Album Info
| Artist: | Steeleye Span |
| Album: | Now We Are Six |
| Released: | UK, 2024 |
Tracklist:
| A1 | Seven Hundred Elves | |
| A2 | Drink Down The Moon | |
| A3 | Now We Are Six | |
| A4 | Thomas The Rhymer | |
| B1 | The Mooncoin Jig | |
| B2 | Edwin | |
| B3 | Long-A-Growing | |
| B4 | Two Magicians | |
| B5 | Twinkle Twinkle Little Star | |
| B6 | To Know Him Is To Love Him | |
| Written-By - Phil Spector |
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Description
"Now We Are Six" is the sixth studio album by the British folk rock band Steeleye Span, released in 1974. This album marks a significant point in the band's career, showcasing their continued evolution and experimentation with traditional folk music infused with rock elements. The album's title is a playful nod to the band reaching their sixth album milestone, and it also references the A.A. Milne book of the same name, which adds a whimsical touch to the project.
One of the most notable aspects of "Now We Are Six" is the involvement of Ian Anderson, the frontman of Jethro Tull, who produced the album. Anderson's influence is evident in the album's polished sound and the incorporation of more rock-oriented elements, which complement Steeleye Span's traditional folk roots. His production brought a new dimension to the band's music, helping to bridge the gap between folk and rock in a way that was accessible to a broader audience.
The album features a mix of traditional folk songs and original compositions, a hallmark of Steeleye Span's approach to music. Among the standout tracks is "Thomas the Rhymer," a traditional ballad that the band reimagines with their signature electric folk style. The song's narrative and melodic structure are enhanced by the band's dynamic arrangement, making it one of the highlights of the album. Another notable track is "Two Magicians," which showcases the band's ability to blend storytelling with engaging musical arrangements.
"Now We Are Six" also includes a cover of "To Know Him Is to Love Him," originally by Phil Spector. This track is a surprising inclusion, as it deviates from the traditional folk repertoire, but it demonstrates the band's willingness to explore different musical territories. The cover adds a unique twist to the album, highlighting the band's versatility and willingness to experiment.
The album received a mixed critical reception upon its release. Some critics praised the band's innovative approach and the production quality brought by Ian Anderson, while others felt that the album strayed too far from the band's folk roots. Despite the mixed reviews, "Now We Are Six" has been appreciated over time for its adventurous spirit and the way it captures a transitional moment in the band's career.
Culturally, "Now We Are Six" is significant as it reflects the broader trend of the 1970s where folk music was being reinterpreted and revitalized by bands like Steeleye Span. This album, along with others from the era, contributed to the folk rock movement that sought to bring traditional music to new audiences by blending it with contemporary sounds.
The album did not win any major awards, but it remains an important part of Steeleye Span's discography. It showcases the band's ability to innovate while staying true to the essence of folk music. "Now We Are Six" is a testament to Steeleye Span's role in the evolution of folk rock, and it continues to be appreciated by fans of the genre for its creativity and the skillful musicianship of its members.
In summary, "Now We Are Six" is a noteworthy album that captures Steeleye Span at a pivotal moment in their career. With its blend of traditional and contemporary elements, the album stands as a testament to the band's enduring influence in the folk rock genre. Whether for its standout tracks, the unique production by Ian Anderson, or its cultural significance, "Now We Are Six" remains a compelling listen for those interested in the intersection of folk and rock music.
