Stewart Copeland - Police Deranged For Orchestra (LP)

Stewart Copeland’s "Police Deranged for Orchestra" is a fascinating reimagining of the iconic music of The Police, showcasing the legendary drummer’s unique ability to blend rock with orchestral elements. Released in 2023, this album is not just a nostalgic trip down memory lane; it’s a bold reinterpretation that breathes new life into familiar tunes, making them feel fresh and exciting.

From the very first notes, it’s clear that Copeland has a deep reverence for the original compositions. The album features orchestral arrangements of some of The Police’s biggest hits, including classics like "Roxanne," "Every Breath You Take," and "Message in a Bottle." What sets this project apart is how Copeland, who has always been known for his innovative drumming and compositional skills, has taken these songs and transformed them into orchestral pieces that highlight their melodic and harmonic richness. The lush strings and brass sections add a new dimension to the music, allowing listeners to experience these tracks in a way they’ve never heard before.

One standout track is the orchestral version of "Roxanne," which opens the album with a hauntingly beautiful arrangement. The strings swell and recede, creating an emotional landscape that complements the original’s yearning lyrics. Copeland’s drumming, while still prominent, takes on a more nuanced role, blending seamlessly with the orchestral backdrop. It’s a testament to his skill as a composer that he can maintain the essence of the song while expanding its sonic palette.

The album also features a number of guest musicians, including renowned cellist Yo-Yo Ma, whose contributions elevate the arrangements to new heights. His performance on "Every Breath You Take" is particularly noteworthy, adding a layer of depth and emotion that resonates throughout the piece. The collaboration between Copeland and such esteemed artists showcases not only his versatility but also his ability to bring together diverse musical talents to create something truly special.

Critics have responded positively to "Police Deranged for Orchestra," praising Copeland’s vision and execution. Publications like Rolling Stone and Pitchfork have highlighted the album’s ability to bridge the gap between rock and classical music, noting how Copeland’s arrangements breathe new life into songs that have become staples of popular music. The album has been described as both a love letter to The Police and a bold artistic statement, demonstrating that Copeland is not just a drummer but a true composer in his own right.

In interviews, Copeland has expressed his excitement about revisiting these songs and the challenge of arranging them for an orchestra. He has mentioned how the process allowed him to explore the intricacies of the music he created decades ago, and how it felt like a reunion with old friends. This personal connection shines through in the recordings, as each track feels imbued with a sense of nostalgia and reverence.

The production quality of the album is top-notch, with meticulous attention to detail evident in every track. Recorded with a full orchestra, the sound is rich and immersive, allowing listeners to fully appreciate the complexity of the arrangements. The mixing and mastering have been handled with care, ensuring that each instrument is given its due prominence without overshadowing the others. This balance is crucial in orchestral music, and Copeland’s experience shines through in the final product.

"Police Deranged for Orchestra" is more than just a collection of reimagined hits; it’s a celebration of The Police’s legacy and a testament to Stewart Copeland’s enduring creativity. It invites both longtime fans and new listeners to experience these classic songs in a completely new light. Whether you’re a die-hard fan of The Police or simply someone who appreciates innovative music, this album is a must-listen. It’s a beautiful reminder of how music can evolve while still honoring its roots, and it solidifies Copeland’s place not just as a rock icon, but as a visionary artist capable of transcending genres.