Album Info
Artist: | Various |
Album: | Studio One Classics |
Released: | UK, 18 Jun 2022 |
Tracklist:
A1 | The Skatalites - El Pussy Cat Ska | |
Written-By - Clement "Coxsone" Dodd, Roland Alphonso | ||
A2 | Carlton And The Shoes - Love Me Forever | |
Written-By - Carlton Manning, Clement "Coxsone" Dodd | ||
A3 | Sound Dimension - Rockfort Rock | |
Written-By - Clement "Coxsone" Dodd, Johnny Moore | ||
A4 | Johnny Osbourne - Sing Jah Style AKA Sing-Jay Style | |
Written-By - Clement "Coxsone" Dodd, Johnny Osbourne | ||
A5 | The Heptones - Pretty Looks Isn't All | |
Written-By - Barrington Llewellyn, Clement "Coxsone" Dodd, Leroy Sibbles | ||
B1 | Slim Smith - Rougher Yet | |
Written-By - Clement "Coxsone" Dodd | ||
B2 | Lone Ranger - Automatic | |
Written-By - Anthony Waldron | ||
B3 | Horace Andy - Fever | |
Written-By - Clement "Coxsone" Dodd, Horace Hinds | ||
B4 | Prince Jazzbo - Back To School | |
Written-By - Linval Roy Carter | ||
B5 | The Wailers - Simmer Down | |
Written-By - Bob Marley, Clement "Coxsone" Dodd | ||
C1 | Burning Spear - Rocking Time | |
Written-By - Winston Rodney | ||
C2 | Alton Ellis - I'm Just A Guy | |
Written-By - Alton Ellis, Clement "Coxsone" Dodd | ||
C3 | Sugar Minott - Oh Mr. D.C. | |
Written-By - Clement "Coxsone" Dodd, Lincoln Minott | ||
C4 | Jennifer Lara - Consider Me | |
Written-By - Clement "Coxsone" Dodd, Winson Stewart | ||
D1 | Don Drummond - Confucious | |
Written-By - Don Drummond | ||
D2 | Michigan & Smiley - Rub A Dub Style | |
Written-By - Fairclough, Dodd, Bennett | ||
D3 | Sound Dimension - Full Up | |
Written-By - Clement "Coxsone" Dodd, Robert Lyn | ||
D4 | Dennis Brown - No Man Is An Island | |
Written-By - Clement "Coxsone" Dodd, Dennis Brown |
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Description
"Studio One Classics" is a compilation album that showcases the rich legacy of Studio One, one of the most influential record labels in the history of reggae music. Founded by Clement "Coxsone" Dodd in Kingston, Jamaica, Studio One has been a cornerstone of the reggae genre, nurturing the careers of many legendary artists. This compilation, released by Soul Jazz Records, brings together some of the most iconic tracks recorded at Studio One, offering a comprehensive overview of the label's contribution to reggae music.
The album features a diverse array of artists, each of whom has left an indelible mark on the genre. Among the standout tracks is "Real Rock" by Sound Dimension, a rhythm that has been sampled and reinterpreted countless times in reggae and beyond. The instrumental's infectious groove and tight musicianship exemplify the high standards of production that Studio One maintained.
Another highlight is "Armagideon Time" by Willie Williams, a track that blends roots reggae with socially conscious lyrics. The song's haunting melody and powerful message have made it a timeless classic, resonating with listeners across generations. Similarly, "Rockfort Rock" by Sound Dimension showcases the instrumental prowess of Studio One's house band, The Skatalites, whose members were instrumental in shaping the sound of ska and reggae.
The compilation also includes tracks by The Heptones, one of the most successful vocal groups to emerge from Studio One. Their song "Party Time" is a perfect example of their harmonious vocal style and the label's knack for producing hits that appeal to both local and international audiences. The Heptones' smooth harmonies and catchy melodies are a testament to the talent that Studio One attracted and nurtured.
Alton Ellis, often referred to as the "Godfather of Rocksteady," is another artist featured on the album. His track "I'm Still in Love with You" is a quintessential rocksteady tune, characterized by its laid-back rhythm and heartfelt lyrics. Ellis's soulful voice and emotive delivery have made him one of the most beloved figures in Jamaican music.
The album also pays homage to the roots reggae movement with tracks like "Declaration of Rights" by The Abyssinians. This song, with its spiritual and political themes, reflects the growing influence of Rastafarianism in reggae music during the 1970s. The Abyssinians' harmonies and the song's militant rhythm make it a powerful anthem of resistance and empowerment.
"Studio One Classics" is not just a collection of songs; it is a historical document that captures the evolution of reggae music. The album's liner notes provide valuable context, offering insights into the history of Studio One and the artists who recorded there. The meticulous curation of tracks ensures that listeners get a well-rounded understanding of the label's impact on the genre.
The production quality of the album is another noteworthy aspect. The tracks have been remastered to ensure that the original recordings' warmth and clarity are preserved. This attention to detail allows listeners to appreciate the nuances of the music, from the intricate basslines to the crisp drum patterns.
In conclusion, "Studio One Classics" is an essential compilation for anyone interested in reggae music. It serves as a testament to the enduring legacy of Studio One and its founder, Clement "Coxsone" Dodd. The album not only highlights the label's greatest hits but also underscores its role in shaping the sound of reggae. Whether you are a longtime fan or a newcomer to the genre, this compilation offers a rich and rewarding listening experience that celebrates the golden era of Jamaican music.