George Harrison - Electronic Sound (LP)

George Harrison's "Electronic Sound," released in May 1969, stands as a curious and often overlooked entry in the discography of the famed Beatle. This album, Harrison's second solo effort, diverges significantly from the pop and rock sensibilities that characterized his work with The Beatles. Instead, "Electronic Sound" delves into the avant-garde world of electronic music, a genre that was still in its infancy at the time.

The album consists of two lengthy tracks, "Under the Mersey Wall" and "No Time or Space," each occupying an entire side of the LP. These compositions were created using the Moog synthesizer, an instrument that was revolutionary in the late 1960s. Harrison was one of the first musicians to experiment with the Moog, and "Electronic Sound" serves as a testament to his pioneering spirit and willingness to explore new musical landscapes.

"Under the Mersey Wall" was recorded in Esher, England, and features a series of abstract sounds and textures that ebb and flow over the course of its nearly 19-minute runtime. The track is named after a location near Harrison's home, adding a personal touch to the otherwise impersonal electronic soundscape. "No Time or Space," on the other hand, was recorded in California and is notable for its more chaotic and dissonant nature. This track was reportedly based on a demonstration tape given to Harrison by Bernie Krause, a synthesizer expert who had introduced him to the Moog. The inclusion of Krause's work without proper credit led to some controversy, with Krause later expressing dissatisfaction over the situation.

Critically, "Electronic Sound" received mixed reviews upon its release. Many listeners were unprepared for the album's experimental nature, especially coming from a member of The Beatles, who were known for their melodic and accessible music. Some critics appreciated Harrison's boldness and willingness to push boundaries, while others dismissed the album as self-indulgent and lacking in musical coherence. Over time, however, "Electronic Sound" has gained a measure of respect as an early example of electronic music experimentation, predating the widespread use of synthesizers in popular music.

The album did not achieve commercial success and remains a niche interest within Harrison's body of work. It did not win any major awards, nor did it chart significantly. However, its historical significance lies in its role as a precursor to the electronic music movement that would gain momentum in the following decades. Harrison's use of the Moog synthesizer on "Electronic Sound" also foreshadowed its incorporation into The Beatles' later work, most notably on the track "Here Comes the Sun" from the "Abbey Road" album.

For fans of George Harrison, "Electronic Sound" offers a glimpse into his experimental side and his willingness to embrace new technologies and ideas. It stands as a testament to his curiosity and his desire to explore the boundaries of music. While it may not be as celebrated as his later solo work, such as "All Things Must Pass," "Electronic Sound" remains an intriguing artifact from a time when the possibilities of electronic music were just beginning to be explored.

In conclusion, "Electronic Sound" is a challenging but fascinating listen that captures a moment of transition in both George Harrison's career and the broader musical landscape. It is an album that invites listeners to reconsider the role of technology in music and to appreciate the adventurous spirit of one of rock's most iconic figures. While it may not be for everyone, those with an interest in the history of electronic music or the more experimental side of The Beatles' legacy will find much to ponder in this unique recording.