Album Info
| Artist: | The Miles Davis Sextet & The Thelonious Monk Quartet |
| Album: | Miles & Monk At Newport |
| Released: | Netherlands, 2013 |
Tracklist:
| A1 | Ah-Leu-Cha | 5:47 |
| A2 | Straight, No Chaser | 8:46 |
| A3 | Fran-Dance | 7:04 |
| A4 | Two Bass Hit | 4:13 |
| B1 | Nutty | 13:55 |
| B2 | Blue Monk | 11:15 |
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Description
"The Miles Davis Sextet & The Thelonious Monk Quartet's "Miles & Monk at Newport" captures live performances by two of jazz's most influential figures at the Newport Jazz Festival, albeit from different years—Davis's from 1958 and Monk's from 1963. This album not only showcases the live energy and innovative prowess of both ensembles but also highlights a pivotal era in jazz, where bebop was giving way to modal jazz and other avant-garde styles. The contrast between Davis's cool, melodic improvisations and Monk's percussive, idiosyncratic piano style provides a fascinating insight into the diversity and depth of jazz during this period.
Miles Davis's set features a rendition of "Ah-Leu-Cha," a composition by Charlie Parker. Davis's version stands out for its smooth, lyrical approach to the bebop classic, showcasing his unique phrasing and the cohesive interplay of his sextet, which included John Coltrane on tenor saxophone, Cannonball Adderley on alto saxophone, and Bill Evans on piano. The performance exemplifies Davis's ability to reinterpret complex compositions with his signature coolness and precision.
"Fran-Dance," another highlight from Davis's performance, is a more relaxed, modal piece that foreshadows his exploration of modal jazz that would fully manifest in "Kind of Blue." The track features thoughtful solos that emphasize melody and atmosphere over technical virtuosity, illustrating Davis's evolving musical direction at the time.
The Thelonious Monk Quartet's contribution to the album includes "Nutty," a piece that encapsulates Monk's innovative approach to composition and performance. Monk's use of dissonant harmonies, angular melodies, and unconventional rhythms makes "Nutty" a captivating listen, showcasing his genius in crafting complex, yet accessible jazz tunes.
"Blue Monk," one of Monk's most famous compositions, is presented in a live setting with a playful, blues-inflected groove that allows for expressive solos and dynamic interaction among the quartet members. The performance highlights Monk's distinctive style and his ability to create enduring jazz standards that are both challenging and deeply rooted in the blues tradition.
The production of "Miles & Monk at Newport" captures the spontaneity and energy of live jazz, allowing listeners to experience the immediacy of the performances. The contrasting styles of Davis and Monk, along with the high level of musicianship from both ensembles, make this album a valuable document of a transformative era in jazz history.
In conclusion, "Miles & Monk at Newport" is a landmark album that showcases two of jazz's most iconic figures in a live setting, highlighting their contributions to the genre's evolution. The album offers a snapshot of a time when jazz was undergoing significant changes, and the performances of Davis and Monk serve as a testament to the creativity, diversity, and enduring appeal of jazz music.
