Album Info
Artist: | Joni Mitchell |
Album: | The Asylum Albums (1972-1975) |
Released: | USA, Canada & Europe, 23 Sept 2022 |
Tracklist:
- | For The Roses | |
A1 | Banquet | 3:00 |
A2 | Cold Blue Steel And Sweet Fire | 4:17 |
Electric Guitar - James Burton | ||
A3 | Barangrill | 2:53 |
A4 | Lesson in Survival | 3:10 |
A5 | Let The Wind Carry Me | 3:55 |
A6 | For The Roses | 3:46 |
B1 | See You Sometime | 2:58 |
B2 | Electricity | 3:00 |
B3 | You Turn Me On I'm A Radio | 2:40 |
B4 | Blonde In The Bleachers | 2:40 |
Performer [Rock 'N' Roll Band] - Stephen Stills | ||
B5 | Woman Of Heart And Mind | 2:36 |
B6 | Judgement Of The Moon And Stars (Ludwig's Tune) | 5:25 |
- | Court And Spark | |
C1 | Court And Spark | 2:46 |
Chimes - Milt Holland | ||
Electric Guitar - Larry Carlton | ||
C2 | Help Me | 3:22 |
Electric Guitar - Larry Carlton | ||
C3 | Free Man In Paris | 3:02 |
Backing Vocals - David Crosby, Graham Nash, Joni Mitchell | ||
Electric Guitar - Jose Feliciano, Larry Carlton | ||
C4 | People's Parties | 2:20 |
Electric Guitar - Larry Carlton | ||
C5 | Same Situation | 3:05 |
Arranged By [Strings... Arranged By] - Tom Scott | ||
Electric Guitar - Larry Carlton | ||
D1 | Car On A Hill | 2:58 |
Arranged By [Strings... Arranged By] - Joni Mitchell | ||
Electric Guitar - Wayne Perkins | ||
D2 | Down To You | 5:36 |
Arranged By [Strings... Arranged By] - Joni Mitchell, Tom Scott | ||
Backing Vocals - David Crosby, Susan Webb | ||
Clavinet - Joni Mitchell | ||
Electric Guitar - Larry Carlton | ||
D3 | Just Like This Train | 4:23 |
Electric Guitar - Larry Carlton | ||
D4 | Raised On Robbery | 3:05 |
Electric Guitar - Robbie Robertson | ||
D5 | Trouble Child | 3:57 |
Bass - Jim Hughart | ||
Electric Guitar - Dennis Budimir | ||
Trumpet - Chuck Findley | ||
D6 | Twisted | 2:18 |
Backing Vocals - Cheech & Chong | ||
Electric Guitar - Larry Carlton | ||
Trumpet - Chuck Findley | ||
Written-By - Annie Ross, Wardell Gray | ||
- | Miles Of Aisles | |
E1 | You Turn Me On I'm A Radio | 3:55 |
E2 | Big Yellow Taxi | 3:05 |
E3 | Rainy Night House | 4:00 |
E4 | Woodstock | 4:25 |
F1 | Cactus Tree | 4:50 |
F2 | Cold Blue Steel And Sweet Fire | 5:10 |
F3 | Woman Of Heart And Mind | 3:30 |
F4 | A Case Of You | 4:18 |
F5 | Blue | 2:40 |
G1 | Circle Game | 5:20 |
G2 | People's Parties | 2:30 |
G3 | All I Want | 3:20 |
G4 | Real Good For Free | 4:15 |
G5 | Both Sides Now | 4:10 |
H1 | Carey | 3:20 |
H2 | The Last Time I Saw Richard | 3:45 |
H3 | Jericho | 3:30 |
H4 | Love Or Money | 4:48 |
- | The Hissing Of Summer Lawns | |
I1 | In France They Kiss On Main Street | 3:17 |
Acoustic Guitar - Joni Mitchell | ||
Backing Vocals - D. Crosby, G. Nash, J. Taylor, Joni Mitchell | ||
Bass - Max Bennett | ||
Drums - John Guerin | ||
Electric Guitar - Jeff Baxter, Robben Ford | ||
Electric Piano - Victor Feldman | ||
I2 | The Jungle Line | 4:20 |
Drums - The Warrior Drums Of Burundi | ||
Synthesizer [Moog], Acoustic Guitar - Joni Mitchell | ||
I3 | Edith And The Kingpin | 3:35 |
Acoustic Guitar - Joni Mitchell | ||
Bass - Wilton Felder | ||
Drums - John Guerin | ||
Electric Guitar - Larry Carlton | ||
Electric Piano - Joe Sample | ||
Horn - Chuck Findley | ||
Saxophone, Flute - Bud Shank | ||
I4 | Didn't Interrupt The Sorrow | 4:04 |
Acoustic Guitar - Joni Mitchell | ||
Bass - Wilton Felder | ||
Congas - Victor Feldman | ||
Dobro - Robben Ford | ||
Drums - John Guerin | ||
Electric Guitar - Larry Carlton | ||
I5 | Shades Of Scarlett Conquering | 4:57 |
Arranged By [String Arrangement] - Dale Oehler | ||
Bass - Max Bennett | ||
Drums - John Guerin | ||
Electric Guitar - Larry Carlton | ||
Electric Piano, Vibraphone - Victor Feldman | ||
Piano - Joni Mitchell | ||
J1 | The Hissing Of Summer Lawns | 3:00 |
Arranged By, Drums, Synthesizer [Moog] - John Guerin | ||
Bass - Max Bennett | ||
Guitar - James Taylor | ||
Keyboards, Percussion - Victor Feldman | ||
Saxophone, Flute - Bud Shank | ||
Trumpet - Chuck Findley | ||
Written-By - John Guerin, Joni Mitchell | ||
J2 | The Boho Dance | 3:56 |
Bass - Max Bennett | ||
Bass Flute - Bud Shank | ||
Drums - John Guerin | ||
Flugelhorn - Chuck Findley | ||
Keyboards - Joni Mitchell | ||
J3 | Harry's House/Centerpiece | 6:52 |
Bass - Max Bennett | ||
Drums - John Guerin | ||
Guitar - Robben Ford | ||
Keyboards - Joe Sample | ||
Trumpet - Chuck Findley | ||
