Album Info
Artist: | Tears For Fears |
Album: | Songs From The Big Chair |
Released: | Europe, Nov 2014 |
Tracklist:
A1 | Shout | 6:31 |
Backing Vocals - Sandy McLelland | ||
Drums - Chris Hughes | ||
Written-By - Stanley, Orzabal | ||
A2 | The Working Hour | 6:31 |
Drums, Arranged By [Drum Arrangement] - Manny Elias | ||
Drums, Arranged By [Saxophone Arrangement] - Jerry Marotta | ||
Grand Piano - Andy Davis | ||
Saxophone - Mel Collins | ||
Soloist, Saxophone [Solos] - William Gregory | ||
Written-By - Stanley, Elias, Orzabal | ||
A3 | Everybody Wants To Rule The World | 4:10 |
Soloist, Guitar [2nd Solo] - Neil Taylor | ||
Written-By - Hughes, Stanley, Orzabal | ||
A4 | Mothers Talk | 5:07 |
Backing Vocals - Stevie Lange | ||
Written-By - Stanley, Orzabal | ||
B1 | I Believe | 4:54 |
Grand Piano - Roland Orzabal | ||
Saxophone - William Gregory | ||
Written-By - Orzabal | ||
B2 | Broken | 2:38 |
Soloist, Guitar [Solo] - Neil Taylor | ||
Written-By - Orzabal | ||
B3 | Head Over Heels | 5:02 |
Backing Vocals - Annie McCaig, Marilyn Davis, Sandy McLelland | ||
Grand Piano - Andy Davis | ||
Written-By - Smith, Orzabal | ||
B4 | Listen | 6:49 |
Arranged By - Ian Stanley | ||
Arranged By [Vocal Stylings] - Roland Orzabal | ||
Vocals [Operatic Vocal] - Marilyn David | ||
Written-By - Stanley, Orzabal |
Related Content:
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
In 1985, the British duo Tears For Fears released "Songs From The Big Chair," an album that would not only define their career but also capture the spirit of the '80s pop-rock scene. With its synth-driven melodies, introspective lyrics, and anthemic choruses, the album offers a seamless blend of pop accessibility and profound depth..
From the first notes of "Shout," it's clear that Tears For Fears were intent on creating something both resonant and radio-friendly. This track, with its call for emotional release and societal change, exemplifies the band's knack for combining catchy hooks with thought-provoking themes. It's a song that invites both introspection and infectious sing-along, setting the tone for the rest of the album..
"Everybody Wants To Rule The World" is another standout, capturing the zeitgeist of the Cold War era. Its breezy melody contrasts with its commentary on the human desire for power and control, demonstrating the duo's talent for juxtaposition. The song's universal appeal and timeless message have ensured its enduring relevance and popularity..
The haunting "Head Over Heels" offers a more intimate look at love and longing. With its cascading piano lines and Roland Orzabal's emotive vocals, it's a track that showcases the duo's ability to craft ballads that resonate deeply with listeners..
The album's title, "Songs From The Big Chair," is a nod to the idea of introspection and self-analysis, inspired by the 1976 television film "Sybil." This theme of looking inward permeates the album, with tracks like "I Believe" and "Listen" delving into the realms of belief, love, and the human psyche..
Musically, the album is a rich tapestry of sounds, blending the electronic elements of the '80s with more traditional rock instrumentation. There's a meticulous attention to detail in the production, with each track crafted to showcase both the duo's musical prowess and their thematic explorations..
One of the defining characteristics of "Songs From The Big Chair" is its cohesiveness. While each track can stand alone as a single, together they form a narrative that's both personal and universal. It's an album that invites repeated listens, with layers of meaning and musicality to uncover with each play..
In retrospect, "Songs From The Big Chair" is more than just an '80s pop-rock album. It's a reflection of the anxieties, hopes, and dreams of a generation. Through its insightful lyrics and masterful musicianship, Tears For Fears created a work that speaks to the human condition, transcending the boundaries of time and genre..
In conclusion, "Songs From The Big Chair" remains a seminal work in the pop-rock canon. Its blend of catchy melodies, deep introspection, and musical innovation make it a must-listen for both fans of the era and newcomers alike. It stands as a testament to Tears For Fears' artistry and vision..
What makes "Songs From The Big Chair" a standout album in the '80s pop landscape?.
"Songs From The Big Chair," released in 1985, represents a watershed moment for '80s pop music. The album's combination of sophisticated lyricism, polished production, and the seamless blend of rock with synth-pop elements made it distinct. Tracks like "Shout" and "Everybody Wants to Rule the World" weren't just catchy pop songs; they resonated deeply with audiences because of their introspective and societal commentary. The album's depth and accessibility made it both a critical darling and a commercial juggernaut..
How does the album's title relate to its themes and content?.
The title "Songs From The Big Chair" is a reference to the 1976 TV movie "Sybil" about a woman with multiple personality disorder who finds solace in her therapist's "big chair." For Tears For Fears, the "big chair" symbolizes a place of comfort, introspection, and understanding. The album delves into themes of childhood traumas, the quest for psychological clarity, and societal observations. Thus, the title underscores the band's intent to use music as a therapeutic exploration..
What was the creative process behind the standout tracks "Shout" and "Everybody Wants to Rule the World"?.
"Shout" was driven by Roland Orzabal's fascination with primal therapy, a psychotherapy approach that promotes cathartic emotional releases. The song's mantra-like chorus invites listeners to "let it all out," echoing the therapy's principles. As for "Everybody Wants to Rule the World," it began as a track called "Everybody Wants to Go to War." The song underwent several changes before evolving into the pop anthem known today, reflecting on the human desire for control amidst Cold War tensions..
How did "Songs From The Big Chair" influence Tears For Fears' trajectory and reputation?.
This album catapulted Tears For Fears from being a well-regarded synth-pop act to international superstars. Its commercial success, driven by chart-topping singles and relentless airplay on MTV, solidified the band's place in pop music's upper echelons. The album's acclaim and influence meant that any subsequent release would be measured against it. While this set a high bar, it also cemented Tears For Fears' reputation as thoughtful pop craftsmen..
In what ways did the album push the boundaries of what was expected from pop music at the time?.
"Songs From The Big Chair" was more than just an assembly of catchy tunes. It interwove introspective and sometimes dark themes with pop sensibilities, proving that pop music could be both commercially appealing and intellectually stimulating. The album's rich production, with its layers of synths, guitars, and intricate arrangements, set a standard for production quality. Its success was a testament to the idea that audiences were ready for pop music that didn't shy away from depth and complexity.