Album Info
Artist: | Somethin' Smith And The Redheads |
Album: | Rockin' With The Redheads |
Released: | Australia |
Tracklist:
A1 | Seven Years With The Wrong Woman | |
Written-By - Miller | ||
A2 | Lies | |
Written-By - Springer, Barris | ||
A3 | My Melancholy Baby | |
Written-By - Burnett, Norton, Watson | ||
A4 | Bill Bailey Won't You Please Come Home | |
Written-By [uncredited] - Cannon | ||
A5 | Put The Blame On Mame | |
Written-By - Roberts, Fisher | ||
A6 | Cruising Down The River | |
Written By - Tollerton | ||
Written-By - Beadell | ||
B1 | You Always Hurt The One You Love | |
Written-By - Roberts, Fisher | ||
B2 | 'Way Down Yonder In New Orleans | |
Written-By - Henry Creamer, Layton | ||
B3 | You Can't Be True, Dear | |
Written-By - Ebeler, Otten, Bard, Griffin | ||
B4 | Honey | |
Written-By - Gillespie, Whiting, Simons | ||
B5 | You're Nobody 'Til Somebody Loves You | |
Written-By - Cavanaugh, Stock, Morgan | ||
B6 | Mandy | |
Written-By - Berlin |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
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- Happy Listening!
Description
Somethin' Smith and The Redheads may not be the first name that springs to mind when reflecting upon the classic groups of the mid-20th century, but their contribution to the music scene is undeniable. Their album "Rockin' With The Redheads" is a delightful journey into the realm of vintage pop, jazz, and early rock 'n' roll, seasoned with a touch of humor and wit.
From the get-go, it's evident that this isn't just another run-of-the-mill album from the 1950s. The band's choice of instruments, including the clinking of a celesta and the warm tones of a double bass, instantly sets them apart. This instrumentation provides a unique soundscape, nostalgic of bygone eras yet invigorated with modern sensibilities.
The vocals of Somethin' Smith, whose real name was Robert H. Smith, are the true highlight of this album. His voice, simultaneously crisp and raspy, has a unique charm that is difficult to pin down. Whether he's crooning a ballad or taking on a more upbeat number, there's an inherent playfulness and authenticity to his delivery.
Tracks like "It's a Sin to Tell a Lie" exhibit the band's proclivity for blending humor with poignant messages. The playful arrangement belies the song's earnest plea for honesty in relationships. On the other hand, tunes like "Heartaches" delve into melancholic territories, reflecting on the pains of love lost. Yet, even in their most somber moments, there's a hint of optimism that permeates the album—a nod to the resilience of the human spirit.
The standout track, "Red Head," from which the band derives its name, is an ode to red-haired individuals. It's cheeky, fun, and irresistibly catchy. The track encapsulates the band's essence—celebrating individuality and embracing the quirks that make each person unique.
Another gem in the album is "In a Little Spanish Town," a vibrant number infused with Latin rhythms. Here, the band showcases their versatility, effortlessly transitioning from their standard jazz-pop sound to embrace more exotic musical influences.
Instrumentally, "Rockin' With The Redheads" is a treasure trove of melodies and rhythms. The frequent use of the celesta, a rare choice for bands of this era, adds a distinctive charm. Its tinkling sounds, combined with the robust rhythms of the double bass and the intricate guitar licks, create a lush soundscape that transports listeners to a different era.
The album's charm lies in its ability to evoke feelings of nostalgia. It's a throwback to a simpler time, where music was about genuine emotions, relatable tales, and above all, having a good time. Yet, despite its vintage sound, the themes explored in the album—love, heartbreak, individuality, and joy—are timeless, resonating with listeners across generations.
In conclusion, "Rockin' With The Redheads" is a hidden gem, a delightful amalgamation of humor, heart, and musical prowess. While Somethin' Smith and The Redheads may not have achieved the same legendary status as some of their contemporaries, their music, characterized by its authenticity and joyfulness, ensures they hold a special place in the annals of music history.