Written-By [Centerpiece] - Johnny Mandel, Jon Hendricks | ||
J4 | Sweet Bird | 4:10 |
Electric Guitar - Larry Carlton | ||
Piano, Acoustic Guitar - Joni Mitchell | ||
J5 | Shadows And Light | 4:15 |
Organ [Arp-Farfisa], Voice - Joni Mitchell |
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Description
Joni Mitchell's "The Asylum Albums (1972-1975)" is a remarkable collection that encapsulates a transformative period in the artist's career. This box set includes four of her most influential albums: "For the Roses" (1972), "Court and Spark" (1974), "Miles of Aisles" (1974), and "The Hissing of Summer Lawns" (1975). Each album showcases Mitchell's evolution as a songwriter and musician, highlighting her ability to blend folk, jazz, and pop elements into a unique and compelling sound.
"For the Roses" marks Mitchell's transition from the folk-oriented style of her earlier work to a more complex and introspective approach. The album is noted for its rich lyrical content and intricate melodies, with standout tracks like "You Turn Me On, I'm a Radio" and "Cold Blue Steel and Sweet Fire." The former became a hit single, showcasing Mitchell's ability to craft songs that are both commercially appealing and artistically profound. "For the Roses" is often praised for its exploration of themes such as fame, love, and self-discovery, reflecting Mitchell's personal experiences and growth as an artist.
"Court and Spark" is perhaps the most commercially successful album in this collection, reaching number two on the Billboard 200 and earning Mitchell four Grammy nominations. The album's fusion of jazz and pop elements was groundbreaking at the time, and it remains one of her most celebrated works. Tracks like "Help Me" and "Free Man in Paris" are quintessential examples of Mitchell's sophisticated songwriting and her ability to capture complex emotions with clarity and precision. "Help Me" became Mitchell's only top ten hit in the United States, further cementing her status as a leading figure in the music industry.
"Miles of Aisles," a live double album recorded with the L.A. Express, offers a different perspective on Mitchell's work, capturing the energy and spontaneity of her live performances. The album includes live renditions of some of her most beloved songs, providing fans with a glimpse into her dynamic stage presence and the improvisational skills of her backing band. "Miles of Aisles" is a testament to Mitchell's versatility as a performer and her ability to connect with audiences in a live setting.
"The Hissing of Summer Lawns" represents another shift in Mitchell's musical direction, incorporating more experimental sounds and complex arrangements. The album received mixed reviews upon its release, with some critics praising its innovation and others finding it challenging. However, it has since been re-evaluated and is now considered one of Mitchell's most ambitious and forward-thinking works. Tracks like "In France They Kiss on Main Street" and "The Jungle Line" demonstrate her willingness to push boundaries and explore new sonic landscapes, blending elements of world music, jazz, and rock.
Throughout these albums, Mitchell's lyrical prowess is consistently evident. Her ability to weave intricate narratives and convey deep emotional truths is unparalleled, and her influence on subsequent generations of musicians is undeniable. Mitchell's work during this period has been recognized with numerous accolades, including her induction into the Rock and Roll Hall of Fame in 1997 and a Grammy Lifetime Achievement Award in 2002.
Critically, "The Asylum Albums (1972-1975)" has been lauded for its artistic depth and innovation. Mitchell's willingness to experiment with different musical styles and her commitment to authenticity have earned her a lasting legacy in the music world. This collection not only highlights her extraordinary talent but also serves as a testament to her enduring impact on the landscape of popular music.
In summary, "The Asylum Albums (1972-1975)" is a vital compilation that captures Joni Mitchell at the height of her creative powers. It offers listeners a comprehensive look at her artistic evolution and reaffirms her status as one of the most influential singer-songwriters of her time. Whether you're a longtime fan or new to her music, this collection is an essential addition to any music lover's library.