Album Info
Artist: | Benny Goodman |
Album: | This Is Benny Goodman |
Released: | Australia, 1972 |
Tracklist:
A1 | King Porter Stomp | 3:07 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Frank Froeba | ||
Saxophone - Toots Mondello | ||
Saxophone [Alto] - Herman Schertzer | ||
Saxophone [Tenor] - Arthur Rollini, Dick Clark | ||
Trombone - Jack Lacey, Sterling Ballard | ||
Trumpet - Bunny Berigan, Nate Kazebier, Ralph Muzzillo | ||
A2 | Sometimes I'm Happy | 3:45 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Frank Froeba | ||
Saxophone - Toots Mondello | ||
Saxophone [Alto] - Herman Schertzer | ||
Saxophone [Tenor] - Arthur Rollini, Dick Clark | ||
Trombone - Jack Lacey, Sterling Ballard | ||
Trumpet - Bunny Berigan, Nate Kazebier, Ralph Muzzillo | ||
A3 | When Buddha Smiles | 3:08 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone [Alto] - William Depew, Herman Schertzer | ||
Saxophone [Tenor] - Arthur Rollini, Dick Clark | ||
Trombone - Joe Harris , Sterling Ballard | ||
Trumpet - Harry Geller, Nate Kazebier, Ralph Muzzillo | ||
A4 | Stompin' At The Savoy | 3:14 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, William Depew, Dick Clark, Herman Schertzer | ||
Trombone - Joe Harris , Sterling Ballard | ||
Trumpet - Harry Geller, Nate Kazebier, Ralph Muzzillo | ||
A5 | I Know That You Know | 2:02 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone [Alto] - William Depew, Herman Schertzer | ||
Saxophone [Tenor] - Arthur Rollini, Dick Clark | ||
Trombone - Joe Harris , Sterling Ballard | ||
Trumpet - Harry Geller, Nate Kazebier, Ralph Muzzillo | ||
B1 | These Foolish Things Remind Me Of You | 2:40 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, William Depew, Dick Clark, Herman Schertzer | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Irving Goodman, Nate Kazebier | ||
Vocals - Helen Ward | ||
B2 | Down South Camp Meetin' | 3:15 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Saxophone - Arthur Rollini, William Depew, Dick Clark, Herman Schertzer | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Manny Klein, Pee Wee Erwin | ||
B3 | You Turned The Tables On Me | 2:48 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Saxophone - Arthur Rollini, William Depew, Dick Clark, Herman Schertzer | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Manny Klein, Pee Wee Erwin | ||
Vocals - Helen Ward | ||
B4 | Moonglow | 3:21 |
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Piano - Teddy Wilson | ||
Vibraphone [Vibraharp] - Lionel Hampton | ||
B5 | Goodnight My Love | 3:10 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, William Depew, Herman Schertzer, Vido Musso | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Zeke Zarchy, Ziggy Elman | ||
Vocals - Ella Fitzgerald | ||
C1 | Never Should Have Told You | 2:48 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, William Depew, Herman Schertzer, Vido Musso | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Irving Goodman, Ziggy Elman | ||
Vocals - Margaret McCrae | ||
C2 | Sing, Sing, Sing (With A Swing) | 8:43 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, George Koenig, Herman Schertzer, Vido Musso | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Harry James , Ziggy Elman | ||
C3 | Changes | 2:24 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, George Koenig, Herman Schertzer, Vido Musso | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Harry James , Ziggy Elman | ||
C4 | Afraid To Dream | 2:37 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, George Koenig, Herman Schertzer, Vido Musso | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Harry James , Ziggy Elman | ||
Vocals - Betty Van | ||
C5 | Avalon | 2:44 |
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Piano - Teddy Wilson | ||
Vibraphone [Vibraharp] - Lionel Hampton | ||
D1 | Sugarfoot Stomp | 2:45 |
Bass - Harry Goodman | ||
Clarinet - Benny Goodman | ||
Drums - Gene Krupa | ||
Guitar - Allan Reuss | ||
Piano - Jess Stacy | ||
Saxophone - Arthur Rollini, George Koenig, Herman Schertzer, Vido Musso | ||
Trombone - Murray Mac Eachern, Sterling Ballard | ||
Trumpet - Gordon Griffin, Harry James , Ziggy Elman | ||
D2 | Don't Be That Way | 3:18 |
Drums - Gene Krupa | ||
D3 | One O'Clock | 3:14 |
Drums - Gene Krupa | ||
D4 | I Let A Song Go Out Of My Heart | 3:20 |
Drums - Dave Tough | ||
Vocals - Martha Tilton | ||
D5 | And The Angels Sing | 3:10 |
Drums - Buddy Sctutz | ||
Vocals - Martha Tilton |
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Description
“This Is Benny Goodman” is a brilliant anthology that encapsulates the exceptional artistry and vivacious spirit of one of jazz’s most influential figures, Benny Goodman, the "King of Swing." This compilation is a musical chronicle of Goodman's revolutionary impact on the world of jazz and big band music, highlighting his phenomenal clarinet playing and his innovative approach to arrangement and composition.
Musical Prowess and Clarinet Mastery
Benny Goodman's technical mastery of the clarinet is unparalleled, and this album is a testament to his musical prowess. His playing is characterized by crisp articulation, intricate phrasing, and expressive dynamics, all of which bring a vibrant energy to each track. Goodman's improvisational skills are extraordinary, weaving complex melodic lines with spontaneity and precision.
Band Arrangements and Composition
The arrangements on this album are meticulously crafted, showcasing the harmonious interplay between different sections of the band. The brass and reed sections blend seamlessly with the rhythm section, creating a lush and dynamic sound. Goodman's innovative arrangements push the boundaries of big band music, introducing new harmonic concepts and rhythmic patterns.
Eclectic Tracklist and Versatility
“This Is Benny Goodman” features a diverse selection of tracks, reflecting Goodman’s versatility and his ability to traverse various jazz subgenres. From the upbeat and infectious swing tunes to the sultry and emotive ballads, each track offers a unique musical experience. The eclectic tracklist illustrates Goodman's expansive musical palette and his commitment to exploring different musical landscapes.
Impact on Swing and Jazz
Benny Goodman played a pivotal role in popularizing swing music and elevating the status of jazz as a respected art form. His innovative approach to music and his dedication to musical excellence have left a profound impact on the world of jazz. “This Is Benny Goodman” is a reflection of his musical legacy and his enduring influence on subsequent generations of musicians.
Iconic Collaborations and Musical Chemistry
The album also highlights Goodman's collaborations with other jazz luminaries, displaying the synergy and musical chemistry between the musicians. The exchange of musical ideas and the mutual respect between the collaborators add a layer of depth to the music, making each performance a memorable experience.
Conclusion
“This Is Benny Goodman” is more than just a collection of tracks; it is a musical journey through the illustrious career of one of jazz's greatest innovators. The album is a celebration of Benny Goodman's musical genius, his transformative impact on jazz, and his unyielding passion for musical exploration.
Every note played by Goodman resonates with his vibrant spirit and his pursuit of musical perfection. The album stands as a timeless masterpiece, inviting listeners to experience the magic of Goodman's music and to witness the artistic brilliance of the "King of Swing."
In sum, “This Is Benny Goodman” is not only a musical treat for jazz aficionados but also an essential listen for anyone with an appreciation for music that is rich in history, emotion, and technical mastery.
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