Album Info
Artist: | Portishead |
Album: | Roseland NYC Live |
Gatefold: | Yes |
Released: | Europe, 26 Apr 2024 |
Tracklist:
A1 | Humming | |
Alto Flute - Ben Waghorn | ||
Oboe - Will Gregory | ||
Synthesizer [Moog] - Adrian Utley | ||
trombone - John Cornick | ||
trumpet - Andy Hague, Dave Ford | ||
A2 | Cowboys | |
A3 | All Mine | |
Alto Saxophone - Ben Waghorn | ||
Baritone Saxophone - Will Gregory | ||
trombone - John Cornick | ||
trumpet - Andy Hague, Dave Ford | ||
B1 | Mysterons | |
B2 | Only You | |
Alto Flute, Tenor Saxophone - Ben Waghorn | ||
Baritone Saxophone - Will Gregory | ||
Flugelhorn - Andy Hague, Dave Ford | ||
trombone - John Cornick | ||
Written-By - Stewart, Wilcox, Marrow, Rein, Zawinul, Thorne, Robinson, Hardson | ||
B3 | Half Day Closing | |
Drums - Geoff Barrow | ||
Percussion - Clive Deamer | ||
Synthesizer [Moog] - Adrian Utley | ||
Turntables [Decks] - Andy Smith | ||
Written-By - Byrd | ||
B4 | Over | |
C1 | Glory Box | |
Written-By - Hayes | ||
C2 | Sour Times | |
Alto Flute - Ben Waghorn | ||
Baritone Saxophone - Will Gregory | ||
Drums - Geoff Barrow | ||
Flugelhorn - Andy Hague, Dave Ford | ||
trombone - John Cornick | ||
Turntables [Decks] - Andy Smith | ||
Written-By - Schifrin, Turner, Brooks | ||
C3 | Roads | |
D1 | Strangers | |
Alto Flute, Alto Saxophone - Ben Waghorn | ||
Baritone Saxophone - Will Gregory | ||
trombone - John Cornick | ||
trumpet - Andy Hague, Dave Ford | ||
Written-By - Shorter | ||
D2 | Undenied | |
Edited By - TJ Allen | ||
D3 | Numb | |
Double Bass - Jim Barr | ||
D4 | Western Eyes | |
Cabasa - Adrian Utley | ||
Edited By - TJ Allen | ||
Piano - John Baggott |
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Description
Portishead's "Roseland NYC Live" is a mesmerizing album that captures the essence of the band's unique sound and the electric atmosphere of their live performances. Released on September 29, 1998, this live album showcases the band's performance at the Roseland Ballroom in New York City, a venue that has hosted countless iconic acts. The album is a testament to Portishead's ability to blend haunting melodies with trip-hop beats, creating an immersive experience that resonates deeply with listeners.
The live recording features a selection of tracks from their first two studio albums, "Dummy" and "Portishead," along with a few new arrangements that breathe fresh life into their well-known songs. The standout tracks include the hauntingly beautiful "Sour Times," which opens the album with its signature melancholic vibe, and the intense, atmospheric "Glory Box," which showcases Beth Gibbons' ethereal vocals. The live rendition of "All Mine" is another highlight, with its dramatic build-up and Gibbons' powerful delivery that sends chills down your spine.
Critically, "Roseland NYC Live" was well-received, with many reviewers praising the band's ability to recreate the studio's intricate soundscapes in a live setting. Major publications like Rolling Stone and NME lauded the album for its emotional depth and the raw energy of the performance. The album captures the essence of Portishead's music, which often feels like a journey through the darker corners of the human experience, and the live setting amplifies that emotional resonance.
One of the most interesting aspects of this album is the way it was produced. The band worked closely with producer and engineer John Leckie, who has a history of working with some of the biggest names in music. His expertise helped to ensure that the live recording maintained the atmospheric quality that Portishead is known for. The use of strings and live instrumentation adds a lush layer to the performance, making it feel both intimate and grand at the same time.
"Roseland NYC Live" also holds cultural significance as it captures a moment in the late '90s when trip-hop was at the forefront of the music scene. Portishead, along with bands like Massive Attack and Tricky, helped to define this genre, which blended elements of hip-hop, electronica, and jazz. The album serves as a reminder of the innovative spirit of that era and how it influenced countless artists in the years that followed.
In terms of accolades, while "Roseland NYC Live" itself did not win any major awards, it was nominated for a Grammy Award for Best Alternative Music Album in 1999, which speaks to its impact and the high regard in which it is held. The album has since become a staple for fans of the genre and is often cited as one of the best live albums of its time.
Listening to "Roseland NYC Live" is like stepping into a time capsule of the late '90s music scene. The raw emotion in Gibbons' voice, combined with the atmospheric instrumentation, creates a captivating experience that feels both nostalgic and timeless. It's an album that invites you to get lost in its sound, whether you're revisiting it or experiencing it for the first time.
In conclusion, Portishead's "Roseland NYC Live" is more than just a live album; it's a powerful representation of a band at the height of their creative powers. With its haunting melodies, emotional depth, and cultural significance, it remains a must-listen for anyone interested in the evolution of modern music. Whether you're a long-time fan or new to their sound, this album is sure to leave a lasting impression.