Album Info
| Artist: | Bananarama |
| Album: | Bananarama |
| Released: | UK & Europe, 2018 |
Tracklist:
| A1 | Cruel Summer | |
| A2 | Rough Justice | |
| A3 | King Of The Jungle | |
| A4 | Dream Baby | |
| A5 | Link | |
| B1 | Hot Line To Heaven | |
| B2 | State I'm In | |
| B3 | Robert De Niro's Waiting | |
| B4 | Through A Child's Eyes |
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Description
"Bananarama" is the self-titled second studio album by the British girl group Bananarama, released on April 21, 1984, by London Records. The album marked a significant step in the trio's career, showcasing their ability to blend pop sensibilities with socially conscious lyrics and a variety of musical influences.
The album opens with "Cruel Summer," one of Bananarama's most iconic tracks. The song, co-written by the group members Sara Dallin, Siobhan Fahey, and Keren Woodward, along with Steve Jolley and Tony Swain, captures the essence of 1980s pop with its catchy melody and relatable lyrics about the loneliness of a summer without a loved one. "Cruel Summer" became a global hit, reaching the top 10 in multiple countries and solidifying Bananarama's presence in the pop music scene.
Another standout track is "Robert De Niro's Waiting," which cleverly combines a catchy pop tune with a narrative about seeking solace in the fantasy world of movies. The song's title references the famous actor Robert De Niro, and it became another hit for the group, reaching number 3 on the UK Singles Chart. The music video, featuring the trio in various New York City locations, further cemented their image as stylish and relatable pop icons.
The album also includes "Rough Justice," a track that addresses social issues such as unemployment and the struggles of the working class. This song highlights Bananarama's willingness to tackle serious topics within the framework of pop music, a characteristic that set them apart from many of their contemporaries.
"Hot Line to Heaven" is another notable track, with its slower tempo and introspective lyrics. The song's production, featuring lush synthesizers and a prominent bassline, showcases the group's versatility and ability to experiment with different sounds while maintaining their pop appeal.
The production of the album, handled primarily by Steve Jolley and Tony Swain, is polished and cohesive, providing a consistent sound that ties the various tracks together. Jolley and Swain's influence is evident in the album's blend of pop, new wave, and dance elements, creating a sound that is both accessible and innovative.
Bananarama's vocal performances on the album are strong and distinctive, with each member bringing her unique style to the mix. The harmonies and interplay between Dallin, Fahey, and Woodward are a key component of the group's sound, and this album showcases their ability to deliver memorable and engaging performances.
The album's cover art, featuring the trio in stylish outfits against a bright, colorful background, reflects the vibrant and energetic nature of the music. The visual presentation of Bananarama was an important aspect of their appeal, and the album cover captures their fun and fashionable image.
"Bananarama" received positive reviews from critics upon its release, with many praising the group's ability to craft catchy pop songs with substance. The album's success helped to establish Bananarama as one of the leading acts of the 1980s pop scene, and it remains a significant part of their discography.
In conclusion, "Bananarama" is a well-crafted pop album that showcases the group's talent for creating memorable songs with a mix of fun and meaningful content. The album's blend of catchy melodies, thoughtful lyrics, and polished production make it a standout release in the pop music landscape of the 1980s. For fans of the genre and those interested in the evolution of pop music, "Bananarama" is an essential listen that highlights the enduring appeal of this iconic girl group.
