Album Info
| Artist: | Sarah Vaughan & Quincy Jones |
| Album: | You're Mine You |
| Gatefold: | Yes |
| Released: | Europe, 21 Oct 2016 |
Tracklist:
| A1 | You're Mine You | 4:01 |
| Composed By - Edward Heyman, Johnny Green | ||
| A2 | The Best Is Yet to Come | 2:53 |
| Composed By - Carolyn Leigh, Cy Coleman | ||
| A3 | Witchcraft | 2:58 |
| Composed By - Carolyn Leigh, Cy Coleman | ||
| A4 | So Long | 2:55 |
| Composed By - Irving Melsher, Remus Harris , Russ Morgan | ||
| A5 | The Second Time Around | 3:43 |
| Composed By - Sammy Cahn & Jimmy Van Heusen | ||
| A6 | I Could Write a Book | 2:24 |
| Composed By - Lorenz Hart, Richard Rodgers | ||
| A7 | One Mint Julep | 2:49 |
| Composed By - Rudolph Toombs | ||
| B1 | Maria | 3:13 |
| Composed By - Leonard Bernstein, Stephen Sondheim | ||
| B2 | Baubles, Bangles and Beads | 3:37 |
| Composed By - George Forrest, Robert Craig Wright | ||
| B3 | In Other Words (Fly Me to the Moon) | 2:56 |
| Composed By - Bart Howard | ||
| B4 | Moonglow | 2:31 |
| Composed By - Eddie Delange, Irving Mills, Will Hudson | ||
| B5 | Invitation | 2:19 |
| Composed By - Bronislaw Kaper, Paul Francis Webster | ||
| B6 | On Green Dolphin Street | 3:05 |
| Composed By - Bronislaw Kaper, Ned Washington | ||
| B7 | Mama, He treats Your Daughter Mean | 2:42 |
| Composed By - Charlie Singleton, Chester Wallace, Herb Lance |
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Description
"You're Mine You" is a collaborative studio album by the legendary jazz vocalist Sarah Vaughan and the renowned arranger and conductor Quincy Jones. Released in 1962 by Mercury Records, this album stands as a testament to the exceptional talents of both artists and their ability to create a timeless piece of music.
Sarah Vaughan, often referred to as "Sassy" or "The Divine One," was one of the most influential jazz singers of the 20th century. Her voice, characterized by its rich texture, impeccable control, and extraordinary range, made her a favorite among jazz enthusiasts and critics alike. Quincy Jones, on the other hand, was already making a name for himself as a gifted arranger and conductor, and he would later become one of the most influential figures in the music industry.
"You're Mine You" features a collection of twelve tracks, each showcasing Vaughan's vocal prowess and Jones's sophisticated arrangements. The album opens with the title track, "You're Mine You," a romantic ballad that sets the tone for the rest of the record. Vaughan's interpretation of the song is both tender and powerful, demonstrating her ability to convey deep emotion through her voice.
One of the standout tracks on the album is "The Best Is Yet to Come," a song that would later become a standard in the jazz repertoire. Vaughan's rendition is both optimistic and confident, perfectly capturing the essence of the lyrics. Jones's arrangement, with its lush strings and subtle brass, provides the perfect backdrop for Vaughan's vocals.
Another highlight is "Witchcraft," a song that has been covered by many artists over the years. Vaughan's version is sultry and seductive, with a hint of playfulness. Jones's arrangement is equally captivating, with its swinging rhythm and intricate instrumentation.
The album also includes a beautiful rendition of "So Long," a melancholic ballad that showcases Vaughan's ability to convey a sense of longing and heartache. Her voice is hauntingly beautiful, and Jones's arrangement, with its gentle strings and piano, complements her performance perfectly.
"You're Mine You" also features a number of lesser-known tracks, such as "Moonglow" and "Baubles, Bangles, and Beads." These songs, while not as famous as some of the other tracks on the album, are nonetheless captivating and showcase the versatility of both Vaughan and Jones.
Throughout the album, Vaughan's voice is the star of the show, but Jones's arrangements are equally impressive. His ability to create lush, sophisticated orchestrations that complement Vaughan's vocals is a testament to his talent as an arranger and conductor. The combination of Vaughan's voice and Jones's arrangements creates a magical listening experience that is both timeless and unforgettable.
In addition to the music, the album's production quality is also noteworthy. The sound is crisp and clear, allowing the listener to fully appreciate the nuances of Vaughan's voice and Jones's arrangements. The album was recorded at a time when stereo recording was becoming more common, and the use of stereo enhances the listening experience, giving the music a sense of depth and space.
"You're Mine You" is a must-listen for any jazz enthusiast. It is a perfect example of the magic that can happen when two exceptionally talented artists come together to create something special. Sarah Vaughan's voice, combined with Quincy Jones's arrangements, makes for an album that is both beautiful and timeless. Whether you are a longtime fan of Vaughan and Jones or a newcomer to their music, "You're Mine You" is an album that deserves a place in your collection.