Album Info
Artist: | Paul Simon |
Album: | One-Trick Pony |
Released: | Australia, 1980 |
Tracklist:
A1 | Late In The Evening | 4:02 |
Acoustic Guitar - Hugh McCracken | ||
Arranged By [Horns] - Dave Grusin | ||
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Electric Guitar - Eric Gale | ||
Percussion - Ralph MacDonald | ||
Vocals, Backing Vocals - Paul Simon | ||
A2 | That's Why God Made The Movies | 3:38 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Electric Guitar - Hiram Bullock | ||
Percussion - Ralph MacDonald | ||
Piano - Richard Tee | ||
Slide Guitar, Acoustic Guitar - Hugh McCracken | ||
Synthesizer - Don Grolnick | ||
Vocals, Guitar [Nylon String] - Paul Simon | ||
A3 | One-Trick Pony | 3:54 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Lead Guitar - Eric Gale | ||
Vocals, Electric Guitar - Paul Simon | ||
Vocals, Piano - Richard Tee | ||
A4 | How The Heart Approaches What It Yearns | 2:49 |
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Guitar [Nylon String], Electric Guitar - Eric Gale | ||
Piano - Richard Tee | ||
Vocals, Guitar [Nylon String], Arranged By [Strings, Horns] - Paul Simon | ||
A5 | Oh, Marion | 4:00 |
Bass - Anthony Jackson | ||
Drums - Steve Gadd | ||
Electric Guitar - Jeff Mironov | ||
Flugelhorn - Jon Faddis | ||
Piano - Richard Tee | ||
Vocals, Backing Vocals - Paul Simon | ||
B1 | Ace In The Hole | 5:43 |
Backing Vocals, Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Lead Guitar - Eric Gale | ||
Vocals, Backing Vocals, Electric Guitar - Paul Simon | ||
Vocals, Tambourine, Backing Vocals, Piano - Richard Tee | ||
B2 | Nobody | 3:33 |
Acoustic Guitar - Hugh McCracken | ||
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Electric Guitar - Eric Gale | ||
Piano - Richard Tee | ||
Vocals, Backing Vocals - Paul Simon | ||
B3 | Jonah | 3:30 |
Acoustic Guitar - John Tropea | ||
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Percussion - Ralph MacDonald | ||
Piano - Richard Tee | ||
Vocals, Guitar [Nylon String], Percussion, Arranged By [Strings, Horns] - Paul Simon | ||
B4 | God Bless The Absentee | 3:15 |
Acoustic Guitar - Hugh McCracken | ||
Arranged By [Strings, Horns] - Dave Grusin | ||
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Electric Guitar - Eric Gale | ||
Piano - Richard Tee | ||
Vocals - Paul Simon | ||
B5 | Long, Long Day | 3:48 |
Acoustic Guitar - Hugh McCracken | ||
Arranged By [Strings, Horns] - Bob Friedman | ||
Backing Vocals - Lani Grove | ||
Bass - Tony Levin | ||
Drums - Steve Gadd | ||
Electric Guitar - Joe Beck | ||
Piano - Richard Tee | ||
Vocals, Backing Vocals - Patty Austin, Paul Simon |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne's North (Australia)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- All pictures of the second hand/used vinyl records are actual pictures of the album in stock.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid cardboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- We almost always ship in stock vinyl next business day (excluding pre orders)
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Paul Simon’s “One-Trick Pony,” released in 1980, signifies a moment in Simon's career marked by exploration and innovative storytelling. The album, underscored by its intricate lyricism and eclectic sonic arrangement, traverses various genres while maintaining the essence of Simon’s musical persona. The record accompanies the movie of the same name, starring Simon himself, and its thematic nuances are embedded within the lyrical and musical fabric of the album.
The album's opener, “Late in the Evening,” sets the tone with its pulsating rhythms and vibrant brass arrangement, coupled with Simon’s unmistakable voice, narrating a story of musical passion interwoven with the phases of life. The song's catchy melody and dynamic orchestration exemplify Simon’s ability to blend infectious tunes with profound narratives.
The title track, “One-Trick Pony,” ventures into the realm of reflective melancholy, depicting the struggles of a musician coping with the evolving music landscape. Simon’s intricate wordplay and the sparse instrumentation create an atmosphere of introspective solitude, allowing listeners to delve into the emotional core of the artist's experiences.
"Jonah" is another standout track, with its contemplative lyrics exploring themes of destiny and free will, enveloped in soft, flowing melodies and delicate instrumental textures. The balance between Simon’s poetic expressions and the subtle musical backdrop resonates with a serene beauty, reflective of Simon’s masterful songcraft.
However, the album's true brilliance lies in its ability to incorporate diverse musical elements without compromising its cohesive artistic vision. “How the Heart Approaches What It Yearns” employs a soft, jazz-infused style, showcasing Simon’s versatility in embracing different genres while retaining his distinctive lyrical approach. The delicate interplay of instruments accentuates the emotional nuances of the song, rendering it a sublime auditory experience.
"Long, Long Day," with its somber tones and hauntingly beautiful melodies, serves as a testament to Simon's prowess in conveying deep emotional landscapes through his music. The track, imbued with a sense of longing and introspection, captivates the listener with its raw, evocative imagery and ethereal musicality.
Despite its profound thematic content and musical richness, “One-Trick Pony” has often been overshadowed by Simon’s other works, such as “Graceland” and “Bridge over Troubled Water.” The album’s fusion of folk, jazz, pop, and rock elements reflects Simon’s continuous pursuit of musical innovation and his ability to transcend genre boundaries.
Yet, “One-Trick Pony” is more than just a musical endeavor; it is a cinematic journey that explores the complexities of the human condition and the transformative power of music. The album’s multidimensional approach to storytelling invites listeners to embark on a journey of self-discovery and reflection, uncovering the intricate tapestry of emotions and experiences that define our existence.
The convergence of lyrical depth, musical diversity, and cinematic narrative in “One-Trick Pony” solidifies Paul Simon’s status as a visionary artist and a masterful storyteller. The album, with its timeless appeal and innovative spirit, remains a pivotal work in Simon’s illustrious career, offering a glimpse into the creative mind of one of music’s most enduring figures.
In conclusion, “One-Trick Pony” is a fascinating blend of thoughtful lyrics, diverse musicality, and introspective themes. While it may not have garnered the same level of commercial success as some of Simon’s other albums, it stands as a profound reflection of his artistic evolution and a testament to his unparalleled contribution to the world of music.
This album is an essential listen for those who wish to explore the depths of Paul Simon's musical and lyrical artistry, providing a rich tapestry of sound and emotion that continues to resonate with listeners across generations.