Album Info
Artist: | Neil Young With Crazy Horse |
Album: | Dume |
Released: | Worldwide, 23 Feb 2024 |
Tracklist:
A1 | Ride My Llama | 3:44 |
Bass, Handclaps [Hand Claps], Vocals - Billy Talbot | ||
Drums, Handclaps [Hand Claps], Vocals - Ralph Molina | ||
Guitar, Handclaps [Hand Claps] - Frank "Poncho" Sampedro | ||
Guitar, Handclaps [Hand Claps], Vocals - Neil Young | ||
A2 | Cortez The Killer | 7:32 |
Bass - Billy Talbot | ||
Drums - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
A3 | Don't Cry No Tears | 2:37 |
Bass, Vocals - Billy Talbot | ||
Drums, Vocals - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals - Neil Young | ||
A4 | Born To Run | 3:18 |
Bass - Billy Talbot | ||
Drums - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
B1 | Barstool Blues | 3:01 |
Bass - Billy Talbot | ||
Drums - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
B2 | Danger Bird | 6:55 |
Bass, Vocals - Billy Talbot | ||
Drums, Vocals - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals - Neil Young | ||
B3 | Stupid Girl | 3:11 |
Bass, Vocals - Billy Talbot | ||
Drums, Vocals - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals - Neil Young | ||
B4 | Kansas | 3:35 |
Bass - Billy Talbot | ||
Drums - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
C1 | Powderfinger | 7:15 |
Bass - Billy Talbot | ||
Drums - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
C2 | Hawaii | 4:26 |
Bass - Billy Talbot | ||
Drums - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
Mixed By - John Nowland | ||
C3 | Drive Back | 3:34 |
Bass, Vocals [Vocal], Performer [Frying Pan] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Piano, Vocals [Vocal] - Neil Young | ||
D1 | Lookin' For A Love | 3:18 |
Bass, Vocals - Billy Talbot | ||
Drums, Vocals - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals - Neil Young | ||
D2 | Pardon My Heart | 3:50 |
Bass - Tim Drummond | ||
Guitar, Piano, Vocals - Neil Young | ||
Vocals - Billy Talbot, Ralph Molina | ||
D3 | Too Far Gone | 2:42 |
Guitar, Vocals [Vocal] - Neil Young | ||
Mandolin - Frank "Poncho" Sampedro | ||
D4 | Pocahontas | 3:30 |
Bass, Vocals [Vocal] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
D5 | No One Seems To Know | 2:27 |
Piano, Vocals [Vocal] - Neil Young |
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Description
"Dume" is a fascinating entry in Neil Young's extensive discography, particularly for fans of his work with Crazy Horse. Released as part of the "Archives Volume II: 1972–1976" box set in 2020, "Dume" is a collection of previously unreleased tracks and alternate versions from the sessions that produced the seminal 1975 album "Zuma." This album offers a deeper dive into Young's creative process during a pivotal period in his career, showcasing his raw, unfiltered sound with Crazy Horse.
The album's historical significance lies in its context within Young's career. The mid-1970s were a prolific time for Young, marked by both personal turmoil and artistic experimentation. "Zuma," the album from which "Dume" draws its material, was a return to form for Young after the dark, introspective "Tonight's the Night" and the more polished "On the Beach." "Dume" provides listeners with a glimpse into the sessions that shaped "Zuma," highlighting the synergy between Young and Crazy Horse, a band known for their gritty, garage-rock sound that perfectly complements Young's distinctive guitar work and vocal style.
Critically, "Dume" has been well-received, particularly by those who appreciate the raw, unvarnished quality of Young's music from this era. The album captures the essence of Young's collaboration with Crazy Horse, characterized by extended jams, distorted guitars, and a loose, almost improvisational feel. This is evident in tracks like "Ride My Llama" and "Born to Run" (not to be confused with Bruce Springsteen's song of the same name), which showcase the band's ability to create a powerful, cohesive sound while still allowing for individual expression.
One of the standout tracks on "Dume" is "Cortez the Killer," presented here in an alternate version. This song is often hailed as one of Young's masterpieces, known for its haunting lyrics and epic guitar solos. The version on "Dume" offers a fresh perspective on this classic, with subtle differences that highlight the song's enduring power and emotional depth. Another notable track is "Powderfinger," which would later become one of Young's most beloved songs when it was officially released on the 1979 album "Rust Never Sleeps." The version on "Dume" is rawer and more immediate, capturing the urgency and intensity of Young's performance.
The cultural significance of "Dume" is tied to its role in the broader narrative of Young's career. It serves as a testament to his willingness to explore new musical territories and push the boundaries of rock music. The album also underscores the importance of Crazy Horse in Young's artistic journey, as their collaboration has produced some of the most memorable and influential music in his catalog.
In terms of awards, while "Dume" itself has not received specific accolades, its inclusion in the "Archives Volume II" box set has been praised for its comprehensive and insightful look into Young's work during this period. The box set has been lauded by critics and fans alike for its meticulous curation and the wealth of previously unheard material it offers.
Overall, "Dume" is a treasure trove for Neil Young enthusiasts and anyone interested in the evolution of rock music in the 1970s. It captures a moment in time when Young was at the height of his creative powers, experimenting with sound and form while staying true to his unique artistic vision. The album is a reminder of Young's enduring influence and the timeless quality of his music, making it a must-listen for anyone seeking to understand the depth and breadth of his contributions to the music world.