Album Info
Artist: | Erasure |
Album: | Snow Globe |
Released: | Worldwide, 2024 |
Tracklist:
A1 | Bells Of Love (Isabelle's of Love) | |
A2 | Gaudete | |
A3 | Make It Wonderful | |
A4 | Sleep Quietly | |
A5 | Silent Night | |
A6 | Loving Man | |
A7 | The Christmas Song | |
B1 | Bleak Midwinter | |
B2 | Blood On The Snow | |
B3 | There'll Be No Tomorrow | |
B4 | Midnight Clear | |
B5 | White Christmas | |
B6 | Silver Bells |
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Description
Erasure’s Snow Globe arrived in November 2013 on Mute Records, and it’s one of those seasonal records that actually earns a place on the shelf year round. It’s the duo’s fifteenth studio album, a winter set that leans into stillness and shadow rather than shopping‑mall sparkle. Andy Bell sings like he’s tracing his breath on cold glass, and Vince Clarke builds a frosty little city of synths around him, all ticking drum machines, bell tones, and space. The effect is closer to a candlelit chapel than a department store display, which suits Erasure’s knack for melody and mood.
The concept sounds simple enough, a mix of originals and reimagined carols, but the way they frame it feels quietly radical. Clarke resists the obvious tricks, so the arrangements avoid kitsch. No avalanche of sleigh bells. Instead, bass lines hum like distant power lines in winter air, and small keyboard figures glint where orchestras would normally swell. Bell responds with vocals that are measured and intimate, sometimes almost devotional. If you know the big Erasure choruses from The Innocents or Chorus, this one asks you to lean in closer.
“Gaudete” is the pivot point. A 16th‑century carol, sung in Latin, might seem like a dare, yet it fits perfectly in their world. They keep the chant’s call‑and‑response shape, then thread it with sequencers and percussive blips that feel both old and new at once. Steeleye Span turned “Gaudete” into a UK hit back in the 70s, so there’s a little pop history nod in the choice, but Erasure shift the focus from folk harmonies to synthetic shimmer. It’s reverent without being dusty, and it anchors the record’s tone.
The originals carry the emotional weight. “Make It Wonderful” is the most immediate, a gentle plea that sidesteps syrup for something truer. Bell sells hope like a gift he’s careful not to drop, and Clarke wraps it in bright, winter‑morning synths. The song taps into what Erasure do at their best, pairing clarity with warmth. Elsewhere they keep the temperature low, drifting through lullaby tempos and muted colors that bring out a bittersweet side of the season. You can feel the pair writing for long nights, not office parties.
Because Snow Globe arrived between Tomorrow’s World in 2011 and The Violet Flame in 2014, it also reads like a thoughtful palate cleanser. After collaborating with contemporary producers on the former and revving back up for the latter, this record lets Clarke’s classic electronic instincts and Bell’s phrasing carry the show. Critics picked up on the darker hue at the time, noting how stripped arrangements made room for that voice. It’s the rare holiday album that feels like an artist statement rather than a label idea.
If you collect Erasure vinyl, this one is a sleeper favorite. The quiet passages breathe on a turntable, and those tiny percussive details have more presence when a stylus traces them. Snow Globe vinyl also makes a strong seasonal spin for anyone building a December stack that doesn’t default to standards. Imagine it between a Cocteau Twins winter EP and a Sufjan Stevens box, then file it right back next to your synth pop staples come January. If you need to buy Erasure records online, keep an eye out for copies before the rush sets in. Shops that specialize in Erasure albums on vinyl tend to move their holiday stock fast, and I’ve even seen Snow Globe tucked in the seasonal crates at a Melbourne record store while travelers hunt for vinyl records Australia‑wide.
What lingers is how human it feels. Bell sings like he’s tending small flames, one for joy, one for grief, one for the memories that make the holidays complicated. Clarke shapes silence as much as sound, giving the melodies room to settle. The album doesn’t try to out‑cheer the season or blot out its chill. It invites you into a smaller circle, then hands you songs that feel worn‑in and personal. That’s why Snow Globe stands up when the novelty of tinsel records fades. It is a winter Erasure album first, a Christmas record second, and on the right evening it is exactly the right thing.