Album Info
| Artist: | Guy Lombardo |
| Album: | Sweetest Music This Side Of Heaven |
| Released: | Canada |
Tracklist:
| A1 | Alley Cat | 2:19 |
| Written-By - F. Bjorn | ||
| A2 | Star Dust | 2:34 |
| Vocals - Kenny Gardner | ||
| Written-By - Hoagy Carmichael, Mitchell Parish | ||
| A3 | Green Eyes | 2:06 |
| Written-By - Utrera, Rivera, Woods, Menendez | ||
| A4 | Gentle On My Mind | 2:42 |
| Vocals - Kenny Gardner | ||
| Written-By - John Hartford | ||
| A5 | Fascination | 2:08 |
| Written-By - Marchetti | ||
| B1 | Frankie And Johnny | 3:17 |
| Arranged By - Guy Lombardo | ||
| Vocals - Kenny Gardner | ||
| Written-By - Traditional | ||
| B2 | Dancing On The Ceiling | 2:30 |
| Vocals - Bill Flannigan | ||
| Written-By - Richard Rodgers/Lorenz Hart | ||
| B3 | Honey | 3:10 |
| Written-By - Bobby Russell | ||
| B4 | I'll See You In My Dreams | 2:55 |
| Vocals - Bill Flannigan | ||
| Written-By - Gus Kahn, Isham Jones | ||
| C1 | The Impossible Dream | 2:07 |
| Written-By - Joe Darion, M. Leigh | ||
| C2 | Somewhere My Love | 2:30 |
| Written-By - Maurice Jarre | ||
| C3 | Release Me | 1:56 |
| Vocals - Kenny Gardner | ||
| Written-By - E. Miller, W. Stevenson | ||
| C4 | Born Free | 2:39 |
| Featuring - The Twin Pianos | ||
| Written-By - Don Black, John Barry | ||
| C5 | Boo Hoo | 2:10 |
| Written-By - Lombardo, Heyman, Loeb | ||
| D1 | Strangers In The Night | 2:39 |
| Written-By - Kaempfert, Singleton, Snyder | ||
| D2 | Help Yourself | 2:37 |
| Vocals - Kenny Gardner | ||
| Written-By - Donida, Fishman | ||
| D3 | My Special Angel | 3:01 |
| Vocals - Kenny Gardner | ||
| Written-By - Jimmy Duncan | ||
| D4 | Mame | 2:31 |
| Written-By - Jerry Herman |
Info About Buying Vinyl From Our Record Store
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Description
The world of big band and early pop music owes a tremendous debt to Guy Lombardo and his Royal Canadians. Known for their distinctive "sweet" sound, they played a style of music that contrasted the brashness of many swing bands of their era. The album, "Sweetest Music This Side Of Heaven," serves as an aptly-named tribute to their legacy.
From the onset, it's clear that this is an album steeped in nostalgia. The tracks chosen for this collection span the breadth of Lombardo's storied career, offering listeners a panoramic view of his contributions to music. Lombardo's work, often dismissed as mere background music or elevator music by some, comes alive in this collection, reminding listeners of the sheer artistry that went into crafting his sound.
The beauty of Guy Lombardo's music lies in its subtlety. Rather than relying on bombastic brass sections or intricate solos, Lombardo's orchestra emphasized melody. This album is a testament to that, with each track exuding a gentle warmth that envelopes the listener. This is music that doesn't demand your attention but earns it nonetheless.
Tracks like "Boo-Hoo" and "September in the Rain" highlight the ensemble's ability to craft perfect pop melodies. The arrangements are lush and full, with strings and woodwinds playing a more prominent role than in many other bands of the era. This gives Lombardo's music a classical feel, a timeless quality that transcends eras.
Guy Lombardo's signature sound was characterized by smooth saxophone harmonies, and this album showcases that in spades. The saxophone section, rather than being relegated to the background, often takes center stage, delivering melodies that are both sweet and melancholic. The rendition of "Red Sails in the Sunset" is a prime example of this, with its hauntingly beautiful saxophone lines echoing long after the track ends.
Another standout feature of this collection is the vocals. While Lombardo's orchestra was instrumental (pun intended) in shaping his sound, the vocal contributions added another layer of depth to his tracks. Songs like "Seems Like Old Times" and "Enjoy Yourself" benefit immensely from the vocal harmonies, adding a touch of human emotion to the mix.
However, while the album is undoubtedly a celebration of Lombardo's contributions, it's also a reminder of a bygone era. The music, though beautifully rendered, speaks to a different time and sensibility. For modern listeners, there's a risk of the tracks blending into one another, given the uniformity of the "sweet" sound. Yet, for those willing to immerse themselves, there's a lot to discover and appreciate.
In conclusion, "Sweetest Music This Side Of Heaven" is a loving tribute to one of the giants of early pop and big band music. While Guy Lombardo's style might not be for everyone, there's no denying the artistry and craftsmanship that went into creating his signature sound. This album serves as a window into that world, offering listeners a chance to step back in time and experience the magic of Guy Lombardo and his Royal Canadians.
