Album Info
Artist: | Trombone Shorty |
Album: | Parking Lot Symphony |
Released: | Europe, 2017 |
Tracklist:
A1 | Laveau Dirge No. 1 | 2:09 |
A2 | It Ain't No Use | 4:33 |
A3 | Parking Lot Symphony | 3:47 |
A4 | Dirty Water | 3:47 |
A5 | Here Come The Girls | 4:00 |
A6 | Tripped Out Slim | 2:19 |
B1 | Familiar | 3:19 |
B2 | No Good Time | 4:10 |
B3 | Where It At? | 3:26 |
B4 | Fanfare | 3:12 |
B5 | Like A Dog | 3:17 |
B6 | Laveau Dirge Finale | 4:44 |
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Description
Trombone Shorty's "Parking Lot Symphony" is a vibrant and eclectic album that showcases the multifaceted talent of New Orleans musician Troy Andrews, better known by his stage name, Trombone Shorty. Released on April 28, 2017, under the Blue Note Records label, this album marks a significant milestone in Trombone Shorty's career, blending elements of jazz, funk, rock, and hip-hop to create a sound that is both contemporary and deeply rooted in the traditions of his hometown.
The album opens with "Laveau Dirge No. 1," a somber and atmospheric track that sets the tone for the musical journey ahead. This instrumental piece pays homage to the rich cultural heritage of New Orleans, invoking the spirit of the city's famed voodoo queen, Marie Laveau. The mournful trombone and brass arrangements create a hauntingly beautiful introduction that seamlessly transitions into the upbeat and energetic "It Ain't No Use."
"It Ain't No Use" is a standout track that features infectious grooves and powerful horn sections, showcasing Trombone Shorty's prowess as both a trombonist and a bandleader. The song's lively tempo and catchy melodies are a testament to the tight musicianship of Shorty's band, Orleans Avenue. The band's chemistry is palpable throughout the album, with each member contributing to the dynamic and cohesive sound.
One of the album's highlights is "Here Come the Girls," a cover of the 1970 hit by New Orleans soul singer Ernie K-Doe. Trombone Shorty's rendition infuses the classic tune with a fresh, modern energy while retaining its original charm. The track features vibrant brass arrangements and a driving rhythm section, making it a perfect example of how Shorty bridges the gap between past and present musical styles.
"Parking Lot Symphony," the album's title track, is another notable piece that exemplifies Trombone Shorty's ability to blend genres seamlessly. The song combines elements of jazz, funk, and rock, with a catchy hook and infectious rhythm that make it an instant earworm. The track's upbeat and celebratory vibe captures the essence of a New Orleans street party, inviting listeners to join in the festivities.
Throughout the album, Trombone Shorty demonstrates his versatility as a musician, seamlessly switching between trombone, trumpet, and vocals. His vocal performance on tracks like "No Good Time" and "Familiar" adds an extra layer of depth and emotion to the music, showcasing his ability to convey a wide range of feelings through his voice.
"Tripped Out Slim" is another standout track that features a funky groove and intricate horn arrangements. The song's infectious rhythm and catchy melodies make it a perfect example of Trombone Shorty's ability to create music that is both technically impressive and irresistibly fun. The track's playful energy and tight musicianship are a testament to the skill and creativity of Shorty and his band.
The album closes with "Laveau Dirge Finale," a reprise of the opening track that brings the musical journey full circle. This final piece serves as a fitting conclusion to the album, encapsulating the rich cultural heritage and vibrant energy of New Orleans.
In "Parking Lot Symphony," Trombone Shorty has created an album that is both a celebration of his hometown and a showcase of his immense talent. The album's diverse range of musical styles and influences reflects the eclectic nature of New Orleans itself, while Shorty's virtuosic performances and innovative arrangements push the boundaries of contemporary music. "Parking Lot Symphony" is a testament to Trombone Shorty's status as one of the most exciting and dynamic musicians of his generation, and a must-listen for fans of jazz, funk, and beyond.