Album Info
| Artist: | Bob Dylan |
| Album: | Springtime In New York: The Bootleg Series Vol. 16 1980-1985 |
| Released: | Europe, 17 Sept 2021 |
Tracklist:
| A1 | Jokerman | |
| A2 | Need A Woman | |
| A3 | Fur Slippers | |
| B1 | Someone's Got A Hold Of My Heart | |
| B2 | Don't Fall Apart On Me Tonight (Version 1) | |
| B3 | Blind Willie McTell (Take 5) | |
| C1 | Too Late (Band Version) | |
| C2 | Sweetheart Like You | |
| C3 | Seeing The Real You At Last | |
| D1 | New Danville Girl | |
| D2 | Dark Eyes |
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Description
Bob Dylan's "Springtime In New York: The Bootleg Series Vol. 16 1980-1985" is a fascinating dive into a transformative period in Dylan's career. Released on September 17, 2021, this collection is part of Dylan's acclaimed Bootleg Series, which has been unearthing hidden gems and alternate takes from his vast archive for decades. This particular volume focuses on the early 1980s, a time when Dylan was navigating through a post-gospel phase and experimenting with new sounds and styles.
The album covers sessions from "Shot of Love" (1981), "Infidels" (1983), and "Empire Burlesque" (1985), three albums that marked Dylan's return to secular music after his Christian trilogy. This period is often seen as a time of reinvention for Dylan, as he was exploring new lyrical themes and musical directions. "Springtime In New York" offers fans a chance to hear how some of these songs evolved in the studio, with alternate takes and unreleased tracks that shed light on Dylan's creative process.
One of the standout aspects of this collection is the inclusion of previously unreleased songs that didn't make it onto the original albums. Tracks like "Too Late" and "Don't Ever Take Yourself Away" are fascinating listens, providing insight into Dylan's songwriting during this era. The alternate versions of well-known songs like "Jokerman" and "Blind Willie McTell" also offer a fresh perspective, showcasing different arrangements and lyrical variations that highlight Dylan's restless creativity.
Critically, "Springtime In New York" has been well-received, with many reviewers praising the depth and quality of the material. Rolling Stone noted the album's ability to "reframe a misunderstood era," while Pitchfork highlighted the "richness" of the unreleased tracks. The collection has been appreciated for its ability to provide a more nuanced understanding of Dylan's work during the early 1980s, a period that some fans and critics have historically overlooked.
The production of this Bootleg Series entry is meticulous, with the tracks carefully curated to provide a coherent narrative of Dylan's artistic journey during these years. The sound quality is excellent, allowing listeners to fully appreciate the nuances of the performances. The liner notes and accompanying booklet offer valuable context, with essays and photographs that enhance the listening experience.
One interesting anecdote from this period involves Dylan's collaboration with Mark Knopfler of Dire Straits, who played a significant role in the production of "Infidels." Knopfler's influence is evident in the polished sound of the album, and "Springtime In New York" includes some fascinating outtakes from these sessions. Dylan's willingness to collaborate with musicians from different genres during this time is a testament to his openness to experimentation and growth.
Overall, "Springtime In New York: The Bootleg Series Vol. 16 1980-1985" is a must-listen for Dylan enthusiasts and anyone interested in the evolution of one of music's most iconic figures. It captures a period of transition and exploration, offering a deeper understanding of Dylan's artistry and the creative forces that shaped his work during the early 1980s. Whether you're a longtime fan or new to Dylan's music, this collection is a rewarding journey through a pivotal chapter in his storied career.
