Album Info
Artist: | Brian Eno |
Album: | Before And After Science |
Released: | UK & Europe, 17 Nov 2017 |
Tracklist:
A1 | No One Receiving | |
Agogô [Agong-gong], Percussion [Stick] - Rhett Davies | ||
Bass Guitar - Paul Rudolph | ||
Drums - Phil Collins | ||
Fretless Bass - Percy Jones | ||
Guitar - Brian Eno | ||
Percussion [Synthesized Percussion] - Brian Eno | ||
Piano - Brian Eno | ||
Rhythm Guitar - Paul Rudolph | ||
Synthesizer - Brian Eno | ||
Vocals - Brian Eno | ||
A2 | Backwater | |
Bass Guitar - Paul Rudolph | ||
Brass - Brian Eno | ||
Drums - Jaki Liebezeit | ||
Piano - Brian Eno | ||
Rhythm Guitar - Brian Eno | ||
Vocals - Brian Eno | ||
A3 | Kurt's Rejoinder | |
Bass [Analog Delay Bass] - Percy Jones | ||
Drums - Dave Mattacks | ||
Piano ['Jazz' Piano] - Brian Eno | ||
Synthesizer - Brian Eno | ||
Timbales [Brush Timbales] - Shirley Williams | ||
Vocals - Brian Eno, Kurt Schwitters | ||
A4 | Energy Fools The Magician | |
Drums - Phil Collins | ||
Fretless Bass - Percy Jones | ||
Guitar [Modified Guitar] - Fred Frith | ||
Keyboards - Brian Eno | ||
Vibraphone - Brian Eno | ||
Vocals - Brian Eno | ||
A5 | King's Lead Hat | |
Bass Guitar - Paul Rudolph | ||
Drums - Andy Fraser | ||
Guitar [Guitar Solo], Soloist - Robert Fripp | ||
Percussion [Metallics] - Brian Eno | ||
Piano [Piano Solo], Soloist - Brian Eno | ||
Rhythm Guitar - Brian Eno, Phil Manzanera | ||
Vocals - Brian Eno | ||
B1 | Here He Comes | |
Bass Guitar - Paul Rudolph | ||
Drums - Dave Mattacks | ||
Guitar - Phil Manzanera | ||
Piano - Brian Eno | ||
Synthesizer [Moog] - Brian Eno | ||
Synthesizer [Yamaha Cs80] - Brian Eno | ||
Vocals - Brian Eno | ||
B2 | Julie With... | |
Bass Guitar - Paul Rudolph | ||
Bass [Harmonic Bass] - Paul Rudolph | ||
Bells - Brian Eno | ||
Guitar - Brian Eno | ||
Piano - Brian Eno | ||
Synthesizer [Aks] - Brian Eno | ||
Synthesizer [Cs80] - Brian Eno | ||
Synthesizer [Mini-moog] - Brian Eno | ||
Vocals - Brian Eno | ||
B3 | By This River | |
Electric Piano [Bass Fender Piano] - Möbi Moebius | ||
Grand Piano, Electric Piano - Achim Roedelius | ||
Synthesizer [Cs80] - Brian Eno | ||
Vocals - Brian Eno | ||
Written-By - Brian Eno, Möbi Moebius, Achim Roedelius | ||
B4 | Through Hollow Lands (For Harold Budd) | |
Bass Guitar - Bill MacCormick | ||
Bells - Brian Eno | ||
Guitar [Cascade Guitars] - Fred Frith | ||
Guitar [Melody Guitar] - Brian Eno | ||
Keyboards - Brian Eno | ||
Performer [Time] - Shirley Williams | ||
Synthesizer [Moog] - Brian Eno | ||
B5 | Spider And I | |
Bass Guitar - Brian Turrington | ||
Keyboards - Brian Eno | ||
Synthesizer [Aks] - Brian Eno | ||
Vocals - Brian Eno |
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Description
Brian Eno's 1977 album "Before and After Science" is often regarded as one of his most accomplished works, blending his experimental tendencies with a more accessible, song-oriented approach. Released during a particularly fertile period in Eno's career, this album stands as a testament to his ability to straddle the line between avant-garde innovation and melodic sensibility.
"Before and After Science" is a fascinating exploration of contrasts, as its title suggests. The album is divided into two distinct halves: the first side is more rhythmically driven and energetic, while the second side takes on a more ambient and introspective tone. This duality is one of the album's defining features, showcasing Eno's versatility as a composer and producer.
The opening track, "No One Receiving", immediately sets the tone with its propulsive rhythm and layered textures. Eno's use of unconventional instrumentation and production techniques is evident here, creating a sound that feels both futuristic and organic. Tracks like "Backwater" and "King's Lead Hat" (an anagram of "Talking Heads", a band Eno would later collaborate with) highlight his knack for crafting quirky, infectious melodies that are as playful as they are sophisticated.
The second half of the album shifts gears, offering a more meditative and atmospheric experience. Songs like "Julie With..." and "By This River" are hauntingly beautiful, with sparse arrangements that allow Eno's emotive vocals and delicate instrumentation to shine. These tracks foreshadow the ambient direction Eno would fully embrace in his later works, such as "Ambient 1: Music for Airports."
One of the most remarkable aspects of "Before and After Science" is its production. Eno worked with a stellar cast of musicians, including Phil Collins, Percy Jones, and Robert Fripp, to bring his vision to life. The result is an album that feels meticulously crafted yet effortlessly fluid, with each track offering something unique while contributing to the overall cohesion of the record.
Critically, "Before and After Science" was well-received upon its release and has since been hailed as a classic. It captures a pivotal moment in Eno's career, bridging his earlier glam rock and art pop experiments with his later ambient masterpieces. The album's influence can be heard in the work of countless artists who have drawn inspiration from Eno's innovative approach to music.
In many ways, "Before and After Science" is a perfect entry point for those new to Brian Eno's music. It encapsulates his ability to push boundaries while remaining deeply human and emotionally resonant. Whether you're drawn to the kinetic energy of the first half or the serene beauty of the second, this album offers a rich and rewarding listening experience that continues to captivate audiences decades after its release.