Album Info
| Artist: | Lou Reed |
| Album: | Transformer |
| Released: | US, 17 Nov 2017 |
Tracklist:
| A1 | Vicious | 2:55 |
| A2 | Andy's Chest | 3:17 |
| A3 | Perfect Day | 3:43 |
| A4 | Hangin' 'Round | 3:39 |
| A5 | Walk On The Wild Side | 4:12 |
| B1 | Make Up | 2:58 |
| B2 | Satellite Of Love | 3:40 |
| B3 | Wagon Wheel | 3:19 |
| B4 | New York Telephone Conversation | 1:31 |
| B5 | I'm So Free | 3:07 |
| B6 | Goodnight Ladies | 4:19 |
| Arranged By, Performer [Played By] - Herbie Flowers |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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- Happy Listening!
Description
"Lou Reed's 'Transformer' is a seminal album in the glam rock genre, released on November 8, 1972. This album marked a significant point in Reed's career, as it was his second solo studio album after leaving the Velvet Underground. Produced by David Bowie and Mick Ronson, 'Transformer' is often credited with bringing Reed into the mainstream and solidifying his status as a solo artist.
The album opens with 'Vicious,' a track that sets the tone with its raw guitar riffs and Reed's distinctive vocal delivery. The song was reportedly inspired by a comment from Andy Warhol, who suggested Reed write a song about someone being vicious. This anecdote highlights the close relationship between Reed and Warhol, a connection that had a profound influence on Reed's artistic direction.
One of the standout tracks on the album is 'Walk on the Wild Side,' which became Reed's most commercially successful single. The song is notable for its candid lyrics about the lives of various individuals who were part of Warhol's social circle, including Holly Woodlawn, Candy Darling, and Joe Dallesandro. The track's bassline, played by Herbie Flowers, is iconic, and the song's production features a distinctive doo-wop style backing vocal arrangement.
'Perfect Day' is another highlight of the album, showcasing a more melodic and introspective side of Reed's songwriting. The song's lush orchestration, arranged by Mick Ronson, complements Reed's poignant lyrics, which have been interpreted in various ways, from a simple love song to a reflection on addiction.
'Reed's 'Satellite of Love' is a track that combines his knack for storytelling with a catchy melody. The song features backing vocals by David Bowie, adding an extra layer of depth to the track. The lyrics tell the story of a man watching a satellite launch and contemplating his relationship, blending Reed's characteristic wit with a sense of melancholy.
The album also includes 'Andy's Chest,' a song originally written during Reed's time with the Velvet Underground. The track's playful lyrics and upbeat tempo contrast with some of the darker themes explored on the album. 'New York Telephone Conversation' is another example of Reed's ability to capture the essence of New York City's vibrant and sometimes chaotic atmosphere in his music.
'Make Up' and 'I'm So Free' are tracks that further showcase the diversity of styles on 'Transformer.' 'Make Up' features a funky groove and playful lyrics, while 'I'm So Free' is a more straightforward rock song with an infectious energy.
The closing track, 'Goodnight Ladies,' is a cabaret-style song that serves as a fitting end to the album. The song's brass arrangement and Reed's crooning vocals create a sense of finality, wrapping up the eclectic mix of styles and themes explored throughout 'Transformer.'
Overall, 'Transformer' is a landmark album that captures Lou Reed at a pivotal moment in his career. The collaboration with David Bowie and Mick Ronson brought out some of Reed's best work, resulting in an album that is both innovative and accessible. 'Transformer' remains a timeless classic, influencing countless artists and continuing to resonate with listeners decades after its release."
