Album Info
| Artist: | Nine Inch Nails |
| Album: | Pretty Hate Machine |
| Released: | US, 2011 |
Tracklist:
| A1 | Head Like A Hole | 4:59 |
| Engineer [Engineering] - Doug De Angelis, Keith LeBlanc, Ken Quartarone, Kennan KeatingEngineer [Engineering], Producer [Production] - FloodProducer [Additional Remix Production] - Keith LeBlanc | ||
| A2 | Terrible Lie | 4:38 |
| Engineer [Engineering] - Doug De Angelis, John FryerProducer [Production], Engineer [Engineering] - Flood | ||
| A3 | Down In It | 3:46 |
| Engineer [Engineering] - Keith LeBlanc, Kennan Keating, trent ReznorMixed By [Mix], Producer [Production], Engineer [Engineering] - Adrian SherwoodProducer [Production] - Keith LeBlanc | ||
| A4 | Sanctified | 5:48 |
| Engineer [Engineering] - John FryerGuitar [Drone Guitar At End] - Richard Patrick | ||
| A5 | Something I Can Never Have | 5:54 |
| Engineer [Engineering] - John Fryer | ||
| B1 | Kinda I Want To | 4:33 |
| Engineer [Engineering] - John Fryer, Keith LeBlanc, Ken Quartarone, Kennan Keating | ||
| B2 | Sin | 4:06 |
| Engineer [Engineering] - John Fryer, Keith LeBlanc, Ken Quartarone, Kennan KeatingRemix - Keith LeBlanc | ||
| B3 | That's What I Get | 4:30 |
| Engineer [Engineering] - John Fryer | ||
| B4 | The Only Time | 4:47 |
| Engineer [Engineering] - John Fryer, Keith LeBlanc, Ken Quartarone, Kennan KeatingProducer [Production] - Keith LeBlanc | ||
| B5 | Ringfinger | 5:45 |
| Engineer [Engineering] - John Fryer |
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Description
LP - Limited Edition Reissue, 180 Gram Black VinylAlthough Nine Inch Nails mastermind Trent Reznor became the poster boy for industrial rock in the early 1990s, his '89 debut, Pretty Hate Machine, actually has a stronger foothold in '80s synth-pop. The guitar-heavy opener, Head Like a Hole, is the most aggressive track on the album and proved to be the signature song for Reznor's initial breakthrough, but much of the disc sounds like Depeche Mode in a particularly bad mood. All of the tracks on Pretty Hate Machine are based on synthesizer lines and programmed beats, with other elements such as the distinctive bass on Sanctified and sampled explosions on That's What I Get filling out the sound.
Despite Reznor's morose lyrics, a number of Hate Machine's finest moments are energetic dance tunes, particularly Down in It and the surging Sin. Oddly enough, Reznor's fiercer and seemingly less accessible subsequent work (the Broken EP and The Downward Spiral) led directly to his mainstream success, but Pretty Hate Machine reveals where the Nine Inch Nails aesthetic started out.
