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Debussy, Ravel, Boston Symphony Orchestra - New England Conservatory Chorus, Claudio Abbado - Debussy: Trois Nocturnes; Ravel: Daphnis et Chloe & Pavane (LP)

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Debussy, Ravel, Boston Symphony Orchestra - New England Conservatory Chorus, Claudio Abbado - Debussy: Trois Nocturnes; Ravel: Daphnis et Chloe & Pavane Vinyl Record Album Art
Picture of New England Conservatory Chorus, Claudio Abbado - Debussy: Trois Nocturnes; Ravel: Daphnis et Chloe & Pavane Vinyl Record
Condition:
New
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Available At Supplier. Ships in 2 - 4 weeks
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Genre(s):
Classical, Impressionist
Format:
Vinyl Record LP
Label:
Deutsche Grammophon
$85.00

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Debussy, Ravel, Boston Symphony Orchestra - New England Conservatory Chorus, Claudio Abbado - Debussy: Trois Nocturnes; Ravel: Daphnis et Chloe & Pavane Vinyl Record Album Art
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Album Info

Artist: Debussy, Ravel, Boston Symphony Orchestra
Album: New England Conservatory Chorus, Claudio Abbado - Debussy: Trois Nocturnes; Ravel: Daphnis et Chloe & Pavane
Released: Europe, 15 Nov 2024

Tracklist:

A1Trois Nocturnes(24:17)
A1aI. Nuages - Modéré-Un Peu Animé7:42
A1bII. Fêtes - Animé Et Très Rythmé-Modéré Mais Toujours Très Rythmé-De Plus En Plus Sonore Et Serrant Le Mouvement5:57
A1cIII. Sirènes - Modérément Animé10:38
B1Daphnis Et Chloé - Ballet En Un Acte (Fragments Symphoniques, 2e Série)(16:10)
B1aLever Du Jour
B1bPantomime
B1cDanse Générale
B2Pavane Pour Une Infante Defunte6:42


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Description

Claudio Abbado’s interpretation of Debussy and Ravel with the Boston Symphony Orchestra and the New England Conservatory Chorus is a breathtaking journey through impressionistic soundscapes that feels both timeless and fresh. Released in 1998, this album showcases the lush orchestration and ethereal beauty that both composers are renowned for, and Abbado’s direction brings out the nuances that make these works so captivating.

The album opens with Debussy’s "Trois Nocturnes," a three-part orchestral suite that captures the essence of night in all its mysterious glory. Each movement—"Nuages," "Fêtes," and "Sirènes"—paints a vivid picture, and Abbado’s interpretation is nothing short of magical. The first movement, "Nuages," evokes the slow drift of clouds across a twilight sky, with the orchestra’s delicate textures creating a sense of floating. The woodwinds and strings intertwine beautifully, and you can almost feel the cool evening air as the music unfolds. Abbado’s ability to balance the orchestral colors is remarkable, allowing the listener to experience the subtleties of Debussy’s harmonic language.

"Fêtes" follows, bursting with energy and celebration. The rhythmic vitality and vibrant orchestration are brought to life under Abbado’s baton, making it a standout moment on the album. The brass section shines here, and the interplay between the different sections of the orchestra is a testament to Abbado’s skill in conducting. The movement feels like a joyous festival, with the music swirling around you, inviting you to join in the revelry.

The final movement, "Sirènes," features the haunting voices of the New England Conservatory Chorus, which adds an otherworldly quality to the piece. The ethereal choral lines blend seamlessly with the orchestra, creating a sound that is both lush and haunting. The way Abbado draws out the dynamics in this movement is particularly striking; the music ebbs and flows like the tide, leaving the listener in a state of rapture.

Transitioning to Ravel, the album features "Daphnis et Chloé," a ballet score that is often considered one of Ravel’s masterpieces. The lush orchestration and rich harmonic palette are on full display here, and Abbado’s interpretation is both sensitive and powerful. The opening movement, "Lever du jour," is a stunning depiction of dawn breaking, with shimmering strings and woodwinds that evoke the first light of day. The way Abbado builds the tension and releases it is masterful, leading to a climactic moment that feels like the sun bursting forth.

The second suite from "Daphnis et Chloé" is equally impressive, showcasing Ravel’s ability to blend orchestral colors in a way that feels both innovative and deeply rooted in the French musical tradition. The famous "Danse générale" is a highlight, with its infectious rhythms and vibrant orchestration that invite the listener to move along with the music. Abbado’s control over the orchestra allows for a dynamic range that keeps the listener engaged throughout.

The album also includes Ravel’s "Pavane pour une infante défunte," a piece that is both nostalgic and poignant. The delicate interplay between the solo instruments and the orchestra is beautifully rendered, and Abbado’s interpretation captures the essence of longing that permeates the work. It’s a moment of reflection amidst the more exuberant pieces, showcasing the depth of emotion that both composers are capable of conveying.

Critically, this album has been well-received, with accolades highlighting Abbado’s ability to bring out the best in both the orchestra and the chorus. The recording quality is superb, allowing the listener to appreciate the intricate details of the orchestration. It’s a testament to the collaborative spirit of the Boston Symphony Orchestra and the New England Conservatory Chorus, who together create a sound that is rich and immersive.

In conclusion, Abbado’s "Debussy: Trois Nocturnes; Ravel: Daphnis et Chloe & Pavane" is a remarkable album that captures the essence of French impressionism. It’s a must-listen for anyone who appreciates the beauty of orchestral music and the emotional depth that these composers bring to their works. Whether you’re a long-time fan of Debussy and Ravel or new to their music, this album is sure to leave a lasting impression.

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