Album Info
| Artist: | Method Man |
| Album: | 4:21... The Day After |
| Released: | US, 05 Aug 2016 |
Tracklist:
| A1 | Intro | 2:10 |
| A2 | Is It Me | 3:44 |
| Producer - Scott StorchWritten-By - C. Smith, S. Storch | ||
| A3 | Problem | 3:30 |
| Recorded By - David "Gordo" StricklandWritten-By - C. Smith, E. Sermon, I. Woods | ||
| A4 | Somebody Done Fked Up | 3:18 |
| Producer - Havoc Recorded By - Jose "Choco" ReynosoWritten-By - C. Smith, K. Muchita | ||
| A5 | Shaolin Soldier (Skit) | 0:21 |
| A6 | Fall Out | 3:24 |
| Mixed By - Glen MarcheseProducer - Kwamé "K1Mil"Written-By - C. Smith, K. Holland | ||
| B1 | Dirty Mef | 2:59 |
| Featuring - O.D.B.Producer - Allah MathematicsRecorded By - David "Gordo" StricklandWritten-By - C. Smith, E. Sermon, R. Bean, R.T. Jones | ||
| B2 | 4:20 | 4:34 |
| Featuring - Carlton Fisk, Street LifeProducer - Kinetic Vocals [Additional] - The RZAWritten-By - C. Fisk, C. Smith, P. Charles, R. Diggs | ||
| B3 | Let's Ride | 3:10 |
| Featuring - GinuwineKeyboards [Live] - Armond DavisMixed By - Collin Dupuis, Mike ChavProducer - Mr. PorterRecorded By - Ayinde "Tike" Olubayo, Collin Dupuis, Mike ChavWritten-By - A. Davis, C. Smith, D. Porter, E. Lumpkin | ||
| B4 | The Glide | 3:05 |
| Featuring - La The Darkman, Raekwon, U-GodRecorded By - Jose "Choco" Reynoso, Justin RossiWritten-By - C. Smith, C. Woods, L. Jackson, R. Diggs | ||
| C1 | Kids (Skit) | 0:47 |
| C2 | Got To Have It | 4:13 |
| Written-By - A. Hume, C. Jasper, C. Smith, E. Sermon, E. Isley, H. Lily, M. Isley, O. Isley, R. Isley, R. Isley | ||
| C3 | Say | 3:49 |
| Mixed By - Supa Engineer DUROWritten-By - B. Marley, C. Smith, E. Sermon | ||
| C4 | Ya'Meen | 4:21 |
| Featuring - Fat Joe, Styles PMixed By - Supa Engineer DUROProducer - The Chairman Of The Boards Obi & JoshWritten-By - C. Smith, D. Styles, D. Klein, J. Joergensen, J. Cartagena | ||
| C5 | Konichawa Biches | 2:59 |
| Written-By - C. Smith, R. Diggs | ||
| D1 | Everything | 3:34 |
| Featuring - Inspectah Deck, Street LifeProducer - Allah MathematicsWritten-By - C. Smith, J. Hunter, P. Charles, R. Bean | ||
| D2 | Walk On | 2:46 |
| Arranged By [Additional] - Erick Sermon, The RZAFeaturing - RedmanProducer - Versatile Producer [Additional] - Erick Sermon, The RZAWritten-By - A. Roettger, B. Bacharach , H. David, C. Smith, R. Noble | ||
| D3 | Pimpin' (Skit) | 0:31 |
| D4 | Presidential MC | 4:30 |
| Featuring - The RZA, RaekwonWritten-By - C. Smith, C. Woods, R. Diggs | ||
| D5 | 4 Ever | 4:04 |
| Featuring - Megan RochellProducer - Kwamé "K1Mil"Written-By - C. Smith, D. Lewis, J. Lewis, K. Holland, W. Lewis |
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Description
"4:21... The Day After" is the third studio album by American rapper Method Man, released on August 29, 2006, by Def Jam Recordings. Known for his gritty voice and intricate rhymes, Method Man, a member of the legendary Wu-Tang Clan, delivers a project that reflects his seasoned experience in the hip-hop industry.
The album's title, "4:21... The Day After," is a clever nod to the cannabis culture, with 4:20 being a well-known reference to marijuana use. The "day after" suggests a period of reflection and clarity, which is a theme that runs through the album. Method Man himself has stated that the album represents a more mature perspective compared to his earlier works.
Production on the album is handled by a variety of notable producers, including RZA, Erick Sermon, Havoc, and Scott Storch. The beats are a mix of hard-hitting drums, soulful samples, and atmospheric elements that complement Method Man's distinctive flow. RZA, a fellow Wu-Tang Clan member, brings his signature gritty and cinematic style to tracks like "The Glide," while Erick Sermon's contributions, such as "Somebody Done F**ked Up," offer a funkier, more laid-back vibe.
Lyrically, Method Man is as sharp as ever. His wordplay and storytelling abilities are on full display throughout the album. Tracks like "Say" featuring Lauryn Hill showcase his ability to tackle serious subjects with depth and insight. In "Say," Method Man addresses issues of authenticity and integrity in the music industry, with Lauryn Hill's soulful hook adding an extra layer of emotional weight.
Another standout track is "Dirty Mef," a tribute to his late friend and fellow Wu-Tang Clan member Ol' Dirty Bastard. The song is both a celebration of Ol' Dirty Bastard's unique spirit and a lament for his untimely passing. Method Man's verses are filled with heartfelt memories and a sense of loss that resonates deeply with fans of the Wu-Tang Clan.
Guest appearances on the album are carefully selected and add to the overall cohesiveness of the project. In addition to Lauryn Hill, the album features appearances from Redman, Fat Joe, Styles P, and Raekwon, among others. Each guest artist brings their own flavor to the tracks, creating a dynamic listening experience.
Commercially, "4:21... The Day After" debuted at number 8 on the Billboard 200 chart, selling over 62,000 copies in its first week. While it didn't achieve the same level of commercial success as some of Method Man's earlier releases, it was well-received by critics and fans alike. Many praised the album for its mature themes and solid production, noting that Method Man had successfully evolved as an artist while staying true to his roots.
In conclusion, "4:21... The Day After" is a strong addition to Method Man's discography. It showcases his growth as an artist and his ability to navigate the complexities of the music industry while maintaining his authenticity. The album's production, lyrical content, and guest features all contribute to a cohesive and engaging listening experience. For fans of Method Man and the Wu-Tang Clan, this album is a must-listen, offering a blend of nostalgia and fresh perspectives that highlight why Method Man remains a respected figure in hip-hop.
