Album Info
| Artist: | Stevie Wonder |
| Album: | Stevie Wonder's Original Musiquarium I |
| Released: | Australasia, May 1982 |
Tracklist:
| A1 | Superstition | 4:25 |
| A2 | You Haven't Done Nothin' | 3:29 |
| A3 | Living For The City | 7:26 |
| A4 | Front Line | 5:52 |
| Bass - Nathan LaMar Watts | ||
| Drums, Synthesizer, Percussion, Vocals - Stevie Wonder | ||
| Guitar - Benjamin Bridges | ||
| B1 | Superwoman (Where Were You When I Needed You) | 7:57 |
| B2 | Send One Your Love | 4:02 |
| B3 | You Are The Sunshine Of My Life | 2:51 |
| B4 | Ribbon In The Sky | 5:35 |
| Acoustic Guitar - Benjamin Bridges | ||
| Drums, Piano, Synthesizer, Vocals - Stevie Wonder | ||
| C1 | Higher Ground | 3:46 |
| C2 | Sir Duke | 3:52 |
| C3 | Master Blaster (Jammin') | 5:08 |
| C4 | Boogie On Reggae Woman | 4:55 |
| C5 | That Girl | 5:15 |
| Drums, Harmonica, Electric Piano [Fender Rhodes], Piano, Synthesizer, Vocals - Stevie Wonder | ||
| D1 | I Wish | 4:12 |
| D2 | Isn't She Lovely | 6:32 |
| D3 | Do I Do | 10:27 |
| Arranged By [String Arrangement] - Paul Riser | ||
| Backing Vocals [Background Vocals] - Alexandra Brown, Melody McCully, Shirley Brewer, Windy Barnes | ||
| Bass - Nathan LaMar Watts | ||
| Drums - Dennis Davis | ||
| Electric Piano [Fender Rhodes] - Isaiah Sanders | ||
| Engineer [Additional Assistant Engineering] - Daniel Lazarus, Michael Morongell | ||
| Guitar - Ben Bridges, Rick Zunigar | ||
| Horns [Horn Players] - Alfred Wilson, Anthony Tooley, Britt Woodman, Clifton Anderson, Earl McIntyre, Eugene Ghee, Frank Wess, J.D. Parran, Janice Robinson , Larry Gittens, Lorenzo Wyche, Robert Eldridge, Robert Rutledge, Victor Paz, Virgil Jones | ||
| Percussion - Earl DeRouen | ||
| Piano, Vocals, Arranged By [Horn Arrangement] - Stevie Wonder | ||
| Trumpet - Dizzy Gillespie |
Info About Buying Vinyl From Our Record Store
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- Happy Listening!
Description
Stevie Wonder's "Original Musiquarium I," released in 1982, is not just a compilation album; it's an odyssey through the genius of one of the most influential musicians of the 20th century. A double LP that spans the breadth of his hit-making years from 1972 to 1980, this collection serves both as a comprehensive retrospective of Wonder's evolving artistry and as an introduction to four new tracks.
From the outset, what captures the listener is the diversity of styles and themes encapsulated in this album. Wonder's ability to traverse genres—be it funk, soul, pop, or R&B—is nothing short of mesmerizing. The album isn't just a demonstration of his musical virtuosity but also a testament to his socio-political consciousness.
Tracks like "Living for the City" provide a biting commentary on urban life's hardships and racial inequality. The raw emotion of the song, combined with its compelling narrative structure, showcases Wonder's gift for storytelling. On the flip side, "Sir Duke," an upbeat, horn-driven tribute to Duke Ellington, is a celebration of the joy of music and its universality.
"Superstition," one of Wonder's most iconic tracks, stands out with its instantly recognizable clavinet riff and its exploration of the themes of superstition and belief. It’s a testament to his ability to weave complex topics into danceable, catchy tunes.
"I Wish," with its nostalgic look back at childhood, exudes warmth and joy. The bassline, one of the funkiest in music history, drives the song, making it an irresistible foot-tapper. Then there's "Isn't She Lovely," a heartfelt ode to his newborn daughter, where the elation of a new father shines through every note.
The four new tracks introduced in the "Musiquarium" deserve special mention. "Ribbon in the Sky" is a tender, timeless ballad that has since become a staple at weddings. "Do I Do" is a jubilant, jazzy number featuring a spirited trumpet solo by Dizzy Gillespie. "That Girl" is a love song characterized by its smooth, sultry vibe. Finally, "Front Line," a poignant commentary on the plight of a soldier, delves into the horrors of war and its aftermath.
One of the remarkable things about "Original Musiquarium I" is how it demonstrates Wonder's growth as an artist. The progression from the more straightforward pop sound of his early hits to the multi-layered, intricate compositions of his later works is evident. Yet, throughout all these phases, what remains consistent is his authentic voice and his unwavering commitment to pushing musical boundaries.
It's worth noting that the "Musiquarium" isn’t just a listening experience; it's a journey. It takes the listener through the highs and lows of the human experience—love, joy, sorrow, hope, despair—all filtered through the lens of Wonder's unique genius.
In essence, "Stevie Wonder's Original Musiquarium I" is more than just a compilation. It's a musical tapestry that weaves together the best of Stevie Wonder, capturing the essence of a man whose impact on music and culture cannot be overstated. For fans and newcomers alike, this album is an essential addition to any music collection.
