Album Info
| Artist: | Bob Dylan |
| Album: | Blonde On Blonde |
| Released: | Europe, 8 Apr 2022 |
Tracklist:
| A1 | Rainy Day Women #12 & 35 | |
| A2 | Pledging My Time | |
| A3 | Visions Of Johanna | |
| A4 | One Of Us Must Know (Sooner Or Later) | |
| B1 | I Want You | |
| B2 | Memphis Blues Again | |
| B3 | Leopard-Skin Pill-Box Hat | |
| Lead Guitar, Harmonica - Bob Dylan | ||
| B4 | Just Like A Woman | |
| C1 | Most Likely You Go Your Way And I'll Go Mine | |
| C2 | Temporary Like Achilles | |
| C3 | Absolutely Sweet Marie | |
| C4 | 4th Time Around | |
| C5 | Obviously 5 Believers | |
| Harmonica - Charlie McCoy | ||
| D | Sad Eyed Lady Of The Lowlands |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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Description
Bob Dylan's "Blonde on Blonde," released on May 16, 1966, is often hailed as one of the greatest albums in the history of music. This double album marked a significant moment in Dylan's career, showcasing his evolution as a songwriter and his willingness to experiment with sound and structure. It was a bold step into the realm of rock music, blending folk, blues, and rock in a way that had never been done before, and it remains a cultural touchstone to this day.
Upon its release, "Blonde on Blonde" was met with critical acclaim. Major publications like Rolling Stone and The New York Times praised its innovative approach and lyrical depth. The album was one of the first to be recognized for its artistic merit in the rock genre, paving the way for future artists to explore similar themes and styles. It was nominated for a Grammy Award for Best Contemporary Folk Performance in 1967, further solidifying its place in music history.
One of the standout tracks on the album is "Rainy Day Women #12 & 35," which opens with the iconic line, "Everybody must get stoned." This song, with its upbeat tempo and brass instrumentation, captures the essence of the album's playful yet profound nature. Another highlight is "I Want You," a love song that combines longing with surreal imagery, showcasing Dylan's lyrical prowess. The haunting "Just Like a Woman" is also a fan favorite, often celebrated for its complex portrayal of femininity and emotional depth.
The production of "Blonde on Blonde" is noteworthy as well. It was recorded in Nashville, Tennessee, and features a stellar lineup of musicians, including the legendary guitarist Mike Bloomfield and keyboardist Al Kooper. The album's sound is rich and layered, with Dylan's voice weaving through the instrumentation in a way that feels both intimate and expansive. The use of studio techniques was groundbreaking at the time, and the album is often cited as one of the first true rock double albums, setting a precedent for future artists.
Dylan himself has spoken about the making of "Blonde on Blonde" in various interviews, describing it as a time of great creativity and experimentation. He mentioned that the album was recorded in a whirlwind of inspiration, with many songs coming together quickly. This sense of spontaneity is palpable throughout the album, giving it an organic feel that resonates with listeners.
The cultural significance of "Blonde on Blonde" cannot be overstated. It was released during a time of great social upheaval in the 1960s, and its themes of love, loss, and existential questioning mirrored the sentiments of a generation. The album has influenced countless artists across genres, from rock to hip-hop, and its impact can still be felt in contemporary music today.
Critics have continued to revisit "Blonde on Blonde" over the years, often placing it at the top of lists of the greatest albums of all time. In 2003, Rolling Stone ranked it as the ninth greatest album in their list of the 500 Greatest Albums of All Time, a testament to its enduring legacy. The album's blend of poetic lyrics and innovative sound has inspired generations of musicians and songwriters, making it a cornerstone of American music.
In conclusion, Bob Dylan's "Blonde on Blonde" is not just an album; it's a cultural phenomenon that encapsulates the spirit of the 1960s. Its lyrical depth, innovative production, and the sheer talent of Dylan and his collaborators make it a must-listen for anyone interested in the evolution of music. Whether you're a longtime fan or a newcomer to Dylan's work, this album offers a rich tapestry of sound and meaning that continues to resonate today.
