Album Info
| Artist: | Dexter Gordon |
| Album: | One Flight Up |
| Gatefold: | Yes |
| Released: | US, 07 May 2021 |
Tracklist:
| A | Tanya | |
| Written-By - Donald Byrd | ||
| B1 | Coppin' The Haven | |
| Written-By - Kenny Drew | ||
| B2 | Darn That Dream | |
| Written-By - DeLange, Van Heusen |
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Description
Dexter Gordon's "One Flight Up" is a seminal jazz album that showcases the saxophonist's exceptional talent and his ability to blend seamlessly with his bandmates. Released in 1964 on the Blue Note label, this album is a testament to Gordon's prowess as a leading figure in the bebop and hard bop movements. The album was recorded in Paris, France, during a period when many American jazz musicians were expatriates in Europe, seeking both artistic freedom and respite from the racial tensions in the United States.
The album features five tracks, each highlighting different aspects of Gordon's musical genius. The personnel on this recording include Dexter Gordon on tenor saxophone, Donald Byrd on trumpet, Kenny Drew on piano, Niels-Henning Ørsted Pedersen on bass, and Art Taylor on drums. This lineup of musicians is noteworthy, as each member brings a unique style and energy to the recording, creating a cohesive and dynamic sound.
The opening track, "Tanya," is a 17-minute opus composed by Donald Byrd. It begins with a hauntingly beautiful melody played by Gordon and Byrd in unison, setting the stage for an extended exploration of themes and improvisations. Gordon's solo is both lyrical and powerful, demonstrating his command of the tenor saxophone and his ability to convey deep emotion through his playing. Byrd's trumpet solo is equally impressive, characterized by its clarity and precision.
"Copin' the Haven," composed by Gordon himself, is a more upbeat and swinging number. The interplay between Gordon and Byrd is particularly noteworthy here, as they trade phrases and build on each other's ideas. Kenny Drew's piano solo is a highlight of this track, showcasing his technical skill and creative approach to harmony.
"Darn That Dream," a standard ballad by Jimmy Van Heusen and Eddie DeLange, is given a sensitive and introspective treatment by the quintet. Gordon's interpretation of the melody is both tender and expressive, capturing the wistful mood of the song. The rhythm section provides a subtle and supportive backdrop, allowing Gordon's saxophone to shine.
The album also includes "Kong Neptune," another original composition by Gordon. This track features a more complex and modern harmonic structure, reflecting the influence of the modal jazz movement that was gaining popularity at the time. Gordon's solo is adventurous and exploratory, pushing the boundaries of traditional bebop language.
The final track, "Le Coiffeur," is a bluesy number that brings the album to a satisfying conclusion. The relaxed groove and playful interaction between the musicians make this track a joy to listen to. Gordon's bluesy phrasing and soulful tone are particularly effective here, reminding listeners of his roots in the jazz tradition.
"One Flight Up" is a remarkable album that captures Dexter Gordon at the height of his creative powers. The combination of his robust tenor saxophone sound, the stellar contributions of his bandmates, and the high-quality production values of Blue Note Records make this a must-listen for any jazz enthusiast. The album not only highlights Gordon's technical proficiency but also his ability to convey deep emotion and tell a story through his music.
In conclusion, "One Flight Up" stands as a significant work in Dexter Gordon's discography and in the broader context of 1960s jazz. It exemplifies the collaborative spirit of jazz, with each musician contributing to the overall success of the recording. The album's blend of original compositions and standards, along with its mix of swinging and more contemplative tracks, ensures that it remains a timeless and essential listen for fans of the genre.