Album Info
| Artist: | Hozier |
| Album: | Hozier |
| Released: | Europe, 3 Oct 2014 |
Tracklist:
| A1 | Take Me To Church | |
| A2 | Angel Of Small Death & The Codeine Scene | |
| Bass - A. Hozier Byrne | ||
| Drums - Fiachra Kinder, Rory Doyle | ||
| A3 | Jackie And Wilson | |
| Piano - Alex Ryan | ||
| B1 | Someone New | |
| Composed By - A. Hozier Byrne, Sallay-Matu Garnett | ||
| Piano - Alex Ryan , A. Hozier Byrne | ||
| Violin, Viola - Ken Rice | ||
| B2 | To Be Alone | |
| B3 | From Eden | |
| Cello [Additional] - Matt Rafter | ||
| C1 | In A Week | |
| Featuring - Karen Cowley | ||
| C2 | Sedated | |
| Percussion [Additional] - Andre Antunes, Rob Kirwan | ||
| C3 | Work Song | |
| D1 | Like Real People Do | |
| D2 | It Will Come Back | |
| D3 | Foreigner's God | |
| Piano - Alex Ryan | ||
| D4 | Cherry Wine (Live) |
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Description
Hozier's self-titled debut album, released on September 19, 2014, is a soulful and stirring collection that catapulted the Irish singer-songwriter into international fame. The album is best known for its breakout single "Take Me to Church," which became a global anthem and earned Hozier a Grammy nomination for Song of the Year in 2015. The track's powerful lyrics and haunting melody resonated with listeners worldwide, addressing themes of love, identity, and societal norms.
The album as a whole is a rich tapestry of blues, rock, and folk influences, showcasing Hozier's deep, resonant voice and his knack for storytelling. Each song is meticulously crafted, with lyrics that often explore themes of love, religion, and personal introspection. "From Eden," another standout track, combines a catchy melody with poetic lyrics, while "Cherry Wine" offers a more stripped-down, acoustic sound that highlights Hozier's vocal prowess and lyrical sensitivity.
Critics praised the album for its emotional depth and musical diversity. Rolling Stone described it as "a powerful, genre-blending debut," while The Guardian highlighted Hozier's ability to "weave together the personal and the political." The album's production, handled by Hozier himself along with Rob Kirwan, is both polished and raw, allowing the emotional weight of the songs to shine through without unnecessary embellishments.
One of the most interesting aspects of Hozier's debut is how it blends traditional Irish musical elements with contemporary sounds. This fusion is evident in tracks like "Angel of Small Death & the Codeine Scene," which features gospel-inspired backing vocals and bluesy guitar riffs. Hozier's ability to draw from a wide range of influences while maintaining a cohesive sound is a testament to his artistry and vision.
The cultural impact of "Take Me to Church" cannot be overstated. The song's music video, which depicts a same-sex relationship and the violence faced by LGBTQ+ individuals, sparked conversations about equality and human rights. Hozier has spoken about his desire to address these issues through his music, and the song's success helped bring these conversations to a broader audience.
In addition to its critical acclaim, the album was a commercial success, reaching the top of the charts in several countries and earning multi-platinum certifications. Hozier's ability to connect with audiences through his music is evident in the album's enduring popularity, and it remains a staple in the playlists of many fans.
Overall, Hozier's debut album is a masterful blend of introspective songwriting and diverse musical influences. It introduced the world to a unique voice in the music industry, one that continues to captivate and inspire listeners. Whether you're drawn to the powerful anthems or the quieter, more reflective tracks, there's something in this album for everyone to appreciate.