The Smiths - Hatful Of Hollow (LP)

"The Smiths - Hatful of Hollow" is a compilation album by the English rock band The Smiths, released on 12 November 1984 by Rough Trade Records. The album is a collection of singles, B-sides, and BBC Radio 1 studio recordings, providing a comprehensive overview of the band's early work. It serves as a bridge between their self-titled debut album, "The Smiths," and their second studio album, "Meat Is Murder."

The album opens with "William, It Was Really Nothing," a short but impactful track that showcases Morrissey's distinctive vocal style and Johnny Marr's jangly guitar work. The song, which was also released as a single, is a quintessential Smiths track, blending melancholic lyrics with an upbeat melody.

One of the standout tracks on the album is "How Soon Is Now?" This song, with its iconic tremolo guitar riff, has become one of The Smiths' most recognizable and enduring songs. The lyrics, which deal with themes of loneliness and longing, resonate deeply with listeners, and Marr's innovative guitar work elevates the track to classic status.

"Hatful of Hollow" also includes several tracks recorded for BBC Radio 1's John Peel and David Jensen shows. These versions often differ from the studio recordings, offering a rawer, more immediate sound. For example, the Peel Session version of "This Charming Man" is faster and more energetic than the single version, giving fans a different perspective on the song.

Another highlight is "Heaven Knows I'm Miserable Now," a song that encapsulates Morrissey's wit and self-deprecating humor. The lyrics, which describe a sense of ennui and dissatisfaction, are delivered with a wry smile, and the music, with its jaunty rhythm and melodic bassline, provides a perfect counterpoint.

The album also features "Please, Please, Please, Let Me Get What I Want," a short but poignant track that has been covered by numerous artists over the years. The song's brevity only adds to its impact, with Morrissey's plaintive vocals and Marr's delicate guitar work creating a sense of yearning and desperation.

"Hatful of Hollow" is notable for its inclusion of several B-sides that were not available on the band's studio albums. Tracks like "Girl Afraid" and "Back to the Old House" showcase The Smiths' ability to craft compelling songs that stand on their own, even outside the context of a full album.

The production on "Hatful of Hollow" varies, reflecting the different recording sessions and contexts in which the tracks were created. However, this diversity adds to the album's charm, providing a snapshot of The Smiths' early evolution as a band.

The album cover features a photograph of Fabrice Colette taken by Gilles Decroix, which has become iconic in its own right. The stark, monochromatic image complements the music's introspective and often melancholic tone.

"Hatful of Hollow" received critical acclaim upon its release and has since been regarded as an essential part of The Smiths' discography. It captures the essence of the band's early sound and provides a comprehensive overview of their formative years. For new listeners, it serves as an excellent introduction to The Smiths, while for longtime fans, it offers a treasure trove of classic tracks and alternate versions.

In conclusion, "Hatful of Hollow" is a testament to The Smiths' songwriting prowess and their ability to connect with listeners on an emotional level. The album's mix of singles, B-sides, and radio sessions provides a rich and varied listening experience, making it a must-have for any fan of the band or the broader indie rock genre.