Album Info
Artist: | Steely Dan |
Album: | Gaucho |
Released: | US, 23 Sep 2008 |
Tracklist:
A1 | Babylon Sisters | 5:51 |
Arranged By [Horns] - Rob Mounsey | ||
Backing Vocals [Backup] - Diva Grey, Gordon Grody, Lani Groves, Leslie Miller, Patti Austin, Toni Wine | ||
Bass - Chuck Rainey | ||
Clarinet [Bass] - George Marge, Walter Kane | ||
Drums - Bernard Purdie | ||
Electric Piano, Clavinet - Don Grolnick | ||
Guitar - Steve Khan | ||
Percussion - Crusher Bennett | ||
Tenor Saxophone, Alto Saxophone, Clarinet - Tom Scott | ||
Trumpet, Flugelhorn - Randy Brecker | ||
A2 | Hey Nineteen | 5:04 |
Backing Vocals [Backup] - Frank Floyd, Zack Sanders | ||
Bass - Walter Becker | ||
Drums - Rick Marotta | ||
Electric Piano, Synthesizer - Donald Fagen | ||
Guitar - Hugh McCracken, Walter Becker | ||
Percussion - Steve Gadd, Victor Feldman | ||
A3 | Glamour Profession | 7:28 |
Arranged By [Horns] - Tom Scott | ||
Backing Vocals [Backup] - Frank Floyd, Leslie Miller, Valerie Simpson, Zack Sanders | ||
Bass - Anthony Jackson | ||
Drums - Steve Gadd | ||
Electric Piano, Synthesizer - Donald Fagen | ||
Guitar - Steve Khan | ||
Percussion - Ralph McDonald | ||
Piano - Rob Mounsey | ||
Tenor Saxophone - Michael Brecker | ||
Tenor Saxophone, Lyricon - Tom Scott | ||
B1 | Gaucho | 5:32 |
Arranged By [Horns] - Tom Scott | ||
Backing Vocals [Backup] - Leslie Miller, Patti Austin, Valerie Simpson | ||
Bass - Walter Becker | ||
Drums - Jeff Porcaro | ||
Electric Piano, Synthesizer - Donald Fagen | ||
Guitar - Steve Khan | ||
Guitar [Solo] - Walter Becker | ||
Percussion - Crusher Bennett | ||
Piano - Rob Mounsey | ||
Tenor Saxophone - Tom Scott | ||
Trumpet - Randy Brecker | ||
B2 | Time Out Of Mind | 4:10 |
Alto Saxophone - David Sanborn | ||
Arranged By [Horns] - Rob Mounsey | ||
Backing Vocals [Backup] - Leslie Miller, Michael McDonald, Patti Austin, Valerie Simpson | ||
Baritone Saxophone - Ronny Cuber | ||
Bass - Walter Becker | ||
Drums - Rick Marotta | ||
Electric Piano, Synthesizer - Donald Fagen | ||
Guitar - Hugh McCracken, Walter Becker | ||
Guitar [Solo] - Mark Knopfler | ||
Piano - Rob Mounsey | ||
Tenor Saxophone - Dave Tofani, Michael Brecker | ||
Trumpet - Randy Brecker | ||
B3 | My Rival | 4:30 |
Arranged By [Horns] - Tom Scott | ||
Backing Vocals [Backup] - Frank Floyd, Valerie Simpson, Zack Sanders | ||
Bass - Anthony Jackson | ||
Drums - Steve Gadd | ||
Electric Piano - Patrick Rebillot | ||
Flugelhorn - Randy Brecker | ||
Guitar - Hiram Bullock, Rick Derringer | ||
Guitar [Solo] - Steve Khan | ||
Organ, Synthesizer - Donald Fagen | ||
Percussion - Ralph McDonald | ||
Tenor Saxophone - Michael Brecker | ||
Tenor Saxophone, Lyricon - Tom Scott | ||
Timbales - Nicholas Marrero | ||
Trombone - Wayne Andre | ||
B4 | Third World Man | 5:14 |
Bass - Chuck Rainey | ||
Drums - Steve Gadd | ||
Electric Guitar, Acoustic Guitar - Steve Khan | ||
Electric Piano - Joe Sample | ||
Guitar [Solo] - Larry Carlton | ||
Synthesizer - Rob Mounsey |
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Description
Steely Dan's "Gaucho," released on November 21, 1980, stands as a testament to the band's meticulous craftsmanship and sophisticated musicality. The album, which is the seventh studio release by the American rock band, showcases the duo's (Donald Fagen and Walter Becker) commitment to perfection and their unique blend of jazz, rock, and pop elements.
"Gaucho" is often noted for its polished production and intricate arrangements. The album's creation was famously arduous, marked by numerous technical challenges and personal setbacks. The recording process spanned over a year and involved a rotating cast of session musicians, which was a hallmark of Steely Dan's approach. The meticulous nature of the recording sessions is evident in the album's pristine sound quality and the seamless integration of various musical elements.
The album opens with "Babylon Sisters," a track that immediately sets the tone with its smooth, laid-back groove and sophisticated harmonies. The song's lyrics, like much of Steely Dan's work, are enigmatic and filled with rich imagery, inviting listeners to delve deeper into their meaning. The use of brass and backing vocals adds a lush texture to the track, making it a standout opener.
"Hey Nineteen," one of the album's most popular tracks, follows. This song captures the essence of Steely Dan's style with its catchy melody, clever lyrics, and impeccable production. The song's narrative, which revolves around a middle-aged man's infatuation with a much younger woman, is delivered with a mix of humor and melancholy, a balance that Steely Dan masterfully achieves.
The title track, "Gaucho," is another highlight of the album. It features a complex arrangement with shifting time signatures and a blend of jazz and rock influences. The song's lyrics are cryptic and open to interpretation, a characteristic that has led to much speculation and analysis among fans and critics alike. The interplay between the instruments, particularly the saxophone and keyboards, is a testament to the band's musical prowess.
"Time Out of Mind" is a track that exemplifies Steely Dan's ability to blend different genres seamlessly. The song features a prominent guitar riff and a driving rhythm, complemented by Fagen's distinctive vocals. The lyrics, which reference drug use, are delivered with a sense of detachment that adds to the song's overall impact.
"My Rival" and "Third World Man" are two tracks that further showcase the band's versatility and attention to detail. "My Rival" features a haunting melody and a sense of tension that builds throughout the song, while "Third World Man" closes the album on a more somber note, with its introspective lyrics and understated arrangement.
The production of "Gaucho" was not without its challenges. The album's creation was marred by technical difficulties, including a famous incident where a significant portion of the recordings was lost due to a tape machine malfunction. Additionally, the band faced legal issues, including a lawsuit from jazz musician Keith Jarrett, who claimed that the title track borrowed from his composition "Long As You Know You're Living Yours." The lawsuit was settled out of court, and Jarrett received a co-writing credit on the song.
Despite these challenges, "Gaucho" was well-received by critics and fans alike. The album reached number 9 on the Billboard 200 chart and was certified Platinum by the RIAA. It also earned a Grammy Award for Best Engineered Non-Classical Recording, a testament to the album's exceptional production quality.
In conclusion, "Gaucho" is a quintessential Steely Dan album that encapsulates the band's unique sound and meticulous approach to music-making. Its blend of jazz, rock, and pop elements, combined with its polished production and enigmatic lyrics, make it a standout release in the band's discography. Despite the challenges faced during its creation, "Gaucho" remains a beloved and influential album that continues to resonate with listeners.