Album Info
| Artist: | Hilary Hahn, Chausson ∙ Prokofiev ∙ Rautavaara, Orchestre Philharmonique De Radio France, Mikko Franck |
| Album: | Paris |
| Released: | Europe, 5 Mar 2021 |
Tracklist:
| - | Concerto For Violin And Orchestra No. 1 In D Major Op. 19 | |
| Composed By - Sergei Prokofiev | ||
| A1 | 1. Andantino - Andante Assai | 9:36 |
| B1 | 2. Scherzo. Vivacissimo | 3:55 |
| B2 | 3. Moderato - Allegro Moderato - Moderato - Più tranquillo | 7:56 |
| C1 | Poème Op. 25 For Violin And Orchestra | 16:55 |
| Composed By - Ernest Chausson | ||
| - | Deux Sérénades | |
| Composed By - Einojuhani Rautavaara | ||
| D1 | Sérénade Pour Mon Amour. Moderato | 7:50 |
| D2 | Sérénade Pour La Vie. Andante Assai - Comodo - Agitato | 6:37 |
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Description
Hilary Hahn's album "Paris", released in 2021, is a stunning showcase of her virtuosity and interpretative depth as a violinist. Collaborating with the Orchestre Philharmonique de Radio France under the baton of Mikko Franck, Hahn presents a thoughtfully curated programme that spans works by Chausson, Prokofiev, and Rautavaara. The album not only highlights her technical brilliance but also her ability to convey profound emotion and nuance.
The centrepiece of the album is Ernest Chausson's "Poème", a work that has long been a favourite in the violin repertoire. Hahn's rendition is nothing short of sublime. She captures the lyrical beauty and the introspective quality of the piece with a sensitivity that is deeply moving. The Orchestre Philharmonique de Radio France provides a lush and supportive accompaniment, with Franck's direction bringing out the rich textures of Chausson's orchestration.
Sergei Prokofiev's Violin Concerto No. 1 in D major, Op. 19, is another highlight of the album. This concerto, with its blend of lyrical passages and playful, almost mischievous elements, is a perfect match for Hahn's expressive style. Her performance is both precise and full of character, navigating the technical demands of the piece with apparent ease while imbuing it with a sense of narrative and drama. The interplay between Hahn and the orchestra is particularly striking, showcasing a true partnership in music-making.
The album also features "Deux Sérénades" by Finnish composer Einojuhani Rautavaara, a work that was written specifically for Hahn. This inclusion is especially poignant, as Rautavaara passed away in 2016, and the piece stands as a testament to his enduring legacy. Hahn's performance of these serenades is heartfelt and evocative, bringing out the ethereal and contemplative qualities of Rautavaara's music. The collaboration with Franck and the orchestra adds a layer of depth, making this a standout moment on the album.
"Paris" is not just a collection of performances; it is a cohesive artistic statement. The choice of repertoire reflects Hahn's commitment to exploring a wide range of musical voices, from the Romanticism of Chausson to the modernist touches of Prokofiev and the contemporary sensibilities of Rautavaara. The album's title, "Paris", is a nod to the city where the recording took place and to the Orchestre Philharmonique de Radio France, whose contribution to the album is integral to its success.
The production quality of the album is impeccable, with a clear and balanced sound that allows the nuances of Hahn's playing and the orchestra's performance to shine through. The recording captures the warmth and intimacy of the music, making it a joy to listen to from start to finish.
Hilary Hahn's "Paris" has been met with critical acclaim, and it is easy to see why. It is a testament to her artistry and her ability to connect with both the music and her audience. Whether you are a long-time fan of Hahn or new to her work, this album is a must-listen. It is a celebration of the violin and its expressive possibilities, brought to life by one of the finest musicians of our time.
