Album Info
| Artist: | Miles Davis |
| Album: | Live-Evil |
| Gatefold: | Yes |
| Released: | Europe, 2016 |
Tracklist:
| A1 | Sivad | 15:15 |
| Written-By - M. Davis | ||
| A2 | Little Church | 3:15 |
| Written-By - M. Davis | ||
| Medley | (5:54) | |
| A3a | Gemini | |
| Written-By - M. Davis | ||
| A3b | Double Image | |
| Written-By - J. Zawinul | ||
| B1 | What I Say | 21:11 |
| Written-By - M. Davis | ||
| B2 | Nem Um Talvez | 4:03 |
| Written-By - M. Davis | ||
| C1 | Selim | 2:13 |
| Written-By - M. Davis | ||
| C2 | Funky Tonk | 23:26 |
| Written-By - M. Davis | ||
| D | Inamorata And Narration By Conrad Roberts | 26:37 |
| Narrator - Conrad Roberts | ||
| Written-By - M. Davis |
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Description
Miles Davis - Live-Evil: A Daring Fusion of Jazz, Funk, and the Avant-Garde
Released in 1971, "Live-Evil" is a monumental album by Miles Davis, capturing the essence of his electric period with a blend of live and studio recordings. This ambitious double album exemplifies Davis's continuous quest for innovation, merging jazz with rock, funk, and avant-garde elements. "Live-Evil" is characterized by its experimental approach, complex rhythms, and ethereal soundscapes, showcasing the collaborative genius of Davis and his ensemble of renowned musicians.
The album's live tracks, recorded at the Cellar Door in Washington D.C., feature an explosive interplay between Davis's trumpet, John McLaughlin's electric guitar, and the dynamic rhythm section of Michael Henderson on bass and Jack DeJohnette on drums. These performances are electrifying, with each musician pushing the boundaries of their instrument to create a sound that is at once chaotic and cohesive.
"Sivad," the album's opening track, sets a frenetic pace with its fusion of driving basslines, complex drum patterns, and Davis's piercing trumpet. The track is a powerful introduction to the album's live recordings, showcasing the raw energy and improvisational prowess of Davis's ensemble.
On the studio side, "Little Church" offers a stark contrast to the album's more intense live tracks. This serene, meditative piece features Hermeto Pascoal's haunting flute and Davis's muted trumpet, creating a tranquil and introspective atmosphere that showcases another facet of Davis's musical explorations.
"What I Say" is a standout live track that embodies the fusion ethos of "Live-Evil." The relentless groove, underscored by Henderson's bass and DeJohnette's drums, provides a solid foundation for Davis and McLaughlin's improvisational excursions. The track exemplifies the album's synthesis of jazz, funk, and rock, with each musician contributing to a vibrant and ever-evolving sonic tapestry.
The studio track "Nem Um Talvez" is another highlight, featuring contributions from Brazilian musician Hermeto Pascoal. The piece is characterized by its intricate rhythms and lush harmonies, showcasing the collaborative spirit that defines "Live-Evil." Pascoal's influence introduces a distinct Latin flavor to the track, further expanding the album's diverse sonic palette.
The production of "Live-Evil" masterfully captures the intensity of the live performances and the nuanced textures of the studio recordings. Teo Macero, Davis's longtime producer, played a crucial role in shaping the album's sound, utilizing innovative studio techniques to enhance the music's experimental qualities.
"Live-Evil" is more than an album; it's an audacious exploration of the intersections between different musical traditions and the limitless possibilities of improvisation. Miles Davis, ever the innovator, uses "Live-Evil" as a platform to challenge and redefine the boundaries of jazz, incorporating elements from various genres to create a work that is both groundbreaking and timeless.
In conclusion, "Live-Evil" by Miles Davis stands as a testament to the transformative power of music and the enduring legacy of one of jazz's greatest innovators. The album's daring fusion of styles, coupled with the virtuosic performances of Davis and his collaborators, makes "Live-Evil" a seminal work that continues to inspire and captivate listeners with its depth, complexity, and boundless creativity.
