Album Info
| Artist: | MGMT |
| Album: | LateNightTales |
| Released: | UK, 2011 |
Tracklist:
| A1 | Can't See Through It - Disco Inferno | 3:59 |
| Written-By - Disco Inferno | ||
| A2 | Love You Girl - The Great! Society | 3:16 |
| Written-By - Minor | ||
| A3 | Cheree - Suicide | 3:26 |
| Written-By - Vega, Rev | ||
| A4 | Sparks - Martin Rev | 3:24 |
| Written-By - Martin Rev | ||
| A5 | Stop & Smell The Roses - Television Personalities | 3:58 |
| Written-By - Dan treasy | ||
| B1 | Ocean (Outtake Version) - The Velvet Underground | 5:04 |
| Written-By - Reed | ||
| B2 | Red Indians - Felt | 1:55 |
| Written-By - Lawrence, Deebank | ||
| B3 | Laughing Boy - Julian Cope | 5:15 |
| Producer - Stephen Lovell | ||
| Written-By - Julian Cope | ||
| B4 | For Belgian Friends - The Durutti Column | 3:28 |
| Written-By - Reilly | ||
| C1 | All We Ever Wanted Was Everything (Excusive Cover Version) - MGMT | 4:24 |
| Mixed By - Dave Fridmann | ||
| Written-By - Ash, Jay, Haskins, Murphy | ||
| C2 | Song For Wilde - Mark Fry | 1:58 |
| Producer - Laura Papi | ||
| Written-By - Mark Fry | ||
| C3 | troubled Mind - Cheval Sombre | 4:48 |
| Producer - Sonic Boom | ||
| Written-By - Christopher Porpora | ||
| C4 | Drug Song - Dave Bixby | 3:19 |
| Written-By, Producer - David Bixby | ||
| D1 | Hearts Are Like Flowers - Jacobites | 4:10 |
| Written-By - Dave Kusworth | ||
| D2 | Pink Frost - The Chills | 3:44 |
| Producer - Chris Knox, Doug Hood, Martin Phillipps, Terry King, Terry Moore | ||
| Written-By - Martin Phillipps | ||
| D3 | Lord Can You Hear Me? - Spacemen 3 | 4:31 |
| Written-By - Pierce | ||
| D4 | Lost For Words Part 2 (Exclusive Spoken Word Piece) - Paul Morley | 3:23 |
| Written-By - Paul Morley |
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Description
"LateNightTales: MGMT" is a compilation album curated by the American rock band MGMT, released on October 3, 2011. The "LateNightTales" series, known for inviting artists to create a personal mix of their favorite tracks, offers a unique glimpse into the musical influences and tastes of the curators. MGMT, consisting of Andrew VanWyngarden and Ben Goldwasser, brings their eclectic and psychedelic sensibilities to this compilation, resulting in a diverse and intriguing collection of songs.
The album opens with "Lucifer Sam" by Pink Floyd, a track that sets the tone for the psychedelic journey that follows. This choice is fitting, given MGMT's own penchant for blending rock with experimental sounds. The inclusion of Pink Floyd highlights the band's appreciation for the pioneers of psychedelic rock and their influence on MGMT's music.
One of the standout tracks on the album is "Drug Song" by Dave Bixby. This obscure gem from the 1960s is a hauntingly beautiful folk song that reflects the darker side of the psychedelic era. Bixby's melancholic vocals and introspective lyrics create a somber atmosphere, contrasting with some of the more upbeat tracks on the compilation.
MGMT's selection also includes "Ocean" by The Velvet Underground, another nod to the band's roots in the experimental rock scene. The Velvet Underground's influence on MGMT is evident in their own music, and this track serves as a reminder of the band's ability to blend different genres and styles seamlessly.
The album takes a surprising turn with "If I Were a Carpenter" by The Four Tops. This soulful rendition of the Tim Hardin classic showcases MGMT's appreciation for Motown and soul music. The Four Tops' smooth harmonies and heartfelt delivery add a touch of warmth to the compilation, providing a brief respite from the more psychedelic and experimental tracks.
MGMT also includes "Morning Splendor" by The Great Society, a lesser-known band featuring Grace Slick before she joined Jefferson Airplane. This track is a perfect example of the band's ability to unearth hidden gems from the past and bring them to a new audience. The Great Society's blend of folk and psychedelia fits seamlessly into the overall vibe of the compilation.
One of the more contemporary tracks on the album is "All We Ever Wanted Was Everything" by Bauhaus. This post-punk anthem adds a darker, more brooding element to the mix, reflecting MGMT's own exploration of darker themes in their music. The inclusion of Bauhaus highlights the band's ability to draw from a wide range of influences, from the 1960s to the 1980s and beyond.
MGMT's own contribution to the album is a cover of "All We Ever Wanted Was Everything" by Bauhaus. Their version stays true to the original while adding their own unique twist, with VanWyngarden's ethereal vocals and the band's signature psychedelic sound. This cover serves as a fitting conclusion to the compilation, bringing the album full circle and showcasing MGMT's ability to reinterpret and reimagine classic tracks.
In addition to the carefully curated tracklist, "LateNightTales: MGMT" also features a spoken word piece by British author and poet J.G. Ballard. This inclusion adds a literary element to the album, further enhancing the listening experience and providing a thought-provoking interlude between the musical tracks.
Overall, "LateNightTales: MGMT" is a captivating and eclectic compilation that offers a window into the musical influences and tastes of one of the most innovative bands of the 21st century. MGMT's ability to blend different genres and styles, from psychedelic rock to soul to post-punk, is on full display, making this album a must-listen for fans of the band and anyone interested in exploring the diverse world of music.
