Album Info
| Artist: | Deftones |
| Album: | White Pony |
| Released: | USA & Canada, 16 Apr 2021 |
Tracklist:
| - | White Pony | |
| A1 | Feiticeira | 3:09 |
| A2 | Digital Bath | 4:15 |
| A3 | Elite | 4:01 |
| B1 | Rx Queen | 4:27 |
| B2 | Street Carp | 2:41 |
| B3 | Teenager | 3:20 |
| C1 | Knife Prty | 4:59 |
| C2 | Korea | 3:23 |
| C3 | Passenger | 6:07 |
| D1 | Change (In The House Of Flies) | 4:59 |
| D2 | Pink Maggit | 7:32 |
| - | Black Stallion | |
| E1 | Feiticeira (Clams Casino Remix) | 2:02 |
| E2 | Digital Bath (Dj Shadow Remix) | 3:24 |
| E3 | Elite (Blanck Mass Remix) | 5:21 |
| E4 | Rx Queen (Salva Remix) | 4:14 |
| F1 | Street Carp (Phantogram Remix) | 3:32 |
| F2 | Teenager (Robert Smith Remix) | 3:08 |
| F3 | Knife Prty (Purity Ring Remix) | 4:29 |
| F4 | Korea (Trevor Jackson Remix) | 4:32 |
| G1 | Passenger (Mike Shinoda Remix) | 4:46 |
| G2 | Change (In The House Of Flies) [Tourist Remix] | 5:03 |
| G3 | Pink Maggit (Squarepusher Remix) | 10:12 |
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Description
"White Pony" is the third studio album by American alternative metal band Deftones, released on June 20, 2000, by Maverick Records. Widely regarded as a landmark release in the genre, "White Pony" showcases the band's evolution from their earlier nu-metal sound to a more experimental and atmospheric approach, incorporating elements of shoegaze, post-rock, and new wave.
The album was produced by Terry Date, who had previously worked with the band on their first two albums, "Adrenaline" (1995) and "Around the Fur" (1997). "White Pony" marks a significant departure from the aggressive, raw sound of its predecessors, featuring more complex song structures, diverse instrumentation, and a greater emphasis on melody and texture.
One of the most notable aspects of "White Pony" is the addition of Frank Delgado as a full-time member. Delgado, who had contributed turntables and samples on the band's earlier work, expanded his role to include keyboards and synthesizers, adding a new dimension to the band's sound. This change is evident in tracks like "Digital Bath" and "Teenager," which feature lush, atmospheric soundscapes and electronic elements.
The album opens with "Feiticeira," a track that immediately sets the tone for the record with its haunting, dissonant guitar riffs and Chino Moreno's ethereal vocals. Moreno's vocal performance on "White Pony" is one of the album's standout features, as he seamlessly transitions between whispery, melodic passages and intense, cathartic screams.
"Digital Bath" follows, showcasing the band's ability to blend heavy, distorted guitars with delicate, shimmering melodies. The song's dreamy atmosphere is punctuated by Stephen Carpenter's intricate guitar work and Abe Cunningham's dynamic drumming. The lyrics, which describe a surreal, almost otherworldly experience, add to the song's enigmatic quality.
"Elite," one of the heaviest tracks on the album, won a Grammy Award for Best Metal Performance in 2001. The song's relentless, chugging riffs and aggressive vocals contrast sharply with the more subdued, introspective moments on the album, highlighting the band's versatility.
"RX Queen" and "Street Carp" continue to explore the band's newfound sonic territory, with the former featuring a hypnotic, looping bassline by Chi Cheng and the latter showcasing Moreno's knack for crafting memorable, emotionally charged lyrics.
"Teenager," a stark departure from the rest of the album, is a minimalist, electronic ballad that highlights the band's willingness to experiment with different genres and styles. The song's sparse arrangement and introspective lyrics create a haunting, intimate atmosphere that stands in contrast to the album's heavier moments.
The album's centerpiece, "Knife Prty," is a masterclass in tension and release, with its brooding verses giving way to a soaring, cathartic chorus. The song features a guest appearance by Rodleen Getsic, whose haunting, operatic vocals add an eerie, otherworldly quality to the track.
"Korea" and "Passenger" continue to push the boundaries of the band's sound, with the latter featuring a guest appearance by Tool's Maynard James Keenan. Keenan's distinctive vocals complement Moreno's perfectly, creating a powerful, dynamic duet that stands as one of the album's highlights.
The album closes with "Change (In the House of Flies)" and "Pink Maggit," two tracks that encapsulate the band's ability to blend beauty and brutality. "Change" is arguably the band's most well-known song, with its haunting, melancholic melody and introspective lyrics resonating deeply with listeners. "Pink Maggit," a slow-burning, atmospheric track, brings the album to a fittingly dramatic conclusion.
"White Pony" is a testament to Deftones' willingness to push the boundaries of their sound and explore new musical territories. The album's innovative blend of genres, intricate arrangements, and emotionally charged performances have cemented its status as a classic in the alternative metal genre. Over two decades after its release, "White Pony" continues to inspire and influence a new generation of musicians and fans alike.