Album Info
Artist: | Mingus |
Album: | The Black Saint And The Sinner Lady |
Released: | US, 2019 |
Tracklist:
A1 | Solo Dancer (Stop! And Listen, Sinner Jim Whitney!) | 6:20 |
A2 | Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces) | 6:25 |
A3 | Group Dancers ({Soul Fusion} Freewoman And Oh This Freedom's Slave Cries) | 7:00 |
B1 | Trio And Group Dancers (Stop! Look! And Sing Songs Of Revolutions!) | 17:52 |
B2 | Single Solos And Group Dance (Saint And Sinner Join In Merriment On Bottle Front) | |
B3 | Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell, My Beloved, 'til It's Freedom Day) |
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Description
"The Black Saint And The Sinner Lady" is more than just an album. It's a sprawling epic, a musical journey that delves deep into the psyche of its creator, Charles Mingus. Released in 1963, this album stands as one of the most profound and innovative works in the realm of jazz. Mingus, known for his complex compositions and fierce individuality, crafts a narrative that's both deeply personal and universally resonant..
Described by Mingus as a "ballet," the album is divided into tracks, but it's best experienced as a continuous suite. From the first notes, there's a palpable tension – a blend of beauty and chaos, harmony and discord. This dichotomy is emblematic of Mingus's own struggles with mental health, race, and identity..
The orchestration throughout is lush and varied. Mingus employs a wide range of instruments, from the traditional (trumpet, trombone, drums) to the more unconventional (flute, guitar), creating a rich tapestry of sound. The arrangements are intricate, with layers upon layers that reveal themselves upon repeated listens..
One of the standout features of "The Black Saint And The Sinner Lady" is its fluidity. The music seamlessly transitions from Latin-inspired rhythms to sultry ballads, from frenzied improvisations to structured, almost classical segments. This ebb and flow, this constant evolution, mirrors the tumultuous journey of life, with its highs and lows, joys and sorrows..
Tracks like "Track A – Solo Dancer" and "Track B – Duet Solo Dancers" showcase the virtuosity of the ensemble. There's a sense of conversation, a dialogue between instruments that's both spontaneous and structured. Mingus, with his double bass, anchors the narrative, providing both the foundation and the momentum..
The album also touches upon themes of race and identity. Mingus, with his mixed heritage, often grappled with issues of belonging and acceptance. "The Black Saint And The Sinner Lady" serves as a reflection of this inner turmoil, a sonic exploration of the complexities of the human soul..
In conclusion, "The Black Saint And The Sinner Lady" is a masterpiece, a testament to Charles Mingus's genius and vision. It's an album that challenges and captivates, pushing the boundaries of what jazz can be. Whether you're a seasoned jazz aficionado or a newcomer to the genre, this album offers an experience that's both intellectually stimulating and emotionally profound..
What is the significance of "The Black Saint And The Sinner Lady" in Charles Mingus's discography?.
"The Black Saint And The Sinner Lady" is often heralded as one of the defining masterpieces in Charles Mingus's discography and within the jazz genre as a whole. Released in 1963, it stands out not just as an album but as a continuously flowing composition, blending together elements of hard bop, free jazz, classical music, and blues. Mingus himself described it as his "longest composition.".
Is the album a concept or suite? How is it structured?.
Yes, "The Black Saint And The Sinner Lady" is often referred to as a "ballet" or a "suite" due to its continuous and evolving structure. The album consists of four tracks, but each track is further divided into multiple sections, creating a seamless musical journey from start to finish. The album's structure, with its varying tempos, moods, and dynamics, takes listeners on a unique emotional journey..
What instruments and lineup did Mingus employ for this record?.
For this recording, Mingus utilized a large ensemble that included a mix of traditional jazz instruments alongside some less conventional choices for jazz composition. The lineup featured trumpet, trombone, tuba, and French horn, multiple saxophones, flute, guitar, bass, and drums. This diverse instrumentation allowed Mingus to craft a rich tapestry of sound, full of intricate harmonies and dynamic interplay..
How was the album received upon its release?.
Upon its release, "The Black Saint And The Sinner Lady" received widespread acclaim from music critics and jazz enthusiasts. Many regarded it as a groundbreaking work, praising its compositional brilliance and the emotional intensity that Mingus and his ensemble brought to the recording. Over the years, its reputation has only grown, with many considering it not just a highlight of Mingus's career but one of the greatest jazz albums of all time..
Are there any notable influences or themes present in the album?.
Mingus drew from a vast array of influences when composing this album. Elements of gospel, Spanish flamenco, New Orleans jazz, and classical music can all be heard throughout the record. Thematically, the album delves into personal and profound territory. Mingus's struggles with mental health, love, rage, and the human experience inform much of the emotional content of the music. The liner notes, written by Mingus's psychologist, Dr. Edmund Pollock, further hint at the deep emotional and psychological layers present in the work.