael Carabello, provides a solid foundation that allows the music to flow seamlessly between different rhythms and tempos. This rhythmic complexity is a hallmark of Santana's sound, giving the music an infectious groove that is both danceable and intricate.
"Guajira," a track that features a beautiful blend of Spanish lyrics and a distinct salsa rhythm, showcases the band's ability to incorporate traditional Latin music into a rock framework, creating a sound that is unique and universally appealing. The song's structure, with its alternating vocal and instrumental sections, highlights the band's versatility and their skill in arranging complex compositions.
Lyrically, "Santana III" reflects the band's social consciousness and their connection to their cultural roots, themes that are woven into the fabric of their music. The album's energy and optimism, combined with its explorations of love, unity, and spirituality, resonate with the listener, adding depth to the vibrant musical landscape the band creates.
The production of "Santana III," handled by the band along with Fred Catero, captures the live energy and spontaneity of Santana's performances. The album's sound is clear and balanced, allowing each instrument to shine while maintaining the raw intensity that defines the band's live shows.
"Santana III" stands as a testament to the band's creativity and their ability to fuse diverse musical elements into a cohesive and compelling whole. The album's impact on rock music is significant, expanding the genre's boundaries and paving the way for future explorations of world music influences in rock. With its combination of technical virtuosity, infectious rhythms, and memorable melodies, "Santana III" remains a classic album that continues to inspire and captivate listeners.
