Album Info
Artist: | Brian Eno |
Album: | Foreverandevernomore |
Released: | Worldwide, 14 Oct 2022 |
Tracklist:
A1 | Who Gives A Thought | 3:59 |
Guitar - Leo Abrahams | ||
Written-By, Instruments, Voice - Brian Eno | ||
A2 | We Let It In | 3:28 |
Written-By, Instruments, Voice - Brian Eno | ||
Written-By, Voice - Darla Eno | ||
A3 | Icarus Or Blériot | 4:23 |
Guitar - Leo Abrahams | ||
Written-By, Instruments, Voice - Brian Eno | ||
A4 | Garden Of Stars | 4:19 |
Guitar - Leo Abrahams | ||
Keyboards - Peter Chilvers | ||
Voice - Cecily Eno | ||
Written-By, Instruments, Voice - Brian Eno | ||
A5 | Inclusion | 4:55 |
Violin, Viola - Marina Moore | ||
Written-By, Instruments - Brian Eno | ||
B1 | There Were Bells | 4:52 |
Accordion - Roger Eno | ||
Guitar - Leo Abrahams | ||
Written-By, Instruments, Voice - Brian Eno | ||
B2 | Sherry | 3:25 |
Guitar - Leo Abrahams | ||
Written-By, Instruments, Voice - Brian Eno | ||
B3 | I'm Hardly Me | 3:50 |
Written-By, Instruments, Voice - Brian Eno | ||
Written-By, Voice - Darla Eno | ||
B4 | These Small Noises | 3:22 |
Guitar - Leo Abrahams | ||
Voice - Clodagh Simonds | ||
Written-By, Instruments, Voice - Brian Eno | ||
Written-By, Keyboards - Jon Hopkins | ||
B5 | Making Gardens Out Of Silence | 8:21 |
Voice - Kyoko Inatome | ||
Written-By, Instruments - Brian Eno |
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Description
LP - Black Vinyl. Housed in Eco-Packaging.
Brian Eno will release his 22nd studio album FOREVERANDEVERNOMORE on October 14 on vinyl and CD formats. The 10 track album was made at his studio in West London. Brian sings vocals on the majority of tracks for the first time on an album since 2005’s Another Day On Earth.
Released today (Jul 28th) is the track “There Were Bells”, written by Brian Eno for a performance by him and his brother Roger at UNESCO World Heritage site, the Acropolis in August 2021 (and where the music video stems from). It was 45 degrees in Athens on the day of the concert with wildfires raging just outside the city, prompting his introductory comment “I thought, here we are at the birthplace of Western civilization, probably witnessing the end of it.”
“There Were Bells” provides a poignant reminder of the current climate emergency, a theme that is explored throughout the album. Reflecting on the album, Brian Eno comments: “Like everybody else – except, apparently, most of the governments of the world – I’ve been thinking about our narrowing, precarious future, and this music grew out of those thoughts. Perhaps it’s more accurate to say I’ve been feeling about it…and the music grew out of the feelings. Those of us who share those feelings are aware that the world is changing at a super-rapid rate, and that large parts of it are disappearing forever…hence the album title FOREVERANDEVERNOMORE.”
“These aren’t propaganda songs to tell you what to believe and how to act. Instead they’re my own exploration of my own feelings. The hope is that they will invite you, the listener, to share those experiences and explorations.
“It took me a long time to embrace the idea that we artists are actually feelings-merchants. Feelings are subjective. Science avoids them because they’re hard to quantify and compare. But ‘feelings’ are the beginnings of thoughts, and the long term attendants of them too. Feelings are the whole body reacting, often before the conscious brain has got into gear, and often with a wide lens that encompasses more than the brain is consciously aware of.
“Art is where we start to become acquainted with those feelings, where we notice them and learn from them – learn what we like and don’t like – and from there they start to turn into actionable thoughts. Children learn through play; adults play through Art. Art gives you the space to ‘have’ feelings, but it comes with an off-switch: you can shut the book or leave the gallery. Art is a safe place to experience feelings – joyous ones and difficult ones. Sometimes those feelings are about things we long for, sometimes they’re about things we might want to avoid.
“I’m more and more convinced that our only hope of saving our planet is if we begin to have different feelings about it: perhaps if we became re-enchanted by the amazing improbability of life; perhaps if we suffered regret and even shame at what we’ve already lost; perhaps if we felt exhilarated by the challenges we face and what might yet become possible. Briefly, we need to fall in love again, but this time with Nature, with Civilization and with our hopes for the future.”