Album Info
| Artist: | Stevie Wonder |
| Album: | Innervisions |
| Gatefold: | Yes |
| Released: | Europe, 2014 |
Tracklist:
| A1 | Too High | 4:37 |
| Backing Vocals - Jim Gilstrap, Lani Groves, Tasha Thomas | ||
| A2 | Visions | 5:17 |
| Acoustic Guitar - Dean Parks | ||
| Bass - Malcolm Cecil | ||
| Electric Guitar - David "T" Walker | ||
| A3 | Living For The City | 7:26 |
| A4 | Golden Lady | 5:00 |
| Acoustic Guitar - Ralph Hammer | ||
| Bass [Moog], Drums, Electric Piano [Fender Rhodes] - Stevie Wonder | ||
| Congas - Larry "Nastyee" Latimer | ||
| Organ - Clarence Bell | ||
| B1 | Higher Ground | 3:54 |
| B2 | Jesus Children Of America | 4:04 |
| B3 | All In Love Is Fair | 3:45 |
| Bass - Scott Edwards | ||
| Drums, Electric Piano [Fender Rhodes], Piano [Acoustic] - Stevie Wonder | ||
| B4 | Don't You Worry 'Bout A Thing | 4:55 |
| Bongos, Percussion [Latin Gourd] - Sheila Wilkerson | ||
| Shaker - Yusuf Roahman | ||
| B5 | He's Misstra Know-It-All | 6:06 |
| Bass - Willie Weeks |
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Description
Stevie Wonder's "Innervisions," released on August 3, 1973, stands as a monumental achievement in the landscape of American music. This album, Wonder's sixteenth studio effort, is often heralded as one of his finest works and a quintessential example of his genius during the 1970s. "Innervisions" is a masterful blend of soul, funk, jazz, and rock, showcasing Wonder's extraordinary talents as a singer, songwriter, producer, and multi-instrumentalist.
The album opens with "Too High," a track that immediately sets the tone with its socially conscious lyrics and innovative musical arrangements. Wonder's use of the Moog synthesizer and the Hohner Clavinet adds a distinctive texture to the song, which addresses the dangers of drug addiction. This theme of social awareness continues throughout the album, reflecting the turbulent socio-political climate of the early 1970s.
"Visions," the second track, shifts to a more introspective and contemplative mood. The song features a gentle acoustic guitar and Wonder's soulful vocals, pondering the possibility of a utopian world. This track exemplifies Wonder's ability to blend profound lyrical content with beautiful melodies.
"Living for the City" is perhaps the most powerful song on the album, both musically and lyrically. It tells the story of a young black man from Mississippi who moves to New York City in search of a better life, only to encounter systemic racism and injustice. The song's extended narrative and dramatic sound effects create a vivid and harrowing portrayal of urban life. "Living for the City" earned Wonder a Grammy Award for Best R&B Song, underscoring its impact and significance.
"Golden Lady" offers a respite from the heavier themes with its lush, romantic sound. The song's intricate chord progressions and Wonder's emotive delivery make it a standout track. It showcases his ability to craft love songs that are both sophisticated and deeply felt.
"Higher Ground," another highlight of the album, features a driving funk groove and a message of spiritual resilience and redemption. The song's infectious rhythm and uplifting lyrics have made it one of Wonder's most enduring hits. Notably, "Higher Ground" was recorded just before Wonder was involved in a near-fatal car accident, adding a layer of poignancy to its themes of perseverance and hope.
"Jesus Children of America" addresses issues of faith and hypocrisy within religious communities. The song's gospel-infused sound and thought-provoking lyrics encourage listeners to reflect on their beliefs and actions. Wonder's use of the Fender Rhodes electric piano adds a rich, warm texture to the track.
"All in Love Is Fair" is a poignant ballad that explores the complexities of love and heartbreak. Wonder's vocal performance is particularly moving, conveying a deep sense of vulnerability and emotion. The song's orchestral arrangement adds to its dramatic and cinematic quality.
"Don't You Worry 'bout a Thing" brings a Latin-inspired flair to the album with its upbeat rhythm and positive message. The song's playful piano riff and Wonder's charismatic vocals make it an infectious and joyful track. It serves as a reminder of Wonder's versatility and ability to incorporate diverse musical influences into his work.
The album closes with "He's Misstra Know-It-All," a scathing critique of deceitful and arrogant individuals, widely interpreted as a commentary on then-President Richard Nixon. The song's laid-back groove and sharp lyrics provide a fitting conclusion to the album, encapsulating its blend of social commentary and musical innovation.
"Innervisions" received critical acclaim upon its release and won the Grammy Award for Album of the Year in 1974. It is widely regarded as one of the greatest albums of all time, a testament to Stevie Wonder's artistic vision and enduring legacy. The album's exploration of social issues, combined with its innovative use of technology and diverse musical styles, makes it a timeless and influential work in the history of popular music.
