Album Info
| Artist: | Berlin |
| Album: | Love Life |
| Released: | Australasia, 1984 |
Tracklist:
| A1 | When We Make Love | 4:59 |
| A2 | Touch | 3:16 |
| Written-By - David Diamond, Terri Nunn | ||
| A3 | Beg, Steal Or Borrow | 3:55 |
| A4 | Now It's My Turn | 4:11 |
| A5 | Dancing In Berlin | 4:02 |
| Engineer - Brian Reeves | ||
| Producer - Giorgio Moroder, Richie Zito | ||
| B1 | Pictures Of You | 4:34 |
| B2 | In My Dreams | 4:10 |
| B3 | No More Words | 3:54 |
| Engineer - Mick Guzauski, Steve Hodge | ||
| Producer - Giorgio Moroder, Richie Zito | ||
| B4 | For All Tomorrow's Lies | 3:50 |
| B5 | Fall | 4:04 |
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Details
Visually Graded Record: |
VG+ |
Visually Graded Sleeve: |
VG+ |
Catalogue #: |
18 329-1 |
Format: |
LP Vinyl Record |
Genre(s): |
Electronic, Synth-pop |
Description
Berlin's third studio album, "Love Life," released in 1984, marked a pivotal moment in the band's career as they navigated the transition from their earlier new wave sound to a more polished and mainstream pop-rock approach. The album, produced by Giorgio Moroder and Richie Zito, reflects the mid-80s synth-pop and new wave influences while infusing a more accessible and radio-friendly sensibility.
The album kicks off with the energetic and infectious "No More Words," which became one of Berlin's biggest hits. Terri Nunn's sultry vocals, combined with the pulsating synth lines and upbeat tempo, set the tone for the album. "Dancing in Berlin" and "Rumor of Love" follow suit, showcasing the band's ability to craft catchy and danceable tracks.
One of the standout tracks is the ballad "For All Tomorrow's Lies," where Nunn's vocals take a more emotive turn against a backdrop of sweeping synths. The contrast between the upbeat pop tracks and the introspective ballads adds depth to the album, showcasing Berlin's versatility.
The album's production is a testament to the era, with its prominent use of synthesizers and electronic drum patterns, reflecting the prevailing trends in 1980s pop music. The title track, "Love Life," is a prime example, featuring a blend of electronic elements and rock-influenced guitar riffs.
While "Love Life" received mixed reviews upon its release, some critics praising its catchy hooks and Nunn's vocals, others found fault in the perceived lack of consistency and the band's departure from their edgier roots. The variety in musical styles and tempos may have contributed to the mixed critical reception.
In conclusion, "Love Life" captures Berlin in a transitional phase, experimenting with a more polished sound while retaining elements of their new wave origins. The album's mix of infectious pop anthems and introspective ballads provides a well-rounded listening experience. While it may not be hailed as Berlin's definitive work, "Love Life" remains a noteworthy chapter in the band's evolution, showcasing their ability to adapt to the changing musical landscape of the 1980s.