Album Info
| Artist: | Peter Gabriel |
| Album: | Peter Gabriel I |
| Released: | Europe, 02 Dec 2016 |
Tracklist:
| A1 | Moribund The Burgermeister | |
| A2 | Solsbury Hill | |
| A3 | Modern Love | |
| A4 | Excuse Me | |
| Written-By - Martin Hall , Peter Gabriel | ||
| A5 | Humdrum | |
| B1 | Slowburn | |
| Backing Vocals, Guitar [Solo] - Dick Wagner | ||
| B2 | Waiting For The Big One | |
| B3 | Down The Dolce Vita | |
| B4 | Here Comes The Flood | |
| Backing Vocals, Guitar [Solo] - Dick Wagner |
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Description
Peter Gabriel's debut solo album, commonly referred to as "Peter Gabriel I" or "Car," was released on February 25, 1977. This album marked Gabriel's first major project after his departure from the progressive rock band Genesis in 1975. The album is notable for its eclectic mix of styles and its exploration of new musical territories, which would become a hallmark of Gabriel's solo career.
"Peter Gabriel I" was produced by Bob Ezrin, who was known for his work with Alice Cooper and Pink Floyd. The album features a diverse array of musicians, including King Crimson guitarist Robert Fripp, bassist Tony Levin, and drummer Allan Schwartzberg. The collaboration with these musicians helped Gabriel craft a sound that was distinct from his work with Genesis.
The album opens with "Moribund the Burgermeister," a track that showcases Gabriel's theatrical vocal style and penchant for storytelling. The song's eerie atmosphere and complex arrangement set the tone for the rest of the album. This is followed by "Solsbury Hill," one of Gabriel's most enduring songs. "Solsbury Hill" is a reflective and autobiographical piece that describes Gabriel's decision to leave Genesis. The song's 7/4 time signature and acoustic guitar riff make it a standout track.
"Modern Love" is a more straightforward rock song, featuring a driving rhythm and catchy chorus. The song's lyrics explore themes of alienation and the search for genuine connection in a superficial world. "Excuse Me" is a whimsical track that incorporates elements of barbershop quartet and vaudeville, showcasing Gabriel's willingness to experiment with different genres.
"Humdrum" is a melancholic ballad that features lush orchestration and introspective lyrics. The song's arrangement builds gradually, creating a sense of emotional depth and complexity. "Slowburn" is another rock-oriented track, with powerful guitar work and dynamic shifts in tempo and intensity.
"Waiting for the Big One" is a blues-influenced song that stretches out over seven minutes. The track's slow, deliberate pace and Gabriel's expressive vocals create a sense of anticipation and tension. "Down the Dolce Vita" is a dramatic and cinematic piece, featuring orchestral arrangements by Michael Gibbs. The song's grandiose style and vivid imagery make it one of the album's most memorable tracks.
The album closes with "Here Comes the Flood," a powerful and emotional song that has been interpreted as a commentary on human vulnerability and the need for connection. The song's sweeping arrangement and Gabriel's impassioned delivery make it a fitting conclusion to the album.
"Peter Gabriel I" received generally positive reviews upon its release. Critics praised Gabriel's willingness to take risks and explore new musical directions. The album's eclectic mix of styles and innovative arrangements set it apart from the more conventional rock albums of the time. While it did not achieve the commercial success of some of Gabriel's later work, "Peter Gabriel I" established him as a solo artist with a unique voice and vision.
In retrospect, "Peter Gabriel I" is seen as an important and influential album in Gabriel's career. It laid the groundwork for his subsequent solo work and demonstrated his ability to blend different musical genres and styles. The album's themes of self-discovery, alienation, and the search for meaning continue to resonate with listeners today.
Overall, "Peter Gabriel I" is a compelling and ambitious debut that showcases Gabriel's talents as a songwriter, vocalist, and innovator. Its diverse range of songs and willingness to push boundaries make it a standout album in the landscape of 1970s rock music. For fans of Peter Gabriel and those interested in the evolution of progressive rock, "Peter Gabriel I" is an essential listen.
