Album Info
Artist: | Neil Young With Crazy Horse |
Album: | Odeon - Budokan |
Released: | Worldwide, 1 Sept 2023 |
Tracklist:
A1 | The Old Laughing Lady | 5:54 |
Guitar, Harmonica, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
A2 | After The Gold Rush | 4:28 |
Piano, Harmonica, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
A3 | Too Far Gone | 3:17 |
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
A4 | Old Man | 3:48 |
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
A5 | Stringman | 3:46 |
Piano, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
B1 | Don't Cry No Tears | 3:12 |
Bass, Vocals [Vocal] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
B2 | Cowgirl In The Sand | 4:55 |
Bass, Vocals [Vocal] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
B3 | Lotta Love | 2:57 |
Bass, Vocals [Vocal] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Frank Sampedro, Neil Young | ||
B4 | Drive Back | 4:36 |
Bass, Vocals [Vocal] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young | ||
B5 | Cortez The Killer | 7:03 |
Bass, Vocals [Vocal] - Billy Talbot | ||
Drums, Vocals [Vocal] - Ralph Molina | ||
Guitar - Frank "Poncho" Sampedro | ||
Guitar, Vocals [Vocal] - Neil Young | ||
Written-By - Neil Young |
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Description
Neil Young's "Odeon-Budokan" is a fascinating live album that captures the raw energy and eclectic artistry of Young and his long-time collaborators, Crazy Horse. Released as part of the Neil Young Archives Volume II: 1972–1976, this album offers a unique glimpse into Young's live performances during the mid-1970s, a period marked by both prolific output and artistic experimentation.
The album is a compilation of recordings from two distinct venues: the Odeon Theatre in Birmingham, England, and the Nippon Budokan Hall in Tokyo, Japan. These performances took place during Young's 1976 tour, a time when he was exploring a variety of musical styles and themes. The album features a mix of acoustic and electric tracks, showcasing Young's versatility as a musician and his ability to seamlessly transition between introspective folk and hard-hitting rock.
One of the standout aspects of "Odeon-Budokan" is the dynamic interplay between Young and Crazy Horse. Known for their distinctive, grungy sound, Crazy Horse provides a powerful backdrop to Young's emotive vocals and guitar work. The chemistry between the band members is palpable, particularly on tracks like "Cortez the Killer" and "Cowgirl in the Sand," where extended instrumental jams highlight their improvisational prowess.
The album also includes several acoustic numbers, which offer a more intimate counterpoint to the electric tracks. Songs like "Tell Me Why" and "After the Gold Rush" are delivered with a poignant simplicity that underscores Young's talent as a songwriter. These performances capture the introspective and often melancholic themes that are a hallmark of Young's work, resonating with listeners on a deeply emotional level.
"Odeon-Budokan" is notable not only for its musical content but also for its historical and cultural significance. The mid-1970s were a transformative period for Young, both personally and professionally. This era saw him grappling with the pressures of fame and the changing landscape of the music industry, themes that are reflected in the raw and unpolished nature of these live recordings. The album serves as a time capsule of sorts, preserving the spirit of a pivotal moment in Young's career.
Critical reception of "Odeon-Budokan" has been largely positive, with many reviewers praising the album for its authenticity and the quality of the performances. Fans of Young and Crazy Horse appreciate the album's ability to capture the essence of their live shows, which are often characterized by their spontaneity and emotional intensity. The album is seen as a valuable addition to Young's extensive discography, offering insights into his artistic evolution during the 1970s.
In terms of standout tracks, "Cortez the Killer" is often highlighted for its epic scope and haunting lyrics. The live version on this album is particularly powerful, with Young's guitar work and the band's cohesive sound creating a mesmerizing experience. Similarly, "Cowgirl in the Sand" is another highlight, showcasing the band's ability to build tension and release through extended instrumental sections.
Overall, "Odeon-Budokan" is a compelling live album that captures Neil Young and Crazy Horse at a significant point in their musical journey. It offers a blend of acoustic and electric performances that highlight Young's versatility and the band's dynamic energy. For fans and newcomers alike, the album provides a window into the raw, unfiltered sound that has made Neil Young a lasting figure in the world of rock music.