Album Info
Artist: | Sublime Featuring Raliegh Theodore Sakers |
Album: | Robbin' The Hood |
Released: | US, 24 Jun 2016 |
Tracklist:
A1 | Waiting For Bud | 1:02 |
A2 | Steady B Loop Dub | 1:23 |
A3 | Raleigh Soliloquy Pt. I | 1:46 |
A4 | Pool Shark (Original) | 0:57 |
A5 | Steppin' Razor | 2:24 |
A6 | Greatest-Hits | 2:53 |
A7 | Free Loop Dub | 3:08 |
A8 | Q-Ball | 0:43 |
B1 | Saw Red | 1:57 |
B2 | Work That We Do | 2:34 |
B3 | Lincoln Highway Dub | 2:21 |
B4 | Pool Shark (Acoustic) | 1:25 |
B5 | Cisco Kid | 4:38 |
B6 | Raleigh Soliloquy Pt. II | 3:39 |
C1 | STP | 2:57 |
C2 | Boss D.J. | 2:51 |
C3 | I Don't Care Too Much For Reggae Dub | 5:20 |
C4 | Falling Idols | 2:37 |
D1 | All You Need | 2:45 |
D2 | Freeway Time In LA County Jail | 3:17 |
D3 | Mary | 1:34 |
D4 | Raleigh Soliloquy Pt. III | 8:29 |
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Description
"Robbin' the Hood" is the second studio album by the American ska punk band Sublime, released on February 8, 1994, by Skunk Records. The album is notable for its experimental nature, featuring a mix of lo-fi home recordings, samples, and eclectic musical styles. It is a raw and unpolished work that captures the essence of Sublime's early sound and the chaotic lifestyle of its members.
The album includes a variety of musical genres, such as punk rock, reggae, ska, and dub, reflecting the band's diverse influences. One of the most distinctive features of "Robbin' the Hood" is the inclusion of several spoken word tracks by Raleigh Theodore Sakers, a friend of the band known for his eccentric and often incoherent rants. These tracks, interspersed throughout the album, add a unique and somewhat disorienting element to the listening experience.
"Robbin' the Hood" opens with "Waiting for My Ruca," a track that sets the tone for the album with its laid-back reggae rhythm and lo-fi production. This is followed by "Steady B Loop Dub," an instrumental track that showcases the band's ability to create hypnotic dub grooves. The album's third track, "Don't Push," is a re-recorded version of a song from their debut album, "40oz. to Freedom," and features a more polished sound compared to the rest of the album.
One of the standout tracks on the album is "Saw Red," a duet with Gwen Stefani of No Doubt. The song is a fast-paced punk rock number that highlights the vocal chemistry between Stefani and Sublime's lead singer, Bradley Nowell. Another notable track is "STP," a high-energy punk song that captures the raw intensity of the band's live performances.
The album also includes several cover songs, such as "Greatest-Hits," a reworking of the reggae classic "Loving Pauper" by Dobby Dobson, and "Boss D.J.," a cover of the song by the reggae band The Circle Jerks. These covers demonstrate Sublime's ability to reinterpret and infuse their own style into existing songs.
"Robbin' the Hood" is characterized by its lo-fi production, which gives the album a gritty and unpolished feel. This was largely due to the fact that much of the album was recorded in Nowell's living room on a four-track cassette recorder. The lo-fi aesthetic is further enhanced by the inclusion of various samples and sound bites, which add to the album's eclectic and experimental nature.
Despite its rough edges, "Robbin' the Hood" contains moments of brilliance that hint at the band's potential. Tracks like "Pool Shark," a haunting acoustic song about Nowell's struggles with heroin addiction, and "Lincoln Highway Dub," a mesmerizing instrumental, showcase the band's songwriting and musical talent.
The album's closing track, "Raleigh Soliloquy Pt. III," is a spoken word piece by Raleigh Theodore Sakers that encapsulates the chaotic and unpredictable nature of the album. Sakers' rambling monologue serves as a fitting end to an album that defies conventional categorization.
"Robbin' the Hood" received mixed reviews upon its release, with some critics praising its experimental approach and others criticizing its lack of polish. However, the album has since gained a cult following and is considered an important part of Sublime's discography. It provides a raw and unfiltered glimpse into the band's early years and serves as a testament to their creativity and willingness to take risks.
In conclusion, "Robbin' the Hood" is a unique and unconventional album that captures the essence of Sublime's early sound. Its lo-fi production, eclectic mix of genres, and inclusion of Raleigh Theodore Sakers' spoken word tracks make it a distinctive and memorable listening experience. While it may not be as polished as the band's later work, it remains an important and influential album in the ska punk genre